Contexts for CriticismMcGraw-Hill Companies,Incorporated, 30. 10. 2002. - 576 страница Contexts for Criticism introduces readers to the essential issues of literary interpretation. The text includes three complete works: Keats's "Ode on a Grecian Urn," Melville's Benito Cereno, and Charlotte Perkins Gilman’s The Yellow Wallpaper. These texts - plus Shakespeare's The Tempest - are examined through seven fundamental critical theories: Historical (Author as Context and Culture as Context), Formal, Reader-Response, Mimetic, Intertextual, and Poststructural. |
Из књиге
Резултати 1-3 од 85
Страница 50
... figures on the Urn . Throughout the poem , Keats stresses that the figures inhabit a world that is entirely different from the world of woe . Second , " that is all / Ye know on earth and all ye need to know " appears in this ...
... figures on the Urn . Throughout the poem , Keats stresses that the figures inhabit a world that is entirely different from the world of woe . Second , " that is all / Ye know on earth and all ye need to know " appears in this ...
Страница 56
... figures as representative of some kind of idealized life . The first four lines of Stanza II , praising the power of imagi- nation , are transitional , moving from the figures as representative of life to the figures as symbols of eter ...
... figures as representative of some kind of idealized life . The first four lines of Stanza II , praising the power of imagi- nation , are transitional , moving from the figures as representative of life to the figures as symbols of eter ...
Страница 229
... figures . As they present obstacles to his true course , they are seen as evil and fall into the category of " bad " woman . They are all sexual beings , as opposed to Penelope , and they successfully seduce Odysseus , thus delaying his ...
... figures . As they present obstacles to his true course , they are seen as evil and fall into the category of " bad " woman . They are all sexual beings , as opposed to Penelope , and they successfully seduce Odysseus , thus delaying his ...
Садржај
Historical Criticism I Author as Context | 9 |
Hirsch Jr Objective Interpretation | 17 |
Gonzalo in The Tempest | 34 |
Ауторска права | |
други делови (47) нису приказани
Чести термини и фразе
aesthetic Amasa Delano American analysis argue argument audience beauty Benito Cereno Caliban Captain Delano character Charlotte Perkins Gilman claims Cleanth Brooks coherence concept contemporary context conventions cultural deconstruction discourse Don Benito essay eternity example experience fact feminist fiction formal critics formalists Gilman Gonzalo Grecian Urn human ical idea ideology imagination interpretation interpretive community intertextual irony Keats Keats's kind language linguistic literary criticism literary texts literature Melville Melville's metaphor mimetic moral narrative narrator nature negro Babo Northrop Frye novel object perspective play poem poem's poet poetic poetry political poststructural problem Prospero question reader reader-response reader-response critics reading reality reference represent rhetorical San Dominick scene seems sense Shakespeare simply slave social Spaniard stanza story structuralist structure suggests symbolic Tempest textual theme theory things thought tion truth understand women words writing Yellow Wallpaper