Contexts for CriticismMcGraw-Hill Companies,Incorporated, 30. 10. 2002. - 576 страница Contexts for Criticism introduces readers to the essential issues of literary interpretation. The text includes three complete works: Keats's "Ode on a Grecian Urn," Melville's Benito Cereno, and Charlotte Perkins Gilman’s The Yellow Wallpaper. These texts - plus Shakespeare's The Tempest - are examined through seven fundamental critical theories: Historical (Author as Context and Culture as Context), Formal, Reader-Response, Mimetic, Intertextual, and Poststructural. |
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Страница 260
... writer's sense that , as Emily Dickinson put it , her " life " has been " shaven and fitted to a frame , " a confine- ment she ... writing ob- sessively enacts this drama of enclosure and escape . Specifically , what we have called the ...
... writer's sense that , as Emily Dickinson put it , her " life " has been " shaven and fitted to a frame , " a confine- ment she ... writing ob- sessively enacts this drama of enclosure and escape . Specifically , what we have called the ...
Страница 347
... writing , which has led in turn to Derrida's already notorious reversal of that priority , his counter - privileging of writing and the science of " grammatology . " By such reversals and transpositions , Derrida wants to decenter our ...
... writing , which has led in turn to Derrida's already notorious reversal of that priority , his counter - privileging of writing and the science of " grammatology . " By such reversals and transpositions , Derrida wants to decenter our ...
Страница 405
... writing in her journal , the narrator embodies herself as a stylus writing the line , her body being written in the process . Round she goes , drawing the circle of certainty , diagrammatically constructing the binding process of ...
... writing in her journal , the narrator embodies herself as a stylus writing the line , her body being written in the process . Round she goes , drawing the circle of certainty , diagrammatically constructing the binding process of ...
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Historical Criticism I Author as Context | 9 |
Hirsch Jr Objective Interpretation | 17 |
Gonzalo in The Tempest | 34 |
Ауторска права | |
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Чести термини и фразе
American answer appear approach argue audience Babo beauty becomes Benito Cereno called Captain character claims concept concerned context conventions course criticism cultural Delano effect essay eternity example experience fact fiction figures final follow formal Gilman give hand human idea imagination important interpretation issue John Keats kind knowledge language least less lines linguistic literary literature look Marxism master meaning Melville Melville's mind moral narrative narrator nature negro never object offers particular perhaps play poem poet poetry political position possible present Press problem Prospero question reader reading reality reference relation remains represent response rhetorical seems sense simply social speak story structure suggests symbolic Tempest theory things thought tion truth understand University Wallpaper whole women writing Yellow