Vanishing Women: Magic, Film, and FeminismDuke University Press, 2003 - 239 страница With the help of mirrors, trap doors, elevators, photographs, and film, women vanish and return in increasingly spectacular ways throughout the nineteenth and twentieth centuries. Karen Beckman tracks the proliferation of this elusive figure, the vanishing woman, from her genesis in Victorian stage magic through her development in conjunction with photography and film. Beckman reveals how these new visual technologies projected their anxieties about insubstantiality and reproducibility onto the female body, producing an image of "woman" as utterly unstable and constantly prone to disappearance. Drawing on cinema studies and psychoanalysis as well as the histories of magic, spiritualism, and photography, Beckman looks at particular instances of female vanishing at specific historical moments—in Victorian magic’s obsessive manipulation of female and colonized bodies, spiritualist photography’s search to capture traces of ghosts, the comings and goings of bodies in early cinema, and Bette Davis’s multiple roles as a fading female star. As Beckman places the vanishing woman in the context of feminism’s discussion of spectacle and subjectivity, she explores not only the problems, but also the political utility of this obstinate figure who hovers endlessly between visible and invisible worlds. Through her readings, Beckman argues that the visibly vanishing woman repeatedly signals the lurking presence of less immediately perceptible psychic and physical erasures, and she contends that this enigmatic figure, so ubiquitous in late-nineteenth- and twentieth-century culture, provides a new space through which to consider the relationships between visibility, gender, and agency. |
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... Hollywood cinema have made clear how narrative film , like the successful display window , encourages viewers to iden- tify with the often ideologically problematic characters on - screen , effectively " disappearing " or assimilating ...
... Hollywood but also in Hollywood films , fascist propaganda films , and the early short films that mark the beginnings of the medium . Why would this curi- ous figure , who incites crowds to smash ( albeit accidentally ) the fan- tasy ...
... Hollywood films — while simultaneously interrogating the politics of such pair- ings . How , I ask , might these strange matches cause us to consider in more complex and subtle ways our movements between the space of the " real " and ...
... Hollywood are named . Within the fallen star genre , we see Hollywood's most explicit meditation on the complicated relationship between film , being , and visibility . Actively drawing our attention to the fading star body , this genre ...
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Surplus Bodies Vanishing Women Conjuring Imperialism and the Rhetoric of Disappearance 18511901 | 17 |
Insubstantial Media Ectoplasm Exposure and the Stillbirth of Film | 61 |
Mother Knows Best Magic and Matricide | 93 |
Violent Vanishings Hitchcock Harlan and the Politics of Prestidigitation | 129 |
Shooting Stars Vanishing Comets Bette Davis and Cinematic Fading | 153 |
Afterword | 189 |
Notes | 195 |
Works Cited | 219 |
Filmography | 233 |
235 | |