Italian Neorealism: Rebuilding the Cinematic City

Предња корица
Columbia University Press, 17. 3. 2006. - 144 страница
Italian Neorealism: Rebuilding the Cinematic City is a valuable introduction to one of the most influential of film movements. Exploring the roots and causes of neorealism, particularly the effects of the Second World War, as well as its politics and style, Mark Shiel examines the portrayal of the city and the legacy left by filmmakers such as Rossellini, De Sica, and Visconti. Films studied include Rome, Open City (1945), Paisan (1946), The Bicycle Thief (1948), and Umberto D. (1952).
 

Садржај

Describing Neorealism
1
1 The Origins of Neorealism
17
2 Neorealisms First Phase
37
3 Neorealism and the City
63
4 The Battle of Neorealism
80
5 Neorealisms Second Phase
96
Legacies of Neorealism
122
Bibliography
128
Index
139
Ауторска права

Друга издања - Прикажи све

Чести термини и фразе

О аутору (2006)

Mark Shiel is lecturer in film studies at King's College, London. He is the author of Cinema and the City and Screening the City.

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