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RUPERT BROOKE

UPERT Brooke had the oldest pith of England in his fibre. He was born of East Anglia, the original vein of English blood. Ruddy skin, golden-brown hair, blue eyes, are the stamp of the Angles. Walsingham, in Norfolk, was the home of the family. His father was a master at Rugby; his grandfather a canon in the church.

In 1913 Heffer, the well-known bookseller and publisher of Cambridge, England, issued a little anthology called Cambridge Poems 1900-1913. This volume was my first introduction to Brooke. As an undergraduate at Oxford during the years 1910-13 I had heard of his work from time to time; but I think we youngsters at Oxford were too absorbed in our own small versemakings to watch very carefully what the "Tabs" were doing. His poem The Old Vicarage, Grantchester, reprinted in Heffer's Cambridge Poems, first fell under my eye during the winter of 1913-14.

Grantchester is a tiny hamlet just outside Cambridge; set in the meadows along the Cam or Granta (the earlier name), and next door to the Trump

ington of Chaucer's "The Reeve's Tale." All that Cambridge country is flat and comparatively uninteresting; patchworked with chalky fields bright with poppies; slow, shallow streams drifting between pollard willows; it is the beginning of the fen district, and from the brow of the Royston downs (thirteen miles away) it lies as level as a table-top with the great chapel of King's clear against the sky. It is the favourite lament of Cambridge men that their "Umgebung" is so dull and monotonous compared with the rolling witchery of Oxfordshire.

But to the young Cantab sitting over his beer at the Café des Westens in Berlin, the Cambridge villages seemed precious and fair indeed. Balancing between genuine homesickness for the green pools of the Cam, and a humorous whim in his rhymed comment on the outlying villages, Brooke wrote the Grantchester poem; and probably when the fleeting pang of nostalgia was over enjoyed the evening in Berlin hugely. But the verses are more than of merely passing interest. To one who knows that neighbourhood the picture is cannily vivid. To me it brings back with painful intensity the white winding road from Cambridge to Royston which I have bicycled hundreds of times. One sees the little inns along the way -the Waggon and Horses, the Plough, the King's

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Arms-and the recurring blue signboard Fine Royston Ales (the Royston brewery being famous in those parts). Behind the fun there shines Brooke's passionate devotion to the soil and soul of England which was to reach its final expression so tragically soon. And even behind this the immortal questions of youth which have no country and no clime

Say, is there Beauty yet to find?

And Certainty? and Quiet kind?

No lover of England, certainly no lover of Cambridge, is likely to forget the Grantchester poem. But knowing Brooke only by that, one may perhaps be excused for having merely ticketed him as one of the score of young varsity poets whom Oxford and Cambridge had graduated in the past decade and who are all doing fine and promising work. Even though he tarried here in the United States ("El Cuspidorado," as he wittily observed) and many hold precious the memory of his vivid mind and flashing face, to most of us he was totally unknown. Then came the War; he took part in the unsuccessful Antwerp Expedition; and while in training for the Ægean campaign he wrote the five sonnets entitled "1914." I do not know exactly when they were written or where first published. Their great popularity began when the Dean of St. Paul's

quoted from them in a sermon on Easter Day, 1915, alluding to them as the finest expression of the English spirit that the War had called forth. They came to New York in the shape of clippings from the London Times. No one could read the matchless sonnet:

"If I should die, think only this of me:

That there's some corner of a foreign field
That is for ever England."

and not be thrilled to the quick. A country doctor in Ohio to whom I sent a copy of the sonnet wrote “I cannot read it without tears." This was poetry indeed; like the Scotchman and his house, we kent it by the biggin o't. I suppose many another stranger must have done as I did: wrote to Brooke to express gratitude for the perfect words. But he had sailed for the Mediterranean long before. Presently came a letter from London saying that he had died on the very day of my letter April 23, 1915. He died on board the French hospital ship Duguay-Trouin, on Shakespeare's birthday, in his 28th year. One gathers from the log of the hospital-ship that the cause of his death was a malignant ulcer, due to the sting of some venomous fly. He had been weakened by a previous touch of sunstroke.

A description of the burial is given in "Memorials of Old Rugbeians Who Fell in the Great

War." It vividly recalls Stevenson's last journey to the Samoan mountain top which Brooke himself had so recently visited. The account was written by one of Brooke's comrades, who has since been killed in action:

We found a most lovely place for his grave, about a mile up the valley from the sea, an olive grove above a watercourse, dry now, but torrential in winter. Two mountains flank it on either side, and Mount Khokilas is at its head. We chose a place in the most lovely grove I have ever seen, or imagined, a little glade of about a dozen trees, carpeted with mauveflowering sage. Over its head droops an olive tree, and round it is a little space clear of all undergrowth.

About a quarter past nine the funeral party arrived and made their way up the steep, narrow, and rocky path that leads to the grave. The way was so rough and uncertain that we had to have men with lamps every twenty yards to guide the bearers. He was borne by petty officers of his own company, and so slowly did they go that it was not till nearly eleven that they reached the grave.

We buried him by cloudy moonlight. He wore his uniform, and on the coffin were his helmet, belt, and pistol (he had no sword). We lined the grave with flowers and olive, and Colonel Quilter laid an olive wreath on the coffin. chaplain who saw him in the afternoon read the service very simply. The firing party fired three volleys and the bugles sounded the "Last Post."

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And so we laid him to rest in that lovely valley, his head towards those mountains that he would have loved to know, and his feet towards the sea. He once said in chance talk that he would like to be buried in a Greek island. He could

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