Vanishing Women: Magic, Film, and FeminismDuke University Press, 2003 - 239 страница With the help of mirrors, trap doors, elevators, photographs, and film, women vanish and return in increasingly spectacular ways throughout the nineteenth and twentieth centuries. Karen Beckman tracks the proliferation of this elusive figure, the vanishing woman, from her genesis in Victorian stage magic through her development in conjunction with photography and film. Beckman reveals how these new visual technologies projected their anxieties about insubstantiality and reproducibility onto the female body, producing an image of "woman" as utterly unstable and constantly prone to disappearance. Drawing on cinema studies and psychoanalysis as well as the histories of magic, spiritualism, and photography, Beckman looks at particular instances of female vanishing at specific historical moments—in Victorian magic’s obsessive manipulation of female and colonized bodies, spiritualist photography’s search to capture traces of ghosts, the comings and goings of bodies in early cinema, and Bette Davis’s multiple roles as a fading female star. As Beckman places the vanishing woman in the context of feminism’s discussion of spectacle and subjectivity, she explores not only the problems, but also the political utility of this obstinate figure who hovers endlessly between visible and invisible worlds. Through her readings, Beckman argues that the visibly vanishing woman repeatedly signals the lurking presence of less immediately perceptible psychic and physical erasures, and she contends that this enigmatic figure, so ubiquitous in late-nineteenth- and twentieth-century culture, provides a new space through which to consider the relationships between visibility, gender, and agency. |
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... Women's Studies Colloquium were extremely help- ful . I thank Alexander Nehamas for inviting me to join the Prince- ton Society of Fellows , which has provided me with a vibrant and stimulating intellectual community in which to finish ...
... disappear- ances identification repeatedly effects ? She makes spectators aware of the moments when they , like she , are no longer there , and this aware- ness might produce a critical presence within the spectator along- 4 Vanishing ...
... women as vanishing beings clearly descends from a long literary tradition of the fatally elusive woman , a tradition that includes Eve's disappearance in Paradise Lost , Spenser's Faerie Queen , Keats's " Belle Dame sans Merci , " and ...
... women to shed outfits and self- images as quickly as does Baum's storefront mannequin . Harmless as it may seem , Baum's turn of the century American marketing cam- paign trades on a notion of woman as constantly changing and utterly ...
... women all too frequently screen from view prior and more permanent disappearances . In these instances , though the vanishing woman first makes visible , then resists , a certain misogy- nist desire to make women go away , she may also ...
Садржај
Surplus Bodies Vanishing Women Conjuring Imperialism and the Rhetoric of Disappearance 18511901 | 17 |
Insubstantial Media Ectoplasm Exposure and the Stillbirth of Film | 61 |
Mother Knows Best Magic and Matricide | 93 |
Violent Vanishings Hitchcock Harlan and the Politics of Prestidigitation | 129 |
Shooting Stars Vanishing Comets Bette Davis and Cinematic Fading | 153 |
Afterword | 189 |
Notes | 195 |
Works Cited | 219 |
Filmography | 233 |
235 | |