Contexts for CriticismMcGraw-Hill Companies,Incorporated, 30. 10. 2002. - 576 страница Contexts for Criticism introduces readers to the essential issues of literary interpretation. The text includes three complete works: Keats's "Ode on a Grecian Urn," Melville's Benito Cereno, and Charlotte Perkins Gilman’s The Yellow Wallpaper. These texts - plus Shakespeare's The Tempest - are examined through seven fundamental critical theories: Historical (Author as Context and Culture as Context), Formal, Reader-Response, Mimetic, Intertextual, and Poststructural. |
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Страница 172
... mind of the speaker but the mind of the reader , where the speaker's struggle is not only replayed but differently resolved . Finally , the reader is able to go beyond the speaker's per- spective and to achieve a more inclusive ...
... mind of the speaker but the mind of the reader , where the speaker's struggle is not only replayed but differently resolved . Finally , the reader is able to go beyond the speaker's per- spective and to achieve a more inclusive ...
Страница 173
... mind , suggests a reader - response critical approach because its very subject is the responding mind engaged in the interpretive process . Reader criticism has shown a tendency to split into factions : it frequently refuses any ...
... mind , suggests a reader - response critical approach because its very subject is the responding mind engaged in the interpretive process . Reader criticism has shown a tendency to split into factions : it frequently refuses any ...
Страница 216
... minds to which the psychological critic customarily refers " are the author's mind , a character's mind , and the audi- ence's mind . It is only the study of the audience's mind , Holland feels , that can lead " to a bonafide method ...
... minds to which the psychological critic customarily refers " are the author's mind , a character's mind , and the audi- ence's mind . It is only the study of the audience's mind , Holland feels , that can lead " to a bonafide method ...
Садржај
Historical Criticism I Author as Context | 9 |
Hirsch Jr Objective Interpretation | 17 |
Gonzalo in The Tempest | 34 |
Ауторска права | |
други делови (47) нису приказани
Чести термини и фразе
aesthetic Amasa Delano American analysis argue argument audience beauty Benito Cereno Caliban Captain Delano character Charlotte Perkins Gilman claims Cleanth Brooks coherence concept contemporary context conventions cultural deconstruction discourse Don Benito essay eternity example experience fact feminist fiction formal critics formalists Gilman Gonzalo Grecian Urn human ical idea ideology imagination interpretation interpretive community intertextual irony Keats Keats's kind language linguistic literary criticism literary texts literature Melville Melville's metaphor mimetic moral narrative narrator nature negro Babo Northrop Frye novel object perspective play poem poem's poet poetic poetry political poststructural problem Prospero question reader reader-response reader-response critics reading reality reference represent rhetorical San Dominick scene seems sense Shakespeare simply slave social Spaniard stanza story structuralist structure suggests symbolic Tempest textual theme theory things thought tion truth understand women words writing Yellow Wallpaper