An Essay on the Writings and Genius of Shakespear Compared with the Greek and French Dramatic Poets: With Some Remarks Upon the Misrepresentations of Mons. de VoltaireH. Hughs, 1772 - 288 страница |
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Страница 5
... hear a critic , who profeffes himself an admirer of the tragedies of Corneille , ob- ject to the barbarism of Shakespear's . There never was a more barbarous mode of writing than that of the French romances in the laft age , nor which ...
... hear a critic , who profeffes himself an admirer of the tragedies of Corneille , ob- ject to the barbarism of Shakespear's . There never was a more barbarous mode of writing than that of the French romances in the laft age , nor which ...
Страница 40
... hear the stage , from whence iffued precepts that awakened the Magifirate , animated the Chief , and im- proved the Citizen , now giving leffons of Love , and the dramatic art , no longer at- tempting to purge the paffions by Pity and ...
... hear the stage , from whence iffued precepts that awakened the Magifirate , animated the Chief , and im- proved the Citizen , now giving leffons of Love , and the dramatic art , no longer at- tempting to purge the paffions by Pity and ...
Страница 72
... . Nor is this rule , that a princefs can love only the son of a king , a mere Spanish punto ; you shall hear two Spartan virgins , daugh- 1 ters . ters of Lyfander , fpeaking the fame language , ELPINICE 72 On the HISTORICAL DRAMA .
... . Nor is this rule , that a princefs can love only the son of a king , a mere Spanish punto ; you shall hear two Spartan virgins , daugh- 1 ters . ters of Lyfander , fpeaking the fame language , ELPINICE 72 On the HISTORICAL DRAMA .
Страница 74
... people that could delight in bloody skirmishes on the stage . The English , as unjustly , but as excufably , accufe of effeminacy and frivoloufness , those who - who could fit to hear the following addrefs of 74 On the HISTORICAL DRAMA .
... people that could delight in bloody skirmishes on the stage . The English , as unjustly , but as excufably , accufe of effeminacy and frivoloufness , those who - who could fit to hear the following addrefs of 74 On the HISTORICAL DRAMA .
Страница 75
... hear the following addrefs of a lover to his miftrefs's bodkin , with which she had just put out one of his eyes : PYMANTE . O toi , qui fecondant fon courage inhumain , Loin d'orner fes cheveux , difhonores fa main , Exécrable ...
... hear the following addrefs of a lover to his miftrefs's bodkin , with which she had just put out one of his eyes : PYMANTE . O toi , qui fecondant fon courage inhumain , Loin d'orner fes cheveux , difhonores fa main , Exécrable ...
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abfurd addrefs admired Affaffin affift affume againſt allegory anſwer ANTONY appears arifes Auguftus baſe beſt blood Brutus Cæfar Caffius cauſe character Cinna circumſtances confpiracy confpirators Corneille critics dæmons defire drama ELPINICE Emilia eſtabliſhed Euripides expreffed fable fame faſhioned fays fecret feems fentiments fhall fhew firft firſt fituation folemn fome foul fpecies fpectator French ftill fubjects fuch fuperftition fuperiority furely genius ghoſt hath heart heav'n hero himſelf hiſtory honour human imitation intereſt itſelf juſt king lefs Macbeth manners mind moft moſt muſt nature neceffary obferved occafion paffion perfons piece play pleaſe pleaſure Poet Poetry preſent purpoſe racter raiſed reaſon repreſentation repreſented reſpect Roman ſay ſcene ſeems Shakeſpear ſhall ſhe ſhould ſome Sophocles ſpeak ſpeech ſpirit ſtage ſtate ſtill ſtory ſtyle ſuch Tacitus taſte thee thefe theſe thofe thoſe thou tion tragedy tragedy of Macbeth tranflation underſtand uſed verfe Voltaire vulgar whofe whoſe Witches