Contexts for CriticismMcGraw-Hill Companies,Incorporated, 30. 10. 2002. - 576 страница Contexts for Criticism introduces readers to the essential issues of literary interpretation. The text includes three complete works: Keats's "Ode on a Grecian Urn," Melville's Benito Cereno, and Charlotte Perkins Gilman’s The Yellow Wallpaper. These texts - plus Shakespeare's The Tempest - are examined through seven fundamental critical theories: Historical (Author as Context and Culture as Context), Formal, Reader-Response, Mimetic, Intertextual, and Poststructural. |
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Страница 50
... figures on the Urn . Throughout the poem , Keats stresses that the figures inhabit a world that is entirely different from the world of woe . Second , " that is all / Ye know on earth and all ye need to know " appears in this ...
... figures on the Urn . Throughout the poem , Keats stresses that the figures inhabit a world that is entirely different from the world of woe . Second , " that is all / Ye know on earth and all ye need to know " appears in this ...
Страница 56
... figures as representative of some kind of idealized life . The first four lines of Stanza II , praising the power of imagi- nation , are transitional , moving from the figures as representative of life to the figures as symbols of eter ...
... figures as representative of some kind of idealized life . The first four lines of Stanza II , praising the power of imagi- nation , are transitional , moving from the figures as representative of life to the figures as symbols of eter ...
Страница 229
... figures . As they present obstacles to his true course , they are seen as evil and fall into the category of " bad " woman . They are all sexual beings , as opposed to Penelope , and they successfully seduce Odysseus , thus delaying his ...
... figures . As they present obstacles to his true course , they are seen as evil and fall into the category of " bad " woman . They are all sexual beings , as opposed to Penelope , and they successfully seduce Odysseus , thus delaying his ...
Садржај
Historical Criticism I Author as Context | 9 |
Hirsch Jr Objective Interpretation | 17 |
Gonzalo in The Tempest | 34 |
Ауторска права | |
други делови (46) нису приказани
Чести термини и фразе
American answer appear approach argue audience Babo beauty becomes Benito Cereno called Captain character claims concept concerned context conventions course criticism cultural Delano effect essay eternity example experience fact fiction figures final follow formal Gilman give hand human idea imagination important interpretation issue John Keats kind knowledge language least less lines linguistic literary literature look Marxism master meaning Melville Melville's mind moral narrative narrator nature negro never object offers particular perhaps play poem poet poetry political position possible present Press problem Prospero question reader reading reality reference relation remains represent response rhetorical seems sense simply social speak story structure suggests symbolic Tempest theory things thought tion truth understand University Wallpaper whole women writing Yellow