Ballad Collection, Lyric, and the Canon: The Call of the Popular from the Restoration to the New CriticismUniversity of Pennsylvania Press, 23. 4. 2013. - 304 страница The humble ballad, defined in 1728 as "a song commonly sung up and down the streets," was widely used in elite literature in the eighteenth century and beyond. Authors ranging from John Gay to William Blake to Felicia Hemans incorporated the seemingly incongruous genre of the ballad into their work. Ballads were central to the Scottish Enlightenment's theorization of culture and nationality, to Shakespeare's canonization in the eighteenth century, and to the New Criticism's most influential work, Understanding Poetry. Just how and why did the ballad appeal to so many authors from the Restoration period to the end of the Romantic era and into the twentieth century? |
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The Call of the Popular from the Restoration to the New Criticism Steve Newman. Introduction. Ballads run like a radioactive ... Song of the Common People” calling to them. So their enthusiasm overcomes their embarrassment in breaching the ...
The Call of the Popular from the Restoration to the New Criticism Steve Newman. Coleridge's altitude, and Warren's reminiscence, and we can begin to tell that tale by way of a definition of the ballad from 1728 as a “song commonly sung ...
... song. The ballad thereby embodies what I call the doubleness of lyric, its unusual blending of individual and ... popular song to know itself and its place in the nation. For instance, midcentury authors imagine Shakespeare himself as ...
... popular song or to have carried my study forward to consider how W. B. Yeats or Gwendolyn Brooks or Langston Hughes or Paul Muldoon uses popular song to continue altering lyric, not to mention the likenesses between the English Ballad ...
The Call of the Popular from the Restoration to the New Criticism Steve ... song commonly sung up and down the streets.” There is value in listing the ... common-ness, for these are the elements that make it most attractive for writers ...
Садржај
1 | |
Ballads Lyric and the Semiautonomy of Culture | 15 |
Pastoral Progress and the Lyric Split in Allan Ramsay John Home and Robert Burns | 44 |
Collecting Shakespeares SongsShakespeare as Song Collector | 97 |
4 Ballads and the Problem of Lyric Violence in Blake and Wordsworth | 136 |
Child Ballads Childrens Ballads and the New Criticism | 185 |
Notes | 229 |
Bibliography | 263 |
283 | |
Acknowledgments | 293 |
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