Yet with becoming grief he bore his part, DAMON. Such is my wish, and such my prophecy; For yet, my friend, the beauteous mould remains; Long may she exercise her fruitful pains! But, ah! with better hap, and bring a race More lasting, and endued with equal grace! Equal she may, but farther none can go; For he was all that was exact below. MENALCAS. Damon, behold yon breaking purple cloud; Hear'st thou not hymns and songs divinely loud? There mounts Amyntas; the young cherubs play About their godlike mate, and sing him on his way. He cleaves the liquid air; behold, he flies, And every moment gains upon the skies. Your brother's voice that comes to mend your quire: ON THE DEATH OF A VERY YOUNG GENTLEMAN. HE, who could view the book of destiny, Would wonder when he turned the volume o’er, And giving us the use, did soon recal, More clear than the corrupted fount began. As such we loved, admired, almost adored, Thus was the crime not his, but ours alone; UPON YOUNG MR ROGERS, OF GLOUCESTERSHIRE. The family of Rogers seems to have been of considerable antiquity in Gloucestershire. They possessed the estate of Dowdeswell during the greater part of the 16th and 17th centuries. Many of their monuments are in the church of Dowdeswell, of which they were patrons.-See ATKYN's Gloucestershire. The subject of this epitaph was probably of this family. OF gentle blood, his parents only treasure, More moderate gifts might have prolonged his date, But, knowing heaven his home, to shun delay, ON THE DEATH OF MR PURCELL. IN MUSIC. HENRY PURCELL, as a musician, is said by Burney to have been as much the pride of an Englishman, as Shakespeare in the drama, Milton in epic poetry, or Locke and Newton in their several departments of philosophy. He was born in 1658, and died in 1695, at the premature age of 37 years. Dryden, to whose productions he had frequently added the charms of music, devoted a tribute to his memory in the following verses, which, with others by inferior bards, were prefixed to a collection of Purcell's music, published two years after his death, under the title of ORPHEUS BRITANNICUS. The Ode was set to music by Dr Blow, and performed at the concert in York Buildings. Dr Burney says, that the music is composed in fugue and imitation; but appears laboured, and is wholly without invention or pathos. The " Orpheus Britannicus" being inscribed by the widow of Purcell to the Hon. Lady Howard, both Sir John Hawkins and Dr Burney have been led into the mistake of supposing, that the person so named was no other than Lady Elizabeth Dryden, our author's wife. Mr Malone has detected this error; and indeed the high compliments paid by the dedicator to Mr Purcell's patroness, as an exquisite musician, a person of extensive influence, and one whose munificence had covered the remains of Purcell with 66 a fair monument," are irreconcileable with the character, situation, and pecuniary circumstances of Lady Elizabeth Dryden. The Lady Howard of the dedication must, unquestionably, have been the wife of the Honourable Sir Robert Howard; whence it follows, that the "honourable gentleman, who had the dearest, and most deserved relation to her, and whose excellent compositions were the subject of Purcell's last and best performances in music," was not our author, as has been erroneously supposed, but his brotherin-law, the said Sir Robert Howard, who continued to the last to |