Akira Kurosawa and Intertextual CinemaJohns Hopkins University Press, 1994 - 265 страница In Akira Kurosawa and Intertextual Cinema, James Goodwin draws on contemporary theoretical and critical approaches to explore the Japanese director's use of a variety of texts to create films that are uniquely intertextual and intercultural. Surveying all of Kurosawa's films and examining six films in depth—The Idiot, The Lower Depths, Rashomon, Ikiru, Throne of Blood, and Ran—Goodwin finds in Kurosawa's themes and techniques the capacity to restructure perceptions of Western and Japanese cultures and to establish new meanings in each. |
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Страница 78
... face will often register multiple reactions . In response to Kameda's assur- ances to Taeko that at heart she is pure , a smile forces itself onto her face but within moments it retreats from the an- guish that remains there . At ...
... face will often register multiple reactions . In response to Kameda's assur- ances to Taeko that at heart she is pure , a smile forces itself onto her face but within moments it retreats from the an- guish that remains there . At ...
Страница 189
... face of a wrathful warrior and it may have inspired Kuro- sawa's choice of the symbolic crescent moon to mark Washi- zu's reign . The expressions on Washizu's face are extremely change- able but remain frozen at the points of greatest ...
... face of a wrathful warrior and it may have inspired Kuro- sawa's choice of the symbolic crescent moon to mark Washi- zu's reign . The expressions on Washizu's face are extremely change- able but remain frozen at the points of greatest ...
Страница 206
... face of a vigorous but aged leader . With banishment , anxiety and exhaustion deeply mark Hide- tora . For the final stage of terror and madness , the makeup be- comes an impasto that sculpts a rigid image on the face . The Lord's ...
... face of a vigorous but aged leader . With banishment , anxiety and exhaustion deeply mark Hide- tora . For the final stage of terror and madness , the makeup be- comes an impasto that sculpts a rigid image on the face . The Lord's ...
Садржај
Film Text the Intercultural Film Text | 1 |
A Life and Its Intertexts | 26 |
Russian Intertexts | 57 |
Ауторска права | |
други делови (6) нису приказани
Друга издања - Прикажи све
Чести термини и фразе
action Actor Akama Akira Kurosawa Akutagawa Asaji Autobiography bandit benshi Burch camera Castle characterization characters codes context cultural death Dersu Dersu Uzala Desser dialogue director Dodeskaden Donald Richie Dostoevsky dramatic Drunken Angel emotional face film story film text film's filmmaking forest genre Heigo Hidetora human Idiot Ikiru intertextual Japan Japanese Cinema Japanese Film jidai-geki Jiro Kagemusha Kahei Kameda Kayama King Lear Kuro Kurosawa film Kurosawa's cinema Kyoami Lord Lower Depths Luka Macbeth ment Mifune montage movement murder Myshkin narration narrative Nastasya novel Okayo paradox perspective play plot priest Princeton psychological Quiet Duel Rasho Rashomon Red Beard Rogozhin role Saburo samurai Sanshiro Sanshiro Sugata sawa scene screen script sequence shot social soundtrack structure suicide Sutekichi Taeko Takako Taro textual theater Throne of Blood tion Tokyo Tomekichi Toshiro Mifune trans Tsuzuki University Press visual Watanabe Watanabe's Western wife wipe cut woodcutter York