Akira Kurosawa and Intertextual CinemaJohns Hopkins University Press, 1994 - 265 страница In Akira Kurosawa and Intertextual Cinema, James Goodwin draws on contemporary theoretical and critical approaches to explore the Japanese director's use of a variety of texts to create films that are uniquely intertextual and intercultural. Surveying all of Kurosawa's films and examining six films in depth—The Idiot, The Lower Depths, Rashomon, Ikiru, Throne of Blood, and Ran—Goodwin finds in Kurosawa's themes and techniques the capacity to restructure perceptions of Western and Japanese cultures and to establish new meanings in each. |
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Страница 169
... Throne of Blood rather than as the ba- sis for a Shakespeare adaptation by Kurosawa . In similar fa- shion , King Lear can be considered one of two principal inter- texts for Ran . In taking material ... Throne of Blood 169 Throne of Blood.
... Throne of Blood rather than as the ba- sis for a Shakespeare adaptation by Kurosawa . In similar fa- shion , King Lear can be considered one of two principal inter- texts for Ran . In taking material ... Throne of Blood 169 Throne of Blood.
Страница 187
... Throne of Blood encompasses events that fall within each of these categories , with the divine expressed through the chant that frames the film drama . In creating a time perspective more ... Throne of Blood achieves Throne of Blood 187.
... Throne of Blood encompasses events that fall within each of these categories , with the divine expressed through the chant that frames the film drama . In creating a time perspective more ... Throne of Blood achieves Throne of Blood 187.
Страница 189
... Throne of Blood , there is an ironic discrepancy in this image , since the Heida mask indicates a man of greatness who conquers evil spirits . The mask named Mika - zuki ( crescent moon ) is the face of a wrathful ... Throne of Blood 189.
... Throne of Blood , there is an ironic discrepancy in this image , since the Heida mask indicates a man of greatness who conquers evil spirits . The mask named Mika - zuki ( crescent moon ) is the face of a wrathful ... Throne of Blood 189.
Садржај
Film Text the Intercultural Film Text | 1 |
A Life and Its Intertexts | 26 |
Russian Intertexts | 57 |
Ауторска права | |
други делови (6) нису приказани
Друга издања - Прикажи све
Чести термини и фразе
action Actor Akama Akira Kurosawa Akutagawa Asaji Autobiography bandit benshi Burch camera Castle characterization characters codes context cultural death Dersu Dersu Uzala Desser dialogue director Dodeskaden Donald Richie Dostoevsky dramatic Drunken Angel emotional face film story film text film's filmmaking forest genre Heigo Hidetora human Idiot Ikiru intertextual Japan Japanese Cinema Japanese Film jidai-geki Jiro Kagemusha Kahei Kameda Kayama King Lear Kuro Kurosawa film Kurosawa's cinema Kyoami Lord Lower Depths Luka Macbeth ment Mifune montage movement murder Myshkin narration narrative Nastasya novel Okayo paradox perspective play plot priest Princeton psychological Quiet Duel Rasho Rashomon Red Beard Rogozhin role Saburo samurai Sanshiro Sanshiro Sugata sawa scene screen script sequence shot social soundtrack structure suicide Sutekichi Taeko Takako Taro textual theater Throne of Blood tion Tokyo Tomekichi Toshiro Mifune trans Tsuzuki University Press visual Watanabe Watanabe's Western wife wipe cut woodcutter York