Akira Kurosawa and Intertextual CinemaJohns Hopkins University Press, 1994 - 265 страница In Akira Kurosawa and Intertextual Cinema, James Goodwin draws on contemporary theoretical and critical approaches to explore the Japanese director's use of a variety of texts to create films that are uniquely intertextual and intercultural. Surveying all of Kurosawa's films and examining six films in depth—The Idiot, The Lower Depths, Rashomon, Ikiru, Throne of Blood, and Ran—Goodwin finds in Kurosawa's themes and techniques the capacity to restructure perceptions of Western and Japanese cultures and to establish new meanings in each. |
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Страница 79
... opening of the street scene there is respite from the turmoil of Aka- ma's alternations between love and hate . The attention of Akama and Kameda is directed toward Akama's mother by the prayer bell that has chimed steadily during their ...
... opening of the street scene there is respite from the turmoil of Aka- ma's alternations between love and hate . The attention of Akama and Kameda is directed toward Akama's mother by the prayer bell that has chimed steadily during their ...
Страница 113
... opening scene at the gate is both the outer frame of reference for plots to come and the initial episode in its own plot , which unfolds over the duration of the film . In Ikiru , the opening is an image - the X - ray of the protag ...
... opening scene at the gate is both the outer frame of reference for plots to come and the initial episode in its own plot , which unfolds over the duration of the film . In Ikiru , the opening is an image - the X - ray of the protag ...
Страница 150
... opening scene at the fu- neral gathering , with the mourners lined to each side of the altar , at the center of which is a black - bordered photograph of Watanabe . Though central within the visual composition , Watanabe and his ...
... opening scene at the fu- neral gathering , with the mourners lined to each side of the altar , at the center of which is a black - bordered photograph of Watanabe . Though central within the visual composition , Watanabe and his ...
Садржај
Film Text the Intercultural Film Text | 1 |
A Life and Its Intertexts | 26 |
Russian Intertexts | 57 |
Ауторска права | |
други делови (6) нису приказани
Друга издања - Прикажи све
Чести термини и фразе
action Actor Akama Akira Kurosawa Akutagawa Asaji Autobiography bandit benshi Burch camera Castle characterization characters codes context cultural death Dersu Dersu Uzala Desser dialogue director Dodeskaden Donald Richie Dostoevsky dramatic Drunken Angel emotional face film story film text film's filmmaking forest genre Heigo Hidetora human Idiot Ikiru intertextual Japan Japanese Cinema Japanese Film jidai-geki Jiro Kagemusha Kahei Kameda Kayama King Lear Kuro Kurosawa film Kurosawa's cinema Kyoami Lord Lower Depths Luka Macbeth ment Mifune montage movement murder Myshkin narration narrative Nastasya novel Okayo paradox perspective play plot priest Princeton psychological Quiet Duel Rasho Rashomon Red Beard Rogozhin role Saburo samurai Sanshiro Sanshiro Sugata sawa scene screen script sequence shot social soundtrack structure suicide Sutekichi Taeko Takako Taro textual theater Throne of Blood tion Tokyo Tomekichi Toshiro Mifune trans Tsuzuki University Press visual Watanabe Watanabe's Western wife wipe cut woodcutter York