JOHN BARLEYCORN.* A BALLAD. THERE vent three kings into the east, They took a plough and plough'd him down, Put clods upon his head, And they hae sworn a solemn oath John Barleycorn was dead. But the cheerful spring came kindly on, And showers began to fall; John Barleycorn got up again, The sultry suns of summer came, The sober autumn enter'd mild, When he grew wan and pale, His bending joints and drooping head This is partly composed on the plan of an old song knowu ly the same name. His color sicken'd more and more, He faded into age; And then his enemies began They've ta'en a weapon long and sharp, They laid him down upon his back, They filled up a darksome pit They laid him out upon the floor They wasted o'er a scorching flame But a miller used him worst of all, For he crush'd him between two stones. And they hae taen his very heart's blood, John Barleycorn was a hero bold, For, if you do but taste his blood, "Twill make a man forget his wo; "Twill heighten all his joy; "Twill make the widow's heart to sing, Tho' the tear were in her eye. Then let us toast John Barleycorn, GLOSSARY. THE ch and gh have always the guttural sound. The Bound of the English diphthong oo, is commonly spelled ou. The French u, a sound which often occurs in the Scottish language, is marked oo, or ui. The a in genuine Scottish words, except when forming a diphthong, or followed by an e mute, after a single consonant, sounds generally like the broad English a in wall. The Scottish diphthongs, æ, always, and ea, very often, sound like the French e masculine. The Scottish diphthong ey sounds like the Latin ei. A. Aften, often, frequently, many times. A', all, every one, the whole. Agley, off the right line, obAback, away, aloof. Abeigh, at a shy distance. lique, wrong. Aiblins, perhaps. Aboon, above, up, in the re Aik, the oak. gions of heaven. Air, early, soon. Abread, abroad, in sight, at Airl-penny, earnest-money a Aff-hand, extempore, imme- Airn, iron. |