Contexts for CriticismMcGraw-Hill Companies,Incorporated, 30. 10. 2002. - 576 страница Contexts for Criticism introduces readers to the essential issues of literary interpretation. The text includes three complete works: Keats's "Ode on a Grecian Urn," Melville's Benito Cereno, and Charlotte Perkins Gilman’s The Yellow Wallpaper. These texts - plus Shakespeare's The Tempest - are examined through seven fundamental critical theories: Historical (Author as Context and Culture as Context), Formal, Reader-Response, Mimetic, Intertextual, and Poststructural. |
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Страница 143
... concept ; the most vital point is that a stylistic fact can only be discerned by a perceiving subject . Consequently , the basic impossibility of formalizing the intratextual contrasts manifests itself as an effect that can only be ...
... concept ; the most vital point is that a stylistic fact can only be discerned by a perceiving subject . Consequently , the basic impossibility of formalizing the intratextual contrasts manifests itself as an effect that can only be ...
Страница 144
... concept- it starts out from the grammatical model , justifiably abandons the model at a particular juncture , but can then only invoke an experience which , though indisputable , remains inaccessible to the theorist . However , we can ...
... concept- it starts out from the grammatical model , justifiably abandons the model at a particular juncture , but can then only invoke an experience which , though indisputable , remains inaccessible to the theorist . However , we can ...
Страница 145
... concept of the implied reader is therefore a tex- tual structure anticipating the presence of a recipient without necessarily defining him : this concept pre- structures the role to be assumed by each recipient , and this holds true ...
... concept of the implied reader is therefore a tex- tual structure anticipating the presence of a recipient without necessarily defining him : this concept pre- structures the role to be assumed by each recipient , and this holds true ...
Садржај
Historical Criticism I Author as Context | 9 |
Hirsch Jr Objective Interpretation | 17 |
Gonzalo in The Tempest | 34 |
Ауторска права | |
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Чести термини и фразе
aesthetic Amasa Delano American analysis argue argument audience beauty Benito Cereno Caliban Captain Delano character Charlotte Perkins Gilman claims Cleanth Brooks coherence concept contemporary context conventions cultural deconstruction discourse Don Benito essay eternity example experience fact feminist fiction formal critics formalists Gilman Gonzalo Grecian Urn human ical idea ideology imagination interpretation interpretive community intertextual irony Keats Keats's kind language linguistic literary criticism literary texts literature Melville Melville's metaphor mimetic moral narrative narrator nature negro Babo Northrop Frye novel object perspective play poem poem's poet poetic poetry political poststructural problem Prospero question reader reader-response reader-response critics reading reality reference represent rhetorical San Dominick scene seems sense Shakespeare simply slave social Spaniard stanza story structuralist structure suggests symbolic Tempest textual theme theory things thought tion truth understand women words writing Yellow Wallpaper