Contexts for CriticismMcGraw-Hill Companies,Incorporated, 30. 10. 2002. - 576 страница Contexts for Criticism introduces readers to the essential issues of literary interpretation. The text includes three complete works: Keats's "Ode on a Grecian Urn," Melville's Benito Cereno, and Charlotte Perkins Gilman’s The Yellow Wallpaper. These texts - plus Shakespeare's The Tempest - are examined through seven fundamental critical theories: Historical (Author as Context and Culture as Context), Formal, Reader-Response, Mimetic, Intertextual, and Poststructural. |
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Страница 221
... knowledge of reality . It gives us an imme- diate knowledge of how the world is experienced by the individual consciousness and an understanding of the inner life in its own terms . It enables us to grasp from within the phenomena which ...
... knowledge of reality . It gives us an imme- diate knowledge of how the world is experienced by the individual consciousness and an understanding of the inner life in its own terms . It enables us to grasp from within the phenomena which ...
Страница 290
... knowledge . You have assimilated the phonological system of English which enables you to relate these physical sounds to the abstract and relational phonemes of English ; you have assimilated a grammatical system , so complex that we ...
... knowledge . You have assimilated the phonological system of English which enables you to relate these physical sounds to the abstract and relational phonemes of English ; you have assimilated a grammatical system , so complex that we ...
Страница 425
... knowledge " in the strict sense means scientific knowledge — the kind of knowledge of , say , capital- ism which Marx's Capital rather than Dickens's Hard Times allows us . The difference between science and art is not that they deal ...
... knowledge " in the strict sense means scientific knowledge — the kind of knowledge of , say , capital- ism which Marx's Capital rather than Dickens's Hard Times allows us . The difference between science and art is not that they deal ...
Садржај
Historical Criticism I Author as Context | 9 |
Hirsch Jr Objective Interpretation | 17 |
Gonzalo in The Tempest | 34 |
Ауторска права | |
други делови (47) нису приказани
Чести термини и фразе
aesthetic Amasa Delano American analysis argue argument audience beauty Benito Cereno Caliban Captain Delano character Charlotte Perkins Gilman claims Cleanth Brooks coherence concept contemporary context conventions cultural deconstruction discourse Don Benito essay eternity example experience fact feminist fiction formal critics formalists Gilman Gonzalo Grecian Urn human ical idea ideology imagination interpretation interpretive community intertextual irony Keats Keats's kind language linguistic literary criticism literary texts literature Melville Melville's metaphor mimetic moral narrative narrator nature negro Babo Northrop Frye novel object perspective play poem poem's poet poetic poetry political poststructural problem Prospero question reader reader-response reader-response critics reading reality reference represent rhetorical San Dominick scene seems sense Shakespeare simply slave social Spaniard stanza story structuralist structure suggests symbolic Tempest textual theme theory things thought tion truth understand women words writing Yellow Wallpaper