1829. TIMBUCTOO. Printed in Prolusiones Academicæ,' Cambridge. 1830. POEMS, CHIEFLY LYRICAL. London. 1831. Anacreontics,' 'No More,' and A Fragment' contributed to The Gem; a Literary Annual'; and a Sonnet (Check every outflash,' etc.) to The Englishman's Magazine' for August (reprinted in 'Friendship's Offering,' 1833). 1832. POEMS BY ALFRED TENNYSON. London (dated 1833). A Sonnet (There are three things,' etc.) contributed to The Yorkshire Literary Annual'; and a Sonnet (Me my own Fate,' etc.) to Friendship's Offering.' 1833. THE LOVER'S TALE. London. Suppressed immediately after publication. 1837. O that 't were possible' (the germ of Maud ') contributed to The Tribute'; and Saint Agnes' Eve' to The Keepsake.' 1842. PORMS. 2 vols. London. A second, third, and fourth edition appeared in 1843-46; fifth, in one volume, 1848; sixth, 1850; seventh, 1851; and eighth (with additions), 1853. 1846. The New Timon and the Poets' contributed to Punch,' February 28; and Afterthought' to 'Punch,' March 7. 1847. THE PRINCESS. London. Second, third, and fourth editions, 1848–51; fifth, 1853. 1849. 'To after Reading a Life and Letters,' in the Examiner,' March 24. 1850. IN MEMORIAM. London. Second and third editions the same year; fourth edition, 1851. Lines (Here often, when a child,' etc.) contributed to the Manchester Literary Album.' 1851. What time I wasted youthful hours' and Come not when I am dead,' contrib 1852. ODE ON THE DEATH OF THE DUKE OF WELLINGTON. London. 'Britons, guard your own,' contributed to the Examiner,' January 31; and The Third of February' and 'Hands all Round' to the same, February 7. 1854. The Charge of the Light Brigade,' in the Examiner,' December 9. Reprinted in separate form, in August, 1855. 1855. MAUD, AND OTHER POEMS. London. A second enlarged edition, in 1856. 1857. ENID AND NIMUE: OR THE TRUE AND THE FALSE (earliest form of two 'Idylls of the King'), London. Suppressed before publication. Illustrated edition of the 'Poems.' Lon 1865. A SELECTION FROM THE WORKS OF ALFRED TENNYSON (containing six new, poems). London. 1867. THE WINDOW: OR THE LOVES OF THE WRENS. Privately printed at Canford Manor. Reprinted at London, 1870 (dated 1871). THE VICTIM. Privately printed at same place. 1868. The Victim' reprinted in 'Good Words,' January. On a Spiteful Letter' contributed to Once a Week,' January; 'Wages' to 'Macmillan's Magazine,' February; 1865-1866' to 'Good Words,' March; and Lucretius' to 'Macmillan's Magazine,' May. 1869. THE HOLY GRAIL, AND OTHER POEMS. London. F The Sonnet to W. H. Brookfield contributed to the 'Memoir' by Lord Lyttleton. 1871. The Miniature Edition' of the Poems ' (10 vols.), London. 'The Last Tournament' contributed to the Contemporary Review,' December. 1872. GARETH AND LYNETTE (and The Last Tournament'), London. The Library Edition' of the 'Poems' (7 vols.), London (1872-73). 1873. The Popular Edition' of the 'Poems,' London (1873-74). 1874. A WELCOME TO MARIE ALEXANDROVNA (first printed in the Times,' and afterwards separately). Com The Cabinet Edition' of the 'Poems,' containing important additions. pleted (12 vols.) in 1880. 1875. QUEEN MARY, London. The Author's Edition' of the 'Poems,' London, 6 vols. (1875-77). 1876. HAROLD, London (dated 1877). 1877. A Prefatory Sonnet' contributed to the Nineteenth Century,' March; Montenegro' to number for May; Sonnet' To Victor Hugo,' to number for June; and Achilles over the Trench,' August. to the Epitaph on Sir John Franklin written for the memorial in Westminster Abbey. 1878. The Revenge' contributed Nineteenth Century,' March. 1879. THE LOVER'S TALE (completed), London. The Defence of Lucknow,' with ' Dedicatory Poem to the Princess Alice,' contributed to the Nineteenth Century,' April. 1880. BALLADS, AND OTHER POEMS, London. 1891. To Sleep' contributed to the 'New Review,' March. 1892. Verses on The Death of the Duke of Clarence and Avondale' printed in the Nineteenth Century,' February. THE FORESTERS, London and New York. SILENT VOICES, published privately in London on the day of the Poet's funeral (October 12). THE DEATH OF ENONE, AKBAR'S DREAM, and OTHER POEMS. London and New York. A miniature 16-volume edition, bound in 8 volumes (one thousand copies on India paper, printed at the Oxford University Press) was published in September. It did not include The Foresters' nor the Death of Enone' volume. It is not mentioned in any of the Bibliographies. 