Akira Kurosawa and Intertextual CinemaJohns Hopkins University Press, 1994 - 265 страница In Akira Kurosawa and Intertextual Cinema, James Goodwin draws on contemporary theoretical and critical approaches to explore the Japanese director's use of a variety of texts to create films that are uniquely intertextual and intercultural. Surveying all of Kurosawa's films and examining six films in depth—The Idiot, The Lower Depths, Rashomon, Ikiru, Throne of Blood, and Ran—Goodwin finds in Kurosawa's themes and techniques the capacity to restructure perceptions of Western and Japanese cultures and to establish new meanings in each. |
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Страница 32
... Once , on a swimming excursion in the Ara- kawa River , Heigo led him into deeper water and watched with fascination as Akira flailed and panicked before pulling him to the surface . On their way home Heigo bought sweets and consoled ...
... Once , on a swimming excursion in the Ara- kawa River , Heigo led him into deeper water and watched with fascination as Akira flailed and panicked before pulling him to the surface . On their way home Heigo bought sweets and consoled ...
Страница 170
... Once Duncan is assassinated , an eclipse brings night to the daylight hours and the king's horses turn into predators . The fulfillment of Macbeth's ambition , once he occupies the throne , destroys entirely his capacity to enjoy that ...
... Once Duncan is assassinated , an eclipse brings night to the daylight hours and the king's horses turn into predators . The fulfillment of Macbeth's ambition , once he occupies the throne , destroys entirely his capacity to enjoy that ...
Страница 179
... Once visibility is restored , they find themselves in front of the castle at a distance of only several hundred yards . From that vantage point , Washizu and Miki dismount to rest their horses and to consider the encounter in the forest ...
... Once visibility is restored , they find themselves in front of the castle at a distance of only several hundred yards . From that vantage point , Washizu and Miki dismount to rest their horses and to consider the encounter in the forest ...
Садржај
Film Text the Intercultural Film Text | 1 |
A Life and Its Intertexts | 26 |
Russian Intertexts | 57 |
Ауторска права | |
други делови (6) нису приказани
Друга издања - Прикажи све
Чести термини и фразе
action Actor Akama Akira Kurosawa Akutagawa Asaji Autobiography bandit benshi Burch camera Castle characterization characters codes context cultural death Dersu Dersu Uzala Desser dialogue director Dodeskaden Donald Richie Dostoevsky dramatic Drunken Angel emotional face film story film text film's filmmaking forest genre Heigo Hidetora human Idiot Ikiru intertextual Japan Japanese Cinema Japanese Film jidai-geki Jiro Kagemusha Kahei Kameda Kayama King Lear Kuro Kurosawa film Kurosawa's cinema Kyoami Lord Lower Depths Luka Macbeth ment Mifune montage movement murder Myshkin narration narrative Nastasya novel Okayo paradox perspective play plot priest Princeton psychological Quiet Duel Rasho Rashomon Red Beard Rogozhin role Saburo samurai Sanshiro Sanshiro Sugata sawa scene screen script sequence shot social soundtrack structure suicide Sutekichi Taeko Takako Taro textual theater Throne of Blood tion Tokyo Tomekichi Toshiro Mifune trans Tsuzuki University Press visual Watanabe Watanabe's Western wife wipe cut woodcutter York