A Wish. "A Wish" (by Samuel Rogers, 1763-1855) and "Lucy" (by Words. worth, 1770-1850) are two gems that can be valued only for the spirit of quiet and modesty diffused by them. MINE be a cot beside the hill; A bee-hive's hum shall soothe my ear; The swallow, oft, beneath my thatch And share my meal, a welcome guest. Around my ivied porch shall spring Each fragrant flower that drinks the dew; The village church among the trees, Where first our marriage-vows were given, Lucy. SHE dwelt among the untrodden ways A maid whom there were none to praise, A violet by a mossy stone Half-hidden from the eye! Fair as a star, when only one Is shining in the sky. She lived unknown, and few could know When Lucy ceased to be; But she is in her grave, and, oh, The difference to me! HAPPY the man, whose wish and care A few paternal acres bound, Content to breathe his native air In his own ground. Whose herds with milk, whose fields with bread, Whose flocks supply him with attire; In winter fire. Blest, who can unconcern'dly find Quiet by day, Sound sleep by night; study and ease And innocence, which most does please Thus let me live, unseen, unknown; Thus unlamented let me die; Steal from the world, and not a stone Tell where I lie. ALEXANDER POPE. John Anderson. "John Anderson," by Robert Burns (1759-96). This poem is included to please several teachers. JOHN ANDERSON, my jo, John, John Anderson, my jo, John, ROBERT BURNS. The God of Music. "The God of Music," by Edith M. Thomas, an Ohio poetess now iving. In this sonnet the poetess has touched the power of Wordsworth or Keats and placed herself among the immortals. THE God of Music dwelleth out of doors. To smooth autumnal pipes he moves his feet, A Musical Instrument. "A Musical Instrument" (by Elizabeth Barrett Browning (1806-61). This poem is the supreme masterpiece of Mrs. Browning. The prime thought in it is the sacrifice and pain that must go to make a poet or any genius. "The great god sighed for the cost and the pain." WHAT was he doing, the great god Pan, With the dragon-fly on the river. He tore out a reed, the great god Pan, High on the shore sat the great god Pan, And hack'd and hew'd as a great god can, To prove it fresh from the river. He cut it short, did the great god Pan (How tall it stood in the river !), Then drew the pith, like the heart of a man, Steadily from the outside ring, And notch'd the poor dry empty thing In holes, as he sat by the river. "This is the way," laugh'd the great god Pan (Laugh'd while he sat by the river), "The only way, since gods began To make sweet music, they could succeed." Sweet, sweet, sweet, O Pan! |