1893. POEMS BY TWO BROTHERS, London; a reprint of the edition of 1827, with four additional poems from MS. and Timbuctoo.' Edited, with preface, by Hallam Lord Tennyson. London and New York. New 10-volume edition of the Poems, including the Foresters' and the poems in The Death of Enone' volume; also a new one-volume edition similarly complete. London and New York. BECKET, as arranged for the stage by Henry Irving, and presented at the Lyceum Theatre, February 6, 1893. London and New York. 1897. ALFRED LORD TENNYSON: A Memoir. by his Son. 2 vols. London and New York. Contains seventy or more unpublished poems and fragments, mostly of early date. 1898. New Globe Edition' of the Poems,' complete in one volume. London and New York. INDEX OF FIRST LINES (Including the first lines of songs included in poems and dramas and of sections of IN MEMORIAM.) A city clerk, but gently born and bred, 252. Again at Christmas did we weave, 180. A garden here - May breath and bloom of A happy lover who has come, 165. All along the valley, stream that flashest white, 264. All thoughts, all creeds, all dreams are true, Almighty Love! whose nameless power, 776. And Willy, my eldest-born, is gone, you say, Angels have talked with him and showed him A plague upon the people fell, 272. Are you sleeping? have you forgotten? do not A rose, but one, none other rose had I, 419. Ask me no more: the wind may draw the sea, 'Beat, little heart - I give you this and this,' Beat upon mine, little heart! beat, beat! 553. Below the thunders of the upper deep, 6. Blow trumpet, for the world is white with Blow ye the trumpet, gather from afar, 789. Break, break, break, 114. Brooks, for they call'd you so that knew you Bury the Great Duke, 223. By night we linger'd on the lawn, 186. Calm is the morn without a sound, 166. Check every outflash, every ruder sally, 790. Come not, when I am dead, 110. Come, when no graver cares employ, 222. Contemplate all this work of Time, 193. Courage!' he said, and pointed toward the Dagonet, the fool, whom Gawain in his mood, Dainty little maiden, whither would you wan- Dark house, by which once more I stand, 165. Dead mountain flowers, 712. Dead Princess, living Power, if that which Dear friend, far off, my lost desire, 195. 265. Deep on the convent-roof the snows, 100. He tasted love with half his mind, 185. Doors, where my heart was used to beat, 193. Dost ask why Laura's soul is riven, 773. Dost thou look back on what hath been, 177. Elaine the fair, Elaine the lovable, 380. Ere yet my heart was sweet Love's tomb, 783. Eyes not down-dropt nor over-bright, but fed, 7. Faded every violet, all the roses, 794. Faint as a climate-changing bird that flies, Fair is her cottage in its place, 264. Fair ship that from the Italian shore, 165. Half a league, half a league, 226. Hallowed be Thy name - Halleluiah! 484. Hark! how the gale, in mournful notes and Heart-affluence in discursive talk, 191. Heaven weeps above the earth all night till He clasps the crag with crooked hands, 110. He past, a soul of nobler tone, 177. Here by this brook we parted, I to the East, Here far away, seen from the topmost cliff, 281. He thought to quell the stubborn hearts of oak, Hide me, mother! my fathers belong'd to the High wisdom holds my wisdom less, 192. His eyes in eclipse, 781. His friends would praise him, I believed 'em,' | 571. Home they brought her warrior dead, 149. How gaily sinks the gorgeous sun within his How long, O God, shall men be ridden down, How many a father have I seen, 175. I am any man's suitor, 781. I built my soul a lordly pleasure-house, 43. I cannot see the features right, 179. I climb the hill: from end to end, 188. I come from haunts of coot and hern, 218. I die my limbs with icy feeling, 773. I dream'd there would be Spring no more, 178. If any vague desire should rise, 181. I had a vision when the night was late, 111. I hate the dreadful hollow behind the little I hear the noise about thy keel, 165. I held it truth, with him who sings, 163. I knew an old wife lean and poor, 62. I know her by her angry air, 23. I know that this was Life, the track, 169. I leave thy praises unexpress'd