Akira Kurosawa and Intertextual CinemaJohns Hopkins University Press, 1994 - 265 страница In Akira Kurosawa and Intertextual Cinema, James Goodwin draws on contemporary theoretical and critical approaches to explore the Japanese director's use of a variety of texts to create films that are uniquely intertextual and intercultural. Surveying all of Kurosawa's films and examining six films in depth—The Idiot, The Lower Depths, Rashomon, Ikiru, Throne of Blood, and Ran—Goodwin finds in Kurosawa's themes and techniques the capacity to restructure perceptions of Western and Japanese cultures and to establish new meanings in each. |
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Страница 15
... given text , although many earlier theories place narrative at the top of a hierarchy wherein the other two types are always subordinate . Thus , narrative can be seen to serve the ends of description in a particular passage or segment ...
... given text , although many earlier theories place narrative at the top of a hierarchy wherein the other two types are always subordinate . Thus , narrative can be seen to serve the ends of description in a particular passage or segment ...
Страница 92
... Given the sequence of events in the plot , as an embodiment of hope Luka leads a fugitive and illicit existence . Under his coaxing , Peppel and Natasha agree to leave and make a new life together . But then Vassilissa makes a vicious ...
... Given the sequence of events in the plot , as an embodiment of hope Luka leads a fugitive and illicit existence . Under his coaxing , Peppel and Natasha agree to leave and make a new life together . But then Vassilissa makes a vicious ...
Страница 133
... given by the dead samurai through a spirit - medium . It is immediately preceded by an exchange among the three men under the Rasho gate , during which the commoner explains to the priest : " Look , everyone wants to forget unpleasant ...
... given by the dead samurai through a spirit - medium . It is immediately preceded by an exchange among the three men under the Rasho gate , during which the commoner explains to the priest : " Look , everyone wants to forget unpleasant ...
Садржај
Film Text the Intercultural Film Text | 1 |
A Life and Its Intertexts | 26 |
Russian Intertexts | 57 |
Ауторска права | |
други делови (6) нису приказани
Друга издања - Прикажи све
Чести термини и фразе
action Actor Akama Akira Kurosawa Akutagawa Asaji Autobiography bandit benshi Burch camera Castle characterization characters codes context cultural death Dersu Dersu Uzala Desser dialogue director Dodeskaden Donald Richie Dostoevsky dramatic Drunken Angel emotional face film story film text film's filmmaking forest genre Heigo Hidetora human Idiot Ikiru intertextual Japan Japanese Cinema Japanese Film jidai-geki Jiro Kagemusha Kahei Kameda Kayama King Lear Kuro Kurosawa film Kurosawa's cinema Kyoami Lord Lower Depths Luka Macbeth ment Mifune montage movement murder Myshkin narration narrative Nastasya novel Okayo paradox perspective play plot priest Princeton psychological Quiet Duel Rasho Rashomon Red Beard Rogozhin role Saburo samurai Sanshiro Sanshiro Sugata sawa scene screen script sequence shot social soundtrack structure suicide Sutekichi Taeko Takako Taro textual theater Throne of Blood tion Tokyo Tomekichi Toshiro Mifune trans Tsuzuki University Press visual Watanabe Watanabe's Western wife wipe cut woodcutter York