Albion: The Origins of the English ImaginationChatto & Windus, 2002 - 516 страница Covers the whole of English cultural history from the Anglo-Saxon period to the present day--from the Venerable Bede through English myths such as the legends about King Arthur and Albion to C.S. Lewis; from Chaucer through Spenser to George Eliot; from the English mystics through the philosopher Locke to Iris Murdoch; from Purcell through Elgar to Michael Tippett; from Hogarth through Constable to Turner; from mystery plays through Shakespeare to music hall. Ackroyd's favourite themes are here: the visionary poetry of Blake, the theatrical novels of Dickens, the humanism of Thomas More--and there are also explorations of forgery and plagiarism, Romanticism, artificiality, farce and pantomime, assimilation and energy.--From publisher description. |
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Страница 229
... Nature , and Latin precision and clear reason , and Celtic quick - wittedness and spirituality , we fall short of ... nature ' . The mixture grows every day , much to the delight of those who understand the inclusive nature of ...
... Nature , and Latin precision and clear reason , and Celtic quick - wittedness and spirituality , we fall short of ... nature ' . The mixture grows every day , much to the delight of those who understand the inclusive nature of ...
Страница 367
... Nature rather than that of ' scholars who by Art do write ' . It is the technique of the Duchess of Newcastle who wrote ' so fast as I stay not so long to write my letters plain ' which suggests a natural susurrus hastening her along ...
... Nature rather than that of ' scholars who by Art do write ' . It is the technique of the Duchess of Newcastle who wrote ' so fast as I stay not so long to write my letters plain ' which suggests a natural susurrus hastening her along ...
Страница 435
... nature of theatrical passion and dramatic performance . They associated their art with the techniques of impersonation . Coleridge may be said to set the scene of the dramatic action with his remark upon Shakespeare that ' he had only ...
... nature of theatrical passion and dramatic performance . They associated their art with the techniques of impersonation . Coleridge may be said to set the scene of the dramatic action with his remark upon Shakespeare that ' he had only ...
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10 | 27 |
A Land of Dreams | 45 |
A Note on English Melancholy | 54 |
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ancient Anglo-Saxon antiquarianism Arthur associated became become Bible called Cambridge celebrated century character characteristic Chaucer Church common composed concerned considered context continued course created culture death described detail drama dream early effect eighteenth-century Elizabethan emerges England English imagination essay example experience expression fact fashion feeling female fiction French garden genius historian human important individual interest Italy James John Johnson kind King known landscape language later Latin learning literary literature living London medieval melancholy mystery narrative native nature never noted novel observed once original painting past perhaps period plays poem poet poetry practical principal prose published remarked represents romantic seems seen sense sensibility Shakespeare significant song spirit stage story style suggested Thomas tradition translation true turn verse vision women writing written wrote