Contexts for CriticismMcGraw-Hill Companies,Incorporated, 30. 10. 2002. - 576 страница Contexts for Criticism introduces readers to the essential issues of literary interpretation. The text includes three complete works: Keats's "Ode on a Grecian Urn," Melville's Benito Cereno, and Charlotte Perkins Gilman’s The Yellow Wallpaper. These texts - plus Shakespeare's The Tempest - are examined through seven fundamental critical theories: Historical (Author as Context and Culture as Context), Formal, Reader-Response, Mimetic, Intertextual, and Poststructural. |
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Страница 216
... characters . Holland argues that " we should use psychology on our own real and lively reactions " to the work " rather than on the characters ' fictitious minds " ( p . 308 ) . He feels that character study is useful and legitimate ...
... characters . Holland argues that " we should use psychology on our own real and lively reactions " to the work " rather than on the characters ' fictitious minds " ( p . 308 ) . He feels that character study is useful and legitimate ...
Страница 220
... characters ' inner being , as part of the author's un- folding of character for its own sake . The great gift of the psychological realists , then , even of the most intellectually proficient and ethi- cally sensitive of them , is not ...
... characters ' inner being , as part of the author's un- folding of character for its own sake . The great gift of the psychological realists , then , even of the most intellectually proficient and ethi- cally sensitive of them , is not ...
Страница 221
... character , we adopt his perspective and experience his feelings as though they were our own . This kind of experience , which is one of the great gifts of fiction , is acceptable to Booth only when the character's perspective is , in ...
... character , we adopt his perspective and experience his feelings as though they were our own . This kind of experience , which is one of the great gifts of fiction , is acceptable to Booth only when the character's perspective is , in ...
Садржај
Historical Criticism I Author as Context | 9 |
Hirsch Jr Objective Interpretation | 17 |
Gonzalo in The Tempest | 34 |
Ауторска права | |
други делови (47) нису приказани
Чести термини и фразе
aesthetic Amasa Delano American analysis argue argument audience beauty Benito Cereno Caliban Captain Delano character Charlotte Perkins Gilman claims Cleanth Brooks coherence concept contemporary context conventions cultural deconstruction discourse Don Benito essay eternity example experience fact feminist fiction formal critics formalists Gilman Gonzalo Grecian Urn human ical idea ideology imagination interpretation interpretive community intertextual irony Keats Keats's kind language linguistic literary criticism literary texts literature Melville Melville's metaphor mimetic moral narrative narrator nature negro Babo Northrop Frye novel object perspective play poem poem's poet poetic poetry political poststructural problem Prospero question reader reader-response reader-response critics reading reality reference represent rhetorical San Dominick scene seems sense Shakespeare simply slave social Spaniard stanza story structuralist structure suggests symbolic Tempest textual theme theory things thought tion truth understand women words writing Yellow Wallpaper