Contexts for CriticismMcGraw-Hill Companies,Incorporated, 30. 10. 2002. - 576 страница Contexts for Criticism introduces readers to the essential issues of literary interpretation. The text includes three complete works: Keats's "Ode on a Grecian Urn," Melville's Benito Cereno, and Charlotte Perkins Gilman’s The Yellow Wallpaper. These texts - plus Shakespeare's The Tempest - are examined through seven fundamental critical theories: Historical (Author as Context and Culture as Context), Formal, Reader-Response, Mimetic, Intertextual, and Poststructural. |
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Страница 186
... Benito Cereno " is profoundly ironic , but the nar- rative presentation is such that the irony is initially occluded ; virtually all critics of " Benito Cereno " note the necessity of a second reading to " get it . " Why should Melville ...
... Benito Cereno " is profoundly ironic , but the nar- rative presentation is such that the irony is initially occluded ; virtually all critics of " Benito Cereno " note the necessity of a second reading to " get it . " Why should Melville ...
Страница 191
... Benito Cereno " ( emphasis mine ) . Of course , it is not the situation either that Cereno takes Babo to his heart , or for that matter that he is a hypochondriac , as the teller of the story clearly knows ( unlike Delano who is ...
... Benito Cereno " ( emphasis mine ) . Of course , it is not the situation either that Cereno takes Babo to his heart , or for that matter that he is a hypochondriac , as the teller of the story clearly knows ( unlike Delano who is ...
Страница 256
... Cereno's is to present Melville's own view of humanity — or , rather , to approximate that view . For , in the end ... Benito Cereno , " " the negro " stands for all mankind . The author of such a firmly integrationist tale should ...
... Cereno's is to present Melville's own view of humanity — or , rather , to approximate that view . For , in the end ... Benito Cereno , " " the negro " stands for all mankind . The author of such a firmly integrationist tale should ...
Садржај
Historical Criticism I Author as Context | 9 |
Hirsch Jr Objective Interpretation | 17 |
Gonzalo in The Tempest | 34 |
Ауторска права | |
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Чести термини и фразе
American answer appear approach argue audience Babo beauty becomes Benito Cereno called Captain character claims concept concerned context conventions course criticism cultural Delano effect essay eternity example experience fact fiction figures final follow formal Gilman give hand human idea imagination important interpretation issue John Keats kind knowledge language least less lines linguistic literary literature look Marxism master meaning Melville Melville's mind moral narrative narrator nature negro never object offers particular perhaps play poem poet poetry political position possible present Press problem Prospero question reader reading reality reference relation remains represent response rhetorical seems sense simply social speak story structure suggests symbolic Tempest theory things thought tion truth understand University Wallpaper whole women writing Yellow