30 If I leave all for thee, wilt thou exchange That comes to each in turn, nor count it strange When I look up, to drop on a new range Of walls and floors, another home than this? Nay, wilt thou fill that place by me which is 35 Filled by dead eyes too tender to know change? That's hardest. If to conquer love, has tried, To conquer grief, tries more, as all things prove; For grief indeed is love and grief beside. wide, And fold within the wet wings of thy dove. XLIII 40 How do I love thee? Let me count the ways. I love thee to the depth and breadth and height My soul can reach, when feeling out of sight 45 I love thee to the level of everyday's I love thee purely, as they turn from Praise. 50 I love thee with the passion put to use In my old griefs, and with my childhood's faith. I love thee with a love I seemed to lose With my lost saints,-I love thee with the breath, Smiles, tears, of all my life!-and, if God choose, I shall but love thee better after death. 55 Lovely all times, she lies, lovely to-night! Only, methinks, some loss of habit's power Befalls me wandering through this upland dim. Once passed I blindfold here, at any hour; Now seldom come I, since I came with him. That single elm-tree bright Against the west-I miss it! is it gone? 25 We prized it dearly; while it stood, we said, 1 A. H. Clough (1819-1861), a man of brilliant gifts and attractive personality, holds an honorable, if subordinate place among the Victorian poets. (See p. 663). He attended Rugby where he was a favorite pupil of Dr. Arnold; he went to Oxford in 1837, and became a fellow of Oriel College in 1842. Matthew Arnold entered Oxford in 1841 and was made a fellow of Oriel College in 1845. Immediately after Clough's death Arnold referred to him as "one of the few people who ever made a deep impression upon me,' and hinted at his intention of expressing in some form his feeling for his dead friend. (V. Arnold's Letters I. 177). 2 Two villages near Oxford. The poem gains in sincerity and definiteness by its numerous references to neighboring localities, intimately associated with the days which Clough and Arnold spent together at the University. Come with the volleying rain and tossing breeze: The bloom is gone, and with the bloom go I! Too quick despairer, wherefore wilt thou go? Soon will the high Midsummer pomps come i. e. the "signal elm," the tree on the hill-top in "the old haunt," which Arnold has referred to several times before. It was evidently a favorite meeting place of the two friends, and associated with memories of the Scholar-Gipsy, whose spiritual presence typified the indestructible nature of the ideal. 8" Daphnis, the ideal Sicilian shepherd of Greek pastoral poetry, was said to have followed into Phrygia his mistress Piples, who had been carried off by robbers, and to have found her in the power of the king of Phrygia, Lityerses. Lityerses used to make strangers try a contest with him in reaping corn, and to put them to death if he overcame them. Hercules arrived in time to save Daphnis, took upon himself the reaping-contest with Lityerses, overcame him, and slew him. The Lityerses-song connected with this tradition was, like the Linus-song, one of the early plaintive strains of Greek popular poetry and used to be sung by corn-reapers." Arnold. TO MARGUERITE (From Switzerland) Yes! in the sea of life enisled, With echoing straits between us thrown, But when the moon their hollow lights, Oh, then a longing like despair Who ordered, that their longing's fire ABSENCE (From the same) In this fair stranger's eyes of grey This is the curse of life! that not A nobler, calmer train 5 DOVER BEACH (From New Poems, 1867) The sea is calm to-night. The tide is full, the moon lies fair Come to the window, sweet is the night-air! Where the sea meets the moon-blanch'd sand, Listen! you hear the grating roar Of pebbles which the waves draw back, and fling, 20 |