Famous Last Words: Changes in Gender and Narrative ClosureAlison Booth University of Virginia Press, 1993 - 393 страница Famous Last Words traces a broad historical transition- from the 1840s to the 1980s- from the more rigid dichotomy of the Victorian novel, in which good women must marry and fallen women die, to the more open alternatives of twentieth-century fiction, which sometimes permit the independent female protagonist to survive and occasionally allow alternative constructions of gender as well as plot. Each essay treats a narrative- novel, novella, or novel poem- by a single author in light of conventions of closure and of gender in historical context. The contributors recover forgotten texts, revise our understanding of women writers once successful, but now somewhat marginalized, and give voice to cultural "others." Works by the already canonized George Eliot are reassessed, and the representation of women in the canonical novels of male writers William Thackeray and Henry James is explored. |
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... Close of The House of Mirth 230 ANN ARDIS Toward a Redefinition of " Experimental Writing " : Netta Syrett's Realism , 1908-12 259 SUZANNE W. JONES Reading the Endings in Katherine Anne Porter's " Old Mortality " 280 CAROLINE RODY ...
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PART | 4 |
LISA JADWIN | 13 |
HERBERT F TUCKER | 62 |
SHARON DAVIE | 86 |
ALISON BOOTH | 110 |
KRUEGER | 135 |
BONNIE ZIMMERMAN | 154 |
PETERSON | 177 |
ARATA | 199 |
SHARI BENSTOCK | 230 |
ANN ARDIS | 259 |
Old Mortality | 280 |
KNOEPFLMACHER | 347 |