King LearPenguin UK, 7. 4. 2005. - 368 страница 'The most perfect specimen of the dramatic art existing in the world' Percy Bysshe Shelley |
Из књиге
Резултати 1-5 од 35
Страница
... speech, more colloquial in diction, as in the speeches of the Nurse in Romeo and Juliet, the characterful prose of Falstaff and Hamlet's soliloquies. The effect is of increasing psychological realism, reaching its greatest heights in ...
... speech, more colloquial in diction, as in the speeches of the Nurse in Romeo and Juliet, the characterful prose of Falstaff and Hamlet's soliloquies. The effect is of increasing psychological realism, reaching its greatest heights in ...
Страница
... speech and demeanour of Poor Tom as authentic as possible testify to the intensity of Shakespeare's absorption in Edgar's alter ego and the importance he attached to the creature's part in the play. The devils' names Flibberdigibbet ...
... speech and demeanour of Poor Tom as authentic as possible testify to the intensity of Shakespeare's absorption in Edgar's alter ego and the importance he attached to the creature's part in the play. The devils' names Flibberdigibbet ...
Страница
... speech, which Edgar's subsequent aside prompts us to hear as 'matter and impertinency mixed, | Reason in madness!' (IV.6.175–6): LEAR What, art mad? A man may see how this world goes with no eyes. Look with thine ears. See how yon ...
... speech, which Edgar's subsequent aside prompts us to hear as 'matter and impertinency mixed, | Reason in madness!' (IV.6.175–6): LEAR What, art mad? A man may see how this world goes with no eyes. Look with thine ears. See how yon ...
Страница
... speech to Poor Tom as they set out for Dover both echoes Lear's plea for the poor, naked wretches of his realm and anticipates, in the last two lines, the levelling thrust of Lear's 'reason in madness' speech: Here, take this purse ...
... speech to Poor Tom as they set out for Dover both echoes Lear's plea for the poor, naked wretches of his realm and anticipates, in the last two lines, the levelling thrust of Lear's 'reason in madness' speech: Here, take this purse ...
Страница
... speech in the storm that concludes 'I am a man | More sinned against than sinning' certainly suggests that unacknowledged culpability is preying on his mind: Tremble, thou wretch That hast within thee undivulgèd crimes Unwhipped of ...
... speech in the storm that concludes 'I am a man | More sinned against than sinning' certainly suggests that unacknowledged culpability is preying on his mind: Tremble, thou wretch That hast within thee undivulgèd crimes Unwhipped of ...
Друга издања - Прикажи све
Чести термини и фразе
actors ALBANY arms bastard beggar Burgundy Cordelia Cornwall daughters death dost Dover Dr Johnson Duke Duke of Albany Duke of Cornwall Edmund Elizabethan Enter Edgar Enter Lear Exeunt Exit eyes F reading father fear feel Folio follow Fool Fool’s fortune foul fiend France GENTLEMAN give Gloucester’s gods Gonerill Gonerill and Regan grace Harsnet’s hast hath heart Henry VI honour i’the justice KENT Kent’s King Lear kingdom knave knights Lear’s letter look lord madam man’s matter means nature noble nuncle o’er o’the omitted Oswald perhaps poor Poor Tom Pray presumably prose in Q Q and F Q corrected Quarto Regan Richard III scene seems sense servant Shakespeare Shakespeare’s plays sister speak speech stand storm sword tears theatrical thee There’s thine things Titus Andronicus Tom’s tragedy trumpet villain Who’s Winter’s Tale words wretches