Fragmentation by Decree: Coleridge and the Text of RomanticismZentralstelle der Studentenschaft, 1990 - 261 страница |
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Страница 47
... lines anticipate the later lines , “ Again she saw that bosom old " [ 1. 457 ] and , " For what she knew she could not tell " [ 1. 619 ] . In the revised copy of the first edition presented by Coleridge to David Hinves in 1816 , line 40 ...
... lines anticipate the later lines , “ Again she saw that bosom old " [ 1. 457 ] and , " For what she knew she could not tell " [ 1. 619 ] . In the revised copy of the first edition presented by Coleridge to David Hinves in 1816 , line 40 ...
Страница 85
... lines and images " were written shortly after the Author had returned to his task , and in addition to this that he frequently made vain attempts to " finish " the vision . To finish a vision , it seems , means to fulfill what it ...
... lines and images " were written shortly after the Author had returned to his task , and in addition to this that he frequently made vain attempts to " finish " the vision . To finish a vision , it seems , means to fulfill what it ...
Страница 92
... line 42 on " Coleridge cannot read his own poem , but on the contrary only the possibility of his writing . " That is : - The poem from line 42 onward is no longer narratable but only performable . The last thirteen lines are a matter ...
... line 42 on " Coleridge cannot read his own poem , but on the contrary only the possibility of his writing . " That is : - The poem from line 42 onward is no longer narratable but only performable . The last thirteen lines are a matter ...
Садржај
Abbreviations | vii |
PARTS AND WHOLES | 1 |
THE BREAKING OF THE SPELL | 27 |
Ауторска права | |
други делови (3) нису приказани
Чести термини и фразе
allegory Ancient Mariner Angus Fletcher anxiety appears argues attempt becomes beginning Biographia Biographia Literaria called chapter Christabel Coleridge's Coleridge's poem Coleridge's text composition conception conclusion criticism discussion disruption distinction dome Dorothy Wordsworth dream Edited essay feeling fiction figure fragment fragmentary Frances Ferguson Friend Geraldine Geraldine's gloss Harold Bloom Harp Hazlitt idea images imagination interpretation interruption Jerome McGann Kubla Khan language letter lines literary London Luther Lyrical Ballads M. H. Abrams Mariner's mark Martha Ray meaning metaphor mind narrator narrator's notebook notion original passage philosophical poem poem's poet poet's poetic poetry Preface problem question quoted reader reading references reflection relation relationship revision rhetorical Rime Romantic rupture Samuel Taylor Coleridge scene seal seems sense song spell stanza story sublime supernatural symbol tale tell text's theory things Thorn threshold understanding unity University Press vision voice Wedding-Guest whole words Wordsworth's