Слике страница
PDF
ePub

THERE are tears o' pity, an' tears o' wae,
An' tears for excess o' joy will fa';
Yet the tears o' luve are sweeter than a'!

There are sighs o' pity, an' sighs o' wae,
An' sighs o' regret frae the saul will gae;
Yet the sighs o' luve are sweeter than a'!

There's the look o' pity, the look o' wae,
The look o' frien', an' the look o' fae;
Yet the look o' luve is sweeter than a'!

There's the smile o' friends when they come frae far,

There's the smile o' joy in the festive ha'; Yet the smile o' luve is sweeter than a'!

SONG

Ir is the solemn even-time,
And the holy organ 's pealing:

And the vesper chime, oh! the vesper chime!
O'er the clear blue wave is stealing.

It is the solemn mingled swell

Of the monks in chorus singing:
And the vesper bell, oh! the vesper bell!
To the gale is its soft note flinging.

'Tis the sound of the voices sweeping along,
Like the wind thro' a grove of larches:
And the vesper song, oh! the vesper song!
Echoes sad thro' the cloister'd arches.

FRIENDSHIP

'Neque ego nunc de vulgari aut de mediocri, quæ tamen ipsa et delectat et prodest, sed de vera et perfecta loquor (amicitia) qualis eorum, qui pauci nominantur, fuit.'-CICERO.

O THOU most holy Friendship! wheresoe'er

Thy dwelling be- for in the courts of man But seldom thine all-heavenly voice we hear,

Sweet'ning the moments of our narrow span; And seldom thy bright foot-steps do we scan Along the weary waste of life unblest, For faithless is its frail and wayward plan, And perfidy is man's eternal guest, With dark suspicion link'd and shameless interest!

'Tis thine, when life has reach'd its final goal, Ere the last sigh that frees the mind be giv'n, To speak sweet solace to the parting soul, And pave the bitter path that leads to heav'n: "T is thine, whene'er the heart is rack'd and riv'n

By the hot shafts of baleful calumny, When the dark spirit to despair is driv'n,

To teach its lonely grief to lean on thee, And pour within thine ear the tale of misery.

But where art thou, thou comet of an age, Thou phoenix of a century? Perchance Thou art but of those fables which engage And hold the minds of men in giddy trance. Yet, be it so, and be it all romance,

The thought of thine existence is so bright With beautiful imaginings- the glance Upon thy fancied being such delight, That I will deem thee Truth, so lovely is thy might!

'AND ASK YE WHY THESE SAD TEARS STREAM?'

Te somnia nostra reducunt.'

OVID.

AND ask ye why these sad tears stream? Why these wan eyes are dim with weeping?

I had a dream -a lovely dream,

Of her that in the grave is sleeping.

I saw her as 't was yesterday,

The bloom upon her cheek still glowing; And round her play'd a golden_ray,

And on her brows were gay flowers blowing.

With angel-hand she swept a lyre,

A garland red with roses bound it;
Its strings were wreath'd with lambent fire
And amaranth was woven round it.

I saw her mid the realms of light,
In everlasting radiance gleaming;
Co-equal with the seraphs bright,
Mid thousand thousand angels beaming.

I strove to reach her, when, behold,
Those fairy forms of bliss Elysian,
And all that rich scene wrapt in gold,
Faded in air -a lovely vision!

And I awoke, but oh! to me

That waking hour was doubly weary; And yet I could not envy thee, Although so blest, and I so dreary.

[ocr errors][merged small][merged small][merged small][merged small]

On such sad views my soul delights to pore,
By Teneriffe's peak, or Kilda's giant height,
Or dark Loffoden's melancholy shore,

What time grey eve is fading into night; When by that twilight beam I scarce descry The mingled shades of earth and sea and sky.

Give me to wander at midnight alone,

Through some august cathedral, where, from high,

The cold, clear moon on the mosaic stone
Comes glancing in gay colours gloriously,
Through windows rich with gorgeous blazonry,
Gilding the niches dim, where, side by side,
Stand antique mitred prelates, whose bones lie
Beneath the pavement, where their deeds of
pride

Were graven, but long since are worn away
By constant feet of ages day by day.

Then, as Imagination aids, I hear

Wild heavenly voices sounding from the quoir,

And more than mortal music meets mine ear, Whose long, long notes among the tombs expire,

With solemn rustling of cherubic wings,

Round those vast columns which the roof upbear;

While sad and undistinguishable things

Do flit athwart the moonlit windows there;
And my blood curdles at the chilling sound
Of lone, unearthly steps, that pace the hallow'd
ground!

I love the starry spangled heav'n, resembling
A canopy with fiery gems o'erspread,
When the wide loch with silvery sheen is trem-
bling,

Far stretch'd beneath the mountain's hoary head.

But most I love that sky, when, dark with storms,

It frowns terrific o'er this wilder'd earth, While the black clouds, in strange and uncouth forms,

Come hurrying onward in their ruinous wrath; And shrouding in their deep and gloomy robe The burning eyes of heav'n and Dian's lucid globe!

I love your voice, ye echoing winds, that sweep Thro' the wide womb of midnight, when the veil

Of darkness rests upon the mighty deep,

The labouring vessel, and the shatter'd sail Save when the forked bolts of lightning leap On flashing pinions, and the mariner pale

1 According to Burke, a low tremulous intermitted sound is conducive to the sublime.

2 It is a received opinion, that on St. Mark's Eve all the persons who are to die on the following year make their appearances without their heads in the churches of their respective parishes. -See DR. LANGHORNE's Notes to Collins.

This island, on both sides of which the waters rush

Raises his eyes to heaven. Oh! who would sleep

What time the rushing of the angry gale Is loud upon the waters?- Hail, all hail! Tempest and clouds and night and thunder's rending peal!

All hail, Sublimity! thou lofty one,

For thou dost walk upon the blast, and gird Thy majesty with terrors, and thy throne Is on the whirlwind, and thy voice is heard In thunders and in shakings: thy delight

Is in the secret wood, the blasted heath, The ruin'd fortress, and the dizzy height, The grave, the ghastly charnel -house of death,

In vaults, in cloisters, and in gloomy piles, Long corridors and towers and solitary aisles!

Thy joy is in obscurity, and plain

Is nought with thee; and on thy steps attend Shadows but half-distinguish'd; the thin train Of hovering spirits round thy pathway bend, With their low tremulous voice and airy tread,! What time the tomb above them yawns and

[blocks in formation]

What joy to view the varied rainbow smile
On Niagara's flood of matchless might,
Where all around the melancholy isle 3
The billows sparkle with their hues of light!
While, as the restless surges roar and rave,
The arrowy stream descends with awful
sound,

Wheeling and whirling with each breathless wave,4

Immense, sublime, magnificent, profound!
If thou hast seen all this, and could'st not feel,
Then know, thine heart is fram'd of marble or
of steel.

The hurricane fair earth to darkness changing,
Kentucky's chambers of eternal gloom,5
The swift pac'd columns of the desert ranging
Th' uneven waste, the violent Simoom,
Thy snow-clad peaks, stupendous Gungotree!
Whence springs the hallow'd Jumna's echo-
ing tide,

Hoar Cotopaxi's cloud-capt majesty,

Enormous Chimborazo's naked pride, The dizzy Cape of winds that cleaves the sky, Whence we look down into eternity,

6

with astonishing swiftness, is 900 or 800 feet long, and its lower edge is just at the perpendicular edge of the fall.

4 Undis Phlegethon perlustrat ANHELIS.' — CLAU

DIAN.

5 See Dr. Nahum Ward's account of the great Kentucky Cavern, in the Monthly Magazine, October, 1816. 6 In the Ukraine.

The pillar'd cave of Morven's giant king,1 The Yanar, and the Geyser's boiling fountain,

The deep volcano's inward murmuring,

The shadowy Colossus of the mountain; 3 Antiparos, where sun-beams never enter; Loud Stromboli, amid the quaking isles; The terrible Maelstroom, around his centre Wheeling his circuit of unnumber'd miles: These, these are sights and sounds that freeze the blood,

Yet charm the awe-struck soul which doats on solitude.

Blest be the bard, whose willing feet rejoice

To tread the emerald green of Fancy's vales, Who hears the music of her heavenly voice, And breathes the rapture of her nectar'd gales!

Blest be the bard, whom golden Fancy loves, He strays for ever thro' her blooming bowers Amid the rich profusion of her groves,

And wreathes his forehead with her spicy flowers

Of sunny radiance; but how blest is he
Who feels the genuine force of high Sublimity!

THE DEITY

Signed 'A. T. or C. T.' in the reprint, but Lord Tennyson believes, as I do, that Charles wrote it.

'Immutable -- immortal - infinite!'- MILTON WHERE is the wonderful abode,

The holy, secret, searchless shrine,
Where dwells the immaterial God,
The all-pervading and benign?

O! that he were reveal'd to me,
Fully and palpably display'd

In all the awful majesty

Of heaven's consummate pomp array'd

How would the overwhelming light
Of his tremendous presence beam!
And how insufferably bright

Would the broad glow of glory stream!

What tho' this flesh would fade like grass,
Before th' intensity of day?
One glance at Him who always was,

The fiercest pangs would well repay.

When Moses on the mountain's brow
Had met th' Eternal face to face,
While anxious Israel stood below,

Wond'ring and trembling at its base;

1 Fingal's Cave in the Island of Staffa. If the Colossus of Rhodes bestrid a harbour, Fingal's powers were certainly far from despicable:

A chos air Cromleach druim-ard
Chos eile air Crommeal dubh
Thoga Fion le lamh mhoir
An d'uisge o Lubhair na fruth.

His visage, as he downward trod,
Shone starlike on the shrinking crowd,
With lustre borrow'd from his God:

They could not brook it, and they bow'd.

The mere reflection of the blaze

That lighten'd round creation's Lord,
Was too puissant for their gaze;
And he that caught it was ador'd.

Then how ineffably august,

How passing wond'rous must He be, Whose presence lent to earthly dust Such permanence of brilliancy! Thron'd in sequester'd sanctity,

And with transcendant glories crown'd;
With all his works beneath his eye,
And suns and systems burning round,

How shall I hymn him? How aspire
His holy Name with song to blend,
And bid my rash and feeble lyre
To such an awless flight ascend?

TIME: AN ODE

Remarkable for imagination and for versification as the work of a boy of sixteen.

I SEE the chariot, where,

Throughout the purple air,

The forelock'd monarch rides:

Arm'd like some antique vehicle for war,
Time, hoary Time! I see thy scythed car,
In voiceless majesty,

Cleaving the clouds of ages that float by,
And change their many-colour'd sides,
Now dark, now dun, now richly bright,
In an ever-varying light.

The great, the lowly, and the brave

Bow down before the rushing force Of thine unconquerable course; Thy wheels are noiseless as the grave, Yet fleet as Heaven's red bolt they hurry on, They pass above us, and are gone!

Clear is the track which thou hast past;

Strew'd with the wrecks of frail renown, Robe, sceptre, banner, wreath, and crown, The pathway that before thee lies, An undistinguishable waste,

Invisible to human eyes,

Which fain would scan the various shapes which glide

In dusky cavalcade, Imperfectly descried,

Through shade.

that intense, impenetrable

With one foot on Cromleach his brow,
The other on Crommeal the dark,

Fion took up with his large hand

The water from Lubhair of streams.

See the Dissertations prefixed to Ossian's Poems. Or, perpetual fire.

3 Alias, the Spectre of the Broken,

1

[blocks in formation]

Fast behind thee follows Death,

Thro' the ranks of wan and weeping, That yield their miserable breath,

On with his pallid courser proudly sweeping. Arm'd is he in full mail,1

Bright breast-plate and high crest,

Nor is the trenchant falchion wanting: So fiercely does he ride the gale,

On Time's dark car, before him, rest

The dew-drops of his charger's panting.

On, on they go along the boundless skies,
All human grandeur fades away
Before their flashing, fiery, hollow eyes;

Beneath the terrible control

Of those vast armed orbs, which roll
Oblivion on the creatures of a day.
Those splendid monuments alone he spares,
Which, to her deathless votaries,
Bright Fame, with glowing hand, uprears
Amid the waste of countless years.

'Live ye!' to these he crieth; 'live!
To ye eternity I give

Ye, upon whose blessed birth

The noblest star of heaven hath shone;
Live, when the ponderous pyramids of earth
Are crumbling in oblivion!

Live, when, wrapt in sullen shade,
The golden hosts of heaven shall fade;
Live, when yon gorgeous sun on high
Shall veil the sparkling of his eye!

Live, when imperial Time and Death himself shall die!'

GOD'S DENUNCIATIONS AGAINST PHARAOH-HOPHRA, OR APRIES

THOU beast of the flood, who hast said in thy soul,

'I have made me a stream that for ever shall roll!' 2

1 I am indebted for the idea of Death's Armour to that famous Chorus in Caractacus beginning with —

'Hark! heard ye not that footstep dread?'

2 Pliny's reproach to the Egyptians, for their vain and foolish pride with regard to the inundations of the Nile, points out one of their most distinguishing char

Thy strength is the flower that shall last but a day,

And thy might is the snow in the sun's burning ray.

Arm, arm from the east, Babylonia's son! Arm, arm for the battle the Lord leads thee on !

[ocr errors]

With the shield of thy fame, and the power of thy pride,

Arm, arm in thy glory - the Lord is thy guide.

Thou shalt come like a storm when the moonlight is dim,

And the lake's gloomy bosom is full to the brim;

Thou shalt come like the flash in the darkness of night,

When the wolves of the forest shall howl for affright.

Woe, woe to thee, Tanis! thy babes shall be thrown

By the barbarous hands on the cold marblestone:

Woe, woe to thee, Nile! for thy stream shall

be red

With the blood that shall gush o'er thy billowy bed!

Woe, woe to thee, Memphis! the war-cry is

near,

And the child shall be toss'd on the murderer's spear;

For fiercely he comes in the day of his ire, With wheels like a whirlwind, and chariots of fire!

THE GRAVE OF A SUICIDE
Perhaps incorrectly assigned to Alfred.

HARK! how the gale, in mournful notes and stern,

Sighs thro' yon grove of aged oaks, that wave (While down these solitary walks I turn)

Their mingled branches o'er yon lonely grave!

Poor soul! the dawning of thy life was dim; Frown'd the dark clouds upon thy natal day; Soon rose thy cup of sorrow to the brim,

And hope itself but shed a doubtful ray.

That hope had fled, and all within was gloom; That hope had fled thy woe to phrenzy

grew;

acteristics, and recalls to my mind a fine passage of Ezekiel, where God thus speaks to Pharaoh, one of their kings: "Behold, I am against thee, Pharaoh king of Egypt, the great dragon that lieth in the midst of his rivers, that hath said, MY RIVER IS MINE OWN, AND I HAVE MADE IT FOR MYSELF."-ROLLIN, vol. i. p. 216. 3 The Scriptural appellations are Zoan' and 'Noph.'

[merged small][merged small][ocr errors][merged small][merged small][merged small][merged small]

SOFT, shadowy moon-beam! by thy light
Sleeps the wide meer serenely pale:
How various are the sounds of night,
Borne on the scarcely-rising gale!

The swell of distant brook is heard,
Whose far-off waters faintly roll;
And piping of the shrill small bird,
Arrested by the wand'ring owl.

Come hither! let us thread with care

The maze of this green path, which binds The beauties of the broad parterre,

And thro' yon fragrant alley winds.

Or on this old bench will we sit,

Round which the clust'ring woodbine wreathes;

While birds of night around us flit;

And thro' each lavish wood-walk breathes,

Unto my ravish'd senses, brought

From yon thick-woven odorous bowers, The still rich breeze, with incense fraught Of glowing fruits and spangled flowers.

The whispering leaves, the gushing stream,
Where trembles the uncertain moon,
Suit more the poet's pensive dream,
Than all the jarring notes of noon.

Then, to the thickly-crowded mart
The eager sons of interest press;
Then, shine the tinsel works of art
Now, all is Nature's loneliness!

Then, wealth aloft in state displays
The glittering of her gilded cars;
Now, dimly stream the mingled rays
Of yon far-twinkling, silver stars.

Yon church, whose cold grey spire appears
In the black outline of the trees,
Conceals the object of my tears,

Whose form in dreams my spirit sees.

There in the chilling bed of earth,

The chancel's letter'd stone above There sleepeth she who gave me birth, Who taught my lips the hymn of love!

Yon mossy stems of ancient oak,

So widely crown'd with sombre shade, Those ne'er have heard the woodman's stroke Their solemn, secret depths invade.

How oft the grassy way

I've trod That winds their knotty boles between, And gather'd from the blooming sod The flowers that flourish'd there unseen!

Rise! let us trace that path once more, While o'er our track the cold beams shine; Down this low shingly vale, and o'er

Yon rude rough bridge of prostrate pine.

MITHRIDATES PRESENTING BERENICE WITH THE CUP OF POISON

OH! Berenice, lorn and lost,

This wretched soul with shame is bleeding:

Oh! Berenice, I am tost

By griefs, like wave to wave succeeding.

Fall'n Pontus! all her fame is gone,
And dim the splendour of her glory;
Low in the west her evening sun,

And dark the lustre of her story.

Dead is the wreath that round her brow
The glowing hands of Honour braided;
What change of fate can wait her now,
Her sceptre spoil'd, her throne degraded?

And wilt thou, wilt thou basely go,
My love, thy life, thy country shaming,
In all the agonies of woe,

Mid madd'ning shouts, and standards flaming?

And wilt thou, wilt thou basely go,
Proud Rome's triumphal car adorning?
Hark! hark! I hear thee answer No!'
The proffer'd life of thraldom scorning.

Lone, crownless, destitute, and poor,
My heart with bitter pain is burning;
So thick a cloud of night hangs o'er,
My daylight into darkness turning.
Yet though my spirit, bow'd with ill,

Small hope from future fortune borrows; One glorious thought shall cheer me still, That thou art free from abject sorrows

Art free for ever from the strife

Of slavery's pangs and tearful anguish; For life is death, and death is life, To those whose limbs in fetters languish.

« ПретходнаНастави »