Meanjin, Том 52,Издања 3-4

Aboriginal art artists asked Australia authority become body called colonial comes critical culture desire discourse effect English experience eyes face feel felt feminism give groups hand human identity imagination important Indian indigenous interest issues John kind knowledge land language leave lines living look marxism means Melbourne Menzies Michael mother narrative nature never night painting particular past performance photograph play political position postcolonial present Press problem produced question reconciliation relation remember running seems sense Shakespeare social society speak standing story Studies suggests talk tell things thought tion traditional turn University walk West Western woman women writing