Contexts for CriticismMcGraw-Hill Companies,Incorporated, 30. 10. 2002. - 576 страница Contexts for Criticism introduces readers to the essential issues of literary interpretation. The text includes three complete works: Keats's "Ode on a Grecian Urn," Melville's Benito Cereno, and Charlotte Perkins Gilman’s The Yellow Wallpaper. These texts - plus Shakespeare's The Tempest - are examined through seven fundamental critical theories: Historical (Author as Context and Culture as Context), Formal, Reader-Response, Mimetic, Intertextual, and Poststructural. |
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Страница 209
... poetry on empirical grounds and even against the claims of empirical science , and in the process they brought about a rather startling shift of perspective . Aristotle , we saw , argued that poetry , because it was not confined as ...
... poetry on empirical grounds and even against the claims of empirical science , and in the process they brought about a rather startling shift of perspective . Aristotle , we saw , argued that poetry , because it was not confined as ...
Страница 245
Donald Keesey. I Painting is poetry keeping silent ; poetry is a talking picture . This very ancient saying , attributed by Plutarch to the Greek poet Simonides , bears within it the seeds of a long critical tradition . That a painting ...
Donald Keesey. I Painting is poetry keeping silent ; poetry is a talking picture . This very ancient saying , attributed by Plutarch to the Greek poet Simonides , bears within it the seeds of a long critical tradition . That a painting ...
Страница 281
... poetry could only be the per- sonal rhetoric of a great man . The theory demands that Shakespeare , for instance , should be an obvi- ously and overwhelmingly great man , which is why so much nineteenth - century critical energy was ex ...
... poetry could only be the per- sonal rhetoric of a great man . The theory demands that Shakespeare , for instance , should be an obvi- ously and overwhelmingly great man , which is why so much nineteenth - century critical energy was ex ...
Садржај
Historical Criticism I Author as Context | 9 |
Hirsch Jr Objective Interpretation | 17 |
Gonzalo in The Tempest | 34 |
Ауторска права | |
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Чести термини и фразе
American answer appear approach argue audience Babo beauty becomes Benito Cereno called Captain character claims concept concerned context conventions course criticism cultural Delano effect essay eternity example experience fact fiction figures final follow formal Gilman give hand human idea imagination important interpretation issue John Keats kind knowledge language least less lines linguistic literary literature look Marxism master meaning Melville Melville's mind moral narrative narrator nature negro never object offers particular perhaps play poem poet poetry political position possible present Press problem Prospero question reader reading reality reference relation remains represent response rhetorical seems sense simply social speak story structure suggests symbolic Tempest theory things thought tion truth understand University Wallpaper whole women writing Yellow