SONNET THOUGH Night hath climbed her peak of high est noon, And bitter blasts the screaming autumn whirl, All night through archways of the bridgéd pearl, And portals of pure silver, walks the moon. That roar beneath; unshaken peace hath won thee; So shalt thou pierce the woven glooms of truth; SONNET SHALL the hag Evil die with child of Good, Of middle space confound them, and blow back Their wild cries down their cavern throats, and slake With points of blast-borne hail their heated eyne ! So their wan limbs no more might come between The moon and the moon's reflex in the night, Nor blot with floating shades the solar light. SONNET THE pallid thunder-stricken sigh for gain, Drown soul and sense, while wistfully they strain LOVE I THOU, from the first, unborn, undying Love, Albeit we gaze not on thy glories near, Before the face of God didst breathe and move, Though night and pain and ruin and death reign here. Thou foldest, like a golden atmosphere, II To know thee is all wisdom, and old age Breathe on thy wingéd throne, and it shall And now - methinks I gaze upon thee now, Awe-stricken Indians; what time laid low Waiting to light him with her purple skies, George for England! Merry England! England for aye! The hollow at heart shall crouch forlorn, CHO. -Shout for England! etc. There standeth our ancient enemy; CHO.Shout for England! etc. Come along! we alone of the earth are free; The child in our cradles is bolder than he; For where is the heart and strength of slaves? Oh! where is the strength of slaves? He is weak! we are strong: he a slave, we are free; Come along! we will dig their graves. There standeth our ancient enemy; Spur along! spur amain! charge to the fight: Hold up the Lion of England on high! CHO. - Shout for England! etc. Two children lovelier than Love adown the lea are singing, As they gambol, lily-garlands ever stringing: Mid-May's darling golden-locked, THE SEA FAIRIES This poem (see p. 15 above) was so much altered when it was included in the edition of 1853 that I give the original form in full here. SLOW sailed the weary mariners, and saw Shrill music reached them on the middle sea. SONG Whither away, whither away, whither away? Fly no more: Whither away wi' the singing sail? whither away wi' the oar? Whither away from the high green field and the happy blossoming shore? Weary mariners, hither away, Weary mariners, come and play; We will sing to you all the day; O BEAUTY, passing beauty! sweetest Sweet! How canst thou let me waste my youth in sighs? I only ask to sit beside thy feet. Thou knowest I dare not look into thine eyes. Might I but kiss thy hand! I dare not fold My arms about thee- - scarcely dare to speak. And nothing seems to me so wild and bold, As with one kiss to touch thy blesséd cheek. Methinks if I should kiss thee, no control Within the thrilling brain could keep afloat The subtle spirit. Even while I spoke, The bare word KISS hath made my inner soul To tremble like a lutestring, ere the note Hath melted in the silence that it broke. THE HESPERIDES This poem is reprinted in the 'Memoir' (vol. i. p. 61) with the following note: 'Published and suppressed by my father, and republished by me here (with accents written by him) in consequence of a talk that I had with him, in which he regretted that he had done away with it from among his "Juvenilia." The author of the 'Memoir' has since added 'Kate' (which he does not mention) to the 'Juvenilia' in the collected editions (see p. 23 above), but he has not restored this poem. "Hesperus and his daughters three, Comus. THE North-wind fall'n, in the new-starréd night Zidoni in Hanno, voyaging beyond The hoary promontory of Soloë Past Thymiaterion, in calméd bays, Between the southern and the western Horn, Guard it well, guard it warily, Standing about the charméd root. Round about all is mute, As the snow-field on the mountain-peaks, Sleep and stir not: all is mute. If ye sing not, if ye make false measure, Laugh not loudly: watch the treasure In a corner wisdom whispers. Five and three For the blossom unto threefold music bloweth; Evermore it is born anew; And the sap to threefold music floweth, From the root Father Hesper, Father Hesper, watch, watch, ever and aye, Looking under silver hair with a silver eye. Honor comes with mystery; Look to him, father, lest he wink, and the golden apple be stol'n away, For his ancient heart is drunk with overwatchings night and day, Round about the hallowed fruit-tree curled Sing away, sing aloud evermore in the wind, without stop, Lest his scaled eyelid drop, For he is older than the world. Dropping the eyelid over the eyes. III Father Hesper, Father Hesper, watch, watch, night and day, Lest the old wound of the world be healéd, The golden apple stolén away, And the ancient secret revealed. Father, old Himala weakens, Caucasus is bold and strong. Wandering waters unto wandering waters call; Half-round the mantling night is drawn, Hesper hateth Phosphor, evening hateth morn. IV Every flower and every fruit the redolent breath For the western sun and the western star, The end of day and beginning of night Holy and bright, round and full, bright and blest, Mellowed in a land of rest; But when the full-faced sunset yellowly The world is wasted with fire and sword, Bound about ROSALIND This poem (see p. 21 above) has been restored, but without the following note, which is appended to it in the 1833 volume: AUTHOR'S NOTE. Perhaps the following lines may be allowed to stand as a separate poem; originally they made part of the text, where they were manifestly superfluous. My Rosalind, my Rosalind, To whom the slope and stream of Life, You did late review my lays, You did mingle blame and praise, Rusty Christopher. When I learnt from whom it came, I forgave you all the blame, I could not forgive the praise, V. OTHER DISCARDED AND UNCOLLECTED POEMS ON CAMBRIDGE UNIVERSITY Written in 1830. See Notes. THEREFORE your Halls, your ancient Colleges, |