Akira Kurosawa and Intertextual CinemaIn Akira Kurosawa and Intertextual Cinema, James Goodwin draws on contemporary theoretical and critical approaches to explore the Japanese director's use of a variety of texts to create films that are uniquely intertextual and intercultural. Surveying all of Kurosawa's films and examining six films in depth -- The Idiot, The Lower Depths, Rashomon, Ikiru, Throne of Blood, and Ran -- Goodwin finds in Kurosawa's themes and techniques the capacity to restructure perceptions of Western and Japanese cultures and to establish new meanings in each. |
Шта други кажу - Напишите рецензију
Нисмо пронашли ниједну рецензију на уобичајеним местима.
Садржај
A Life and Its Intertexts | 26 |
Russian Intertexts | 57 |
Modernist Narrative and Intertextuality | 113 |
Ауторска права | |
други делови (4) нису приказани
Друга издања - Прикажи све
Чести термини и фразе
action Actor adaptation Akira Autobiography bandit become camera Castle characters cinema codes common complete condition context continues critics cultural death developed direction director Dostoevsky dramatic effect emotional example experience expression face figure film film's final follows forest further genre given Hidetora human Ikiru individual initial intertextual Japan Japanese Kameda Kuro Kurosawa Lady later Lear leaves lives Lord Lower Depths material matter meaning ment movement murder Myshkin narration narrative novel once opening original paradox period perspective play plot position present Press production Rashomon remains Richie role samurai scene screen script sense sequence shot social spirit story structure Taeko takes textual Throne of Blood tion traditional trans truth turn University University Press visual Washizu Watanabe Watanabe's Western wife wipe York