Akira Kurosawa and Intertextual CinemaJohns Hopkins University Press, 1994 - 265 страница In Akira Kurosawa and Intertextual Cinema, James Goodwin draws on contemporary theoretical and critical approaches to explore the Japanese director's use of a variety of texts to create films that are uniquely intertextual and intercultural. Surveying all of Kurosawa's films and examining six films in depth—The Idiot, The Lower Depths, Rashomon, Ikiru, Throne of Blood, and Ran—Goodwin finds in Kurosawa's themes and techniques the capacity to restructure perceptions of Western and Japanese cultures and to establish new meanings in each. |
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Страница 8
... Japan has been far more westernized than any quality to be found in Kurosawa's films over the same period . In another ironic twist to his iden- tity , filmmakers such as Masashiro Shinoda , Nagisa Oshima , and Shuji Terayama had come ...
... Japan has been far more westernized than any quality to be found in Kurosawa's films over the same period . In another ironic twist to his iden- tity , filmmakers such as Masashiro Shinoda , Nagisa Oshima , and Shuji Terayama had come ...
Страница 56
... Japan's five major production companies passed over Ran in selecting an entry for the Academy's Best Foreign Film award . Though a definitively Japanese work , Ran was not consid- ered by Japan's major studios to be representative of ...
... Japan's five major production companies passed over Ran in selecting an entry for the Academy's Best Foreign Film award . Though a definitively Japanese work , Ran was not consid- ered by Japan's major studios to be representative of ...
Страница 230
... Japan's war period ( 1937-45 ) , Kurosawa rec- ognized the superficiality of his cultural knowledge and he turned to the study of traditional Japanese dramatic and plas- tic arts . His dedicated study of these arts was prompted by the ...
... Japan's war period ( 1937-45 ) , Kurosawa rec- ognized the superficiality of his cultural knowledge and he turned to the study of traditional Japanese dramatic and plas- tic arts . His dedicated study of these arts was prompted by the ...
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Film Text the Intercultural Film Text | 1 |
A Life and Its Intertexts | 26 |
Russian Intertexts | 57 |
Ауторска права | |
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Чести термини и фразе
action Actor Akama Akira Kurosawa Akutagawa Asaji Autobiography bandit benshi Burch camera Castle characterization characters codes context cultural death Dersu Dersu Uzala Desser dialogue director Dodeskaden Donald Richie Dostoevsky dramatic Drunken Angel emotional face film story film text film's filmmaking forest genre Heigo Hidetora human Idiot Ikiru intertextual Japan Japanese Cinema Japanese Film jidai-geki Jiro Kagemusha Kahei Kameda Kayama King Lear Kuro Kurosawa film Kurosawa's cinema Kyoami Lord Lower Depths Luka Macbeth ment Mifune montage movement murder Myshkin narration narrative Nastasya novel Okayo paradox perspective play plot priest Princeton psychological Quiet Duel Rasho Rashomon Red Beard Rogozhin role Saburo samurai Sanshiro Sanshiro Sugata sawa scene screen script sequence shot social soundtrack structure suicide Sutekichi Taeko Takako Taro textual theater Throne of Blood tion Tokyo Tomekichi Toshiro Mifune trans Tsuzuki University Press visual Watanabe Watanabe's Western wife wipe cut woodcutter York