The Author, Том 2William Henry Hills Writer Publishing Company, 1891 |
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Страница 57 - There must, in the first place, be knowledge, there must be materials; in the second place, there must be a command of words; in the third place, there must be imagination, to place things in such views as they are not commonly seen in; and in the fourth place, there must be presence of mind, and a resolution that is not to be overcome by failures: this last is an essential requisite; for want of it many people do not excel in conversation.
Страница 101 - Short black hair, a thick brown mustache, a dark hazel eye, a firm mouth, a square forehead, Black gives you the idea of compact strength — a small parcel, so to speak, well packed. You might sooner take him for an artillery officer who had seen service, a yachtsman, or a man who spent most of his life in out-door sports and pastimes, than set him down as an author, and particularly as a novelist. Black might pass for a member of any profession except the clerical, or for an ordinary gentleman...
Страница 58 - persons "). Partially (for "partly"). Past two weeks (for "last two weeks," and all similar expressions relating to a definite time). » Poetess. Portion (for " part "). Posted (for "informed"). Progress (for "advance"). Quite (prefixed to "good,
Страница 171 - Try and leave a little thinking for him ; that will be better for both. The trouble with most writers is, they spread too thin. The reader is as quick as they ; has got there before, and is ready and waiting.
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Страница 58 - Representatives'); humbug; inaugurate (for 'begin'); in our midst; item (for 'particle, extract, or paragraph'); is being done, and all passives of this form; jeopardize; jubilant (for 'rejoicing'); juvenile (for 'boy'); lady (for 'wife'); last (for 'latest'); lengthy (for 'long'); leniency (for 'lenity'); loafer; loan or loaned (for 'lend' or 'lent'); located; majority (relating to places or circumstances, for 'most'); Mrs.
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Страница 169 - ... nerve-cells in some of the idle cerebral convolutions ! The writer, I say, becomes acquainted with his characters as he goes on. They are at first mere embryos, outlines of distinct personalities. By and by, if they have any organic cohesion, they begin to assert themselves. They can say and do such and such things ; such and such other things they cannot and must not say or do. The story-writer's and playwriter's danger is that they will get their characters mixed, and make A say what B ought...