Shakespeare's Speaking PropertiesBucknell University Press, 1991 - 222 страница This book is the first attempt to discuss systematically the properties in Shakespeare's plays, and analyzes the properties that Shakespeare specifies either explicitly in stage directions or implicitly in speeches. Property lists for all of Shakespeare's plays and frequency tables for various categories of property are included. |
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... costumes or his stage or his performance techniques . Oddly enough , however , the objects he specifies are often ignored . This study is the first attempt to discuss systematically the properties in Shakespeare's plays . Although much ...
... costumes or his stage or his performance techniques . Oddly enough , however , the objects he specifies are often ignored . This study is the first attempt to discuss systematically the properties in Shakespeare's plays . Although much ...
Страница 10
... costume and gestures . In his description of the banquet scene of Macbeth , Forman suggests that Ban- quo's ghost actually sits in Macbeth's chair , usurping the usurper's place . Although Forman mixes performed and re- ported action in ...
... costume and gestures . In his description of the banquet scene of Macbeth , Forman suggests that Ban- quo's ghost actually sits in Macbeth's chair , usurping the usurper's place . Although Forman mixes performed and re- ported action in ...
Страница 11
Frances N. Teague. consider properties separately from such elements as costume or decor on the grounds that separating properties from other performance elements might seem to privilege them in some way . Of course , the problem with ...
Frances N. Teague. consider properties separately from such elements as costume or decor on the grounds that separating properties from other performance elements might seem to privilege them in some way . Of course , the problem with ...
Страница 15
... costume or furniture , used in acting a play . ( Bossonet 10 ) Unanchored physical objects , light enough for a person to carry on stage for manual use there , define hand properties for semi- ological purposes . Elements usually ...
... costume or furniture , used in acting a play . ( Bossonet 10 ) Unanchored physical objects , light enough for a person to carry on stage for manual use there , define hand properties for semi- ological purposes . Elements usually ...
Страница 16
... costume is that actors use properties for a purpose that differs from their ordinary function . Such a simple set of ... ( costumes , decor , stage fur- niture ) on function , one must recognize that such a distinction may not always be ...
... costume is that actors use properties for a purpose that differs from their ordinary function . Such a simple set of ... ( costumes , decor , stage fur- niture ) on function , one must recognize that such a distinction may not always be ...
Садржај
9 | |
15 | |
The Good Properties of Bad Quartos | 35 |
Objects Comic and Comedic | 54 |
Spectacle Character Language | 79 |
This Chapter about Spectacle Is Not about Spectacle | 88 |
Object as Actor Caps Crowns and Characters | 121 |
Actor as Object The Petrified Woman | 142 |
Property Lists for Shakespeares Plays | 157 |
Property Categories and Frequency | 195 |
Notes | 198 |
Bibliography | 209 |
Index | 215 |
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Чести термини и фразе
action actor Antony armor audience audience's Bad Quartos banquet scene becomes Caesar casket character character's Cleopatra Cloten's colors comic Coriolanus corpse costume critics crown death Desdemona discussion dramatic effigy erty example Falstaff's feast flesh-stone metaphor FOLIO QUARTO A-S-L folio text function guests Guiderius Hamlet handkerchief head headgear Henry Henry IV Henry VI Hermione history plays imagery Juliet KIND FOLIO QUARTO king King Lear laughter Lear letter lines Love's Labor's Lost Macbeth masque meaning metonymic nature object occur offstage onstage Osric Othello performance play's playwright Portia's QUARTO A-S-L PROPERTY quarto and folio quarto text Renaissance Richard Richard III ring role Shakespeare's Shakespeare's comedies Shakespeare's plays signal skull social specifies spectacle spectacular scenes speech stage direction statue stone suggest supernatural sword symbolic tetralogy textual theatrical Timon of Athens tion Titus Andronicus tokens of identity torches tragedies Twelfth Night understand verbal violence visual weapons wear
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Страница 83 - Put out the light, and then put out the light. If I quench thee, thou flaming minister, I can again thy former light restore, Should I repent me; but once put out thy light, Thou cunning'st pattern of excelling nature, I know not where is that Promethean heat That can thy light relume.
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