An Essay on the Writings and Genius of Shakespear Compared with the Greek and French Dramatic Poets: With Some Remarks Upon the Misrepresentations of Mons. de VoltaireH. Hughs, 1772 - 288 страница |
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... of Henry IV . P. III . On the Præternatural Beings . P. 133 . The Tragedy of Macbeth . P. 173 . Upon the Cinna of Corneille . Upon the Death of Julius Cæfar . P. 207 . P. 245 . " INTRODUCTION . R. Pope , in the preface to.
... of Henry IV . P. III . On the Præternatural Beings . P. 133 . The Tragedy of Macbeth . P. 173 . Upon the Cinna of Corneille . Upon the Death of Julius Cæfar . P. 207 . P. 245 . " INTRODUCTION . R. Pope , in the preface to.
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... Corneille . In fpite of the admonitions given by that admirable critic Boileau to their dramatic writers in the following lines : Gardez donc de donner , ainfi que dans Clélie , L'air ni l'efprit François à l'antique Italie ; Et fous ...
... Corneille . In fpite of the admonitions given by that admirable critic Boileau to their dramatic writers in the following lines : Gardez donc de donner , ainfi que dans Clélie , L'air ni l'efprit François à l'antique Italie ; Et fous ...
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... Corneille , ob- ject to the barbarism of Shakespear's . There never was a more barbarous mode of writing than that of the French romances in the laft age , nor which from its tediousness , languor , and want of truth of character , is ...
... Corneille , ob- ject to the barbarism of Shakespear's . There never was a more barbarous mode of writing than that of the French romances in the laft age , nor which from its tediousness , languor , and want of truth of character , is ...
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... Corneille tells us , it was his good fortune to find it the general opinion , that none of his pieces was composed with more art ; fo little was the dramatic art un- derstood in the polite court of Louis XIV . The Edipus of Corneille is ...
... Corneille tells us , it was his good fortune to find it the general opinion , that none of his pieces was composed with more art ; fo little was the dramatic art un- derstood in the polite court of Louis XIV . The Edipus of Corneille is ...
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... Corneille ; where the enamoured pair difclaim all other regards and duties , human and divine , for the character of mere Lovers . In this play , great violence is done . to the character of the perfons , to which Horace , and all good ...
... Corneille ; where the enamoured pair difclaim all other regards and duties , human and divine , for the character of mere Lovers . In this play , great violence is done . to the character of the perfons , to which Horace , and all good ...
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abfurd addrefs admired Affaffin affift affume againſt allegory anſwer ANTONY appears arifes Auguftus baſe beſt blood Brutus Cæfar Caffius cauſe character Cinna circumſtances confpiracy confpirators Corneille critics dæmons defire drama ELPINICE Emilia eſtabliſhed Euripides expreffed fable fame faſhioned fays fecret feems fentiments fhall fhew firft firſt fituation folemn fome foul fpecies fpectator French ftill fubjects fuch fuperftition fuperiority furely genius ghoſt hath heart heav'n hero himſelf hiſtory honour human imitation intereſt itſelf juſt king lefs Macbeth manners mind moft moſt muſt nature neceffary obferved occafion paffion perfons piece play pleaſe pleaſure Poet Poetry preſent purpoſe racter raiſed reaſon repreſentation repreſented reſpect Roman ſay ſcene ſeems Shakeſpear ſhall ſhe ſhould ſome Sophocles ſpeak ſpeech ſpirit ſtage ſtate ſtill ſtory ſtyle ſuch Tacitus taſte thee thefe theſe thofe thoſe thou tion tragedy tragedy of Macbeth tranflation underſtand uſed verfe Voltaire vulgar whofe whoſe Witches