Contexts for CriticismMcGraw-Hill Companies,Incorporated, 30. 10. 2002. - 576 страница Contexts for Criticism introduces readers to the essential issues of literary interpretation. The text includes three complete works: Keats's "Ode on a Grecian Urn," Melville's Benito Cereno, and Charlotte Perkins Gilman’s The Yellow Wallpaper. These texts - plus Shakespeare's The Tempest - are examined through seven fundamental critical theories: Historical (Author as Context and Culture as Context), Formal, Reader-Response, Mimetic, Intertextual, and Poststructural. |
Из књиге
Резултати 1-3 од 55
Страница 27
... final complex " intention . " The " speaking subject " may be defined as the final and most comprehensive level of aware- ness determinative of verbal meaning . In the case of a lie the speaking subject assumes that he tells the truth ...
... final complex " intention . " The " speaking subject " may be defined as the final and most comprehensive level of aware- ness determinative of verbal meaning . In the case of a lie the speaking subject assumes that he tells the truth ...
Страница 56
... final three lines on earthly love ) , and the last three of Stanza IV portray the figures as symbols of eternity . The final five lines of Stanza V imply that the Urn's function transcends its role as a work of art . This interpretation ...
... final three lines on earthly love ) , and the last three of Stanza IV portray the figures as symbols of eternity . The final five lines of Stanza V imply that the Urn's function transcends its role as a work of art . This interpretation ...
Страница 485
... final two lines as a single thought . Much has been written about the implications of these different forms of punc- tuation . The main possibilities are these : ( 1 ) If the entire final sentence is a quote , it must be read as the ...
... final two lines as a single thought . Much has been written about the implications of these different forms of punc- tuation . The main possibilities are these : ( 1 ) If the entire final sentence is a quote , it must be read as the ...
Садржај
Historical Criticism I Author as Context | 9 |
Hirsch Jr Objective Interpretation | 17 |
Gonzalo in The Tempest | 34 |
Ауторска права | |
други делови (47) нису приказани
Чести термини и фразе
aesthetic Amasa Delano American analysis argue argument audience beauty Benito Cereno Caliban Captain Delano character Charlotte Perkins Gilman claims Cleanth Brooks coherence concept contemporary context conventions cultural deconstruction discourse Don Benito essay eternity example experience fact feminist fiction formal critics formalists Gilman Gonzalo Grecian Urn human ical idea ideology imagination interpretation interpretive community intertextual irony Keats Keats's kind language linguistic literary criticism literary texts literature Melville Melville's metaphor mimetic moral narrative narrator nature negro Babo Northrop Frye novel object perspective play poem poem's poet poetic poetry political poststructural problem Prospero question reader reader-response reader-response critics reading reality reference represent rhetorical San Dominick scene seems sense Shakespeare simply slave social Spaniard stanza story structuralist structure suggests symbolic Tempest textual theme theory things thought tion truth understand women words writing Yellow Wallpaper