Contexts for CriticismMcGraw-Hill Companies,Incorporated, 30. 10. 2002. - 538 страница Contexts for Criticism introduces readers to the essential issues of literary interpretation. The text includes three complete works: Keats's "Ode on a Grecian Urn," Melville's Benito Cereno, and Charlotte Perkins Gilman’s The Yellow Wallpaper. These texts - plus Shakespeare's The Tempest - are examined through seven fundamental critical theories: Historical (Author as Context and Culture as Context), Formal, Reader-Response, Mimetic, Intertextual, and Poststructural. |
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Страница 56
... lines of Stanza I and the first seven of Stanza IV portray the figures as representative of some kind of idealized life . The first four lines of Stanza II , praising the power of imagi- nation , are transitional , moving from the ...
... lines of Stanza I and the first seven of Stanza IV portray the figures as representative of some kind of idealized life . The first four lines of Stanza II , praising the power of imagi- nation , are transitional , moving from the ...
Страница 114
... lines of the stanza . The phrase " for ever " ap- pears five times in the stanza , with an additional " ever " used in the second line . Walter Jackson Bate suggests that the fact of repetition may spring from the poet's envy of the ...
... lines of the stanza . The phrase " for ever " ap- pears five times in the stanza , with an additional " ever " used in the second line . Walter Jackson Bate suggests that the fact of repetition may spring from the poet's envy of the ...
Страница 485
... lines , where it presents a major one . Readers may encounter three different ways of punc- tuating these lines . The earliest printed version of the poem uses no quotation marks at all . The 1820 Lamia text , which is reproduced here ...
... lines , where it presents a major one . Readers may encounter three different ways of punc- tuating these lines . The earliest printed version of the poem uses no quotation marks at all . The 1820 Lamia text , which is reproduced here ...
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Historical Criticism I Author as Context | 9 |
Hirsch Jr Objective Interpretation | 17 |
Gonzalo in The Tempest | 34 |
Ауторска права | |
други делови (47) нису приказани
Чести термини и фразе
aesthetic Amasa Delano American analysis argue argument audience beauty Benito Cereno Caliban Captain Delano character Charlotte Perkins Gilman claims Cleanth Brooks coherence concept contemporary context conventions cultural deconstruction discourse Don Benito essay eternity example experience fact feminist fiction formal critics formalists Gilman Gonzalo Grecian Urn human ical idea ideology imagination interpretation interpretive community intertextual irony Keats Keats's kind language linguistic literary criticism literary texts literature Melville Melville's metaphor mimetic moral narrative narrator nature negro Babo Northrop Frye novel object perspective play poem poem's poet poetic poetry political poststructural problem Prospero question reader reader-response reader-response critics reading reality reference represent rhetorical San Dominick scene seems sense Shakespeare simply slave social Spaniard stanza story structuralist structure suggests symbolic Tempest textual theme theory things thought tion truth understand women words writing Yellow Wallpaper