Akira Kurosawa and Intertextual CinemaJohns Hopkins University Press, 1994 - 265 страница In Akira Kurosawa and Intertextual Cinema, James Goodwin draws on contemporary theoretical and critical approaches to explore the Japanese director's use of a variety of texts to create films that are uniquely intertextual and intercultural. Surveying all of Kurosawa's films and examining six films in depth—The Idiot, The Lower Depths, Rashomon, Ikiru, Throne of Blood, and Ran—Goodwin finds in Kurosawa's themes and techniques the capacity to restructure perceptions of Western and Japanese cultures and to establish new meanings in each. |
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Страница 78
... scene . This method was used to articulate reac- tions on Masayuki Mori's face in the role of Kameda . To an- other assurance Kameda makes in a later scene , Taeko re- sponds with an outburst of laughter that brings to Kameda's face an ...
... scene . This method was used to articulate reac- tions on Masayuki Mori's face in the role of Kameda . To an- other assurance Kameda makes in a later scene , Taeko re- sponds with an outburst of laughter that brings to Kameda's face an ...
Страница 126
... scene of narra- tion with the major scene of action in the forest at least once for each of the three principal characters . A visual bridge be- tween the two scenes of narration is an early shot from the prison courtyard of huge clouds ...
... scene of narra- tion with the major scene of action in the forest at least once for each of the three principal characters . A visual bridge be- tween the two scenes of narration is an early shot from the prison courtyard of huge clouds ...
Страница 186
... scene of the ceremony in which Tsuzuki honors Washizu and Miki ( kyu ) . The first shots of the scene that follows this ceremony de- pict life in North Castle as peaceful and orderly for Washizu's men . The scene is the introductory jo ...
... scene of the ceremony in which Tsuzuki honors Washizu and Miki ( kyu ) . The first shots of the scene that follows this ceremony de- pict life in North Castle as peaceful and orderly for Washizu's men . The scene is the introductory jo ...
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Film Text the Intercultural Film Text | 1 |
A Life and Its Intertexts | 26 |
Russian Intertexts | 57 |
Ауторска права | |
други делови (6) нису приказани
Друга издања - Прикажи све
Чести термини и фразе
action Actor Akama Akira Kurosawa Akutagawa Asaji Autobiography bandit benshi Burch camera Castle characterization characters codes context cultural death Dersu Dersu Uzala Desser dialogue director Dodeskaden Donald Richie Dostoevsky dramatic Drunken Angel emotional face film story film text film's filmmaking forest genre Heigo Hidetora human Idiot Ikiru intertextual Japan Japanese Cinema Japanese Film jidai-geki Jiro Kagemusha Kahei Kameda Kayama King Lear Kuro Kurosawa film Kurosawa's cinema Kyoami Lord Lower Depths Luka Macbeth ment Mifune montage movement murder Myshkin narration narrative Nastasya novel Okayo paradox perspective play plot priest Princeton psychological Quiet Duel Rasho Rashomon Red Beard Rogozhin role Saburo samurai Sanshiro Sanshiro Sugata sawa scene screen script sequence shot social soundtrack structure suicide Sutekichi Taeko Takako Taro textual theater Throne of Blood tion Tokyo Tomekichi Toshiro Mifune trans Tsuzuki University Press visual Watanabe Watanabe's Western wife wipe cut woodcutter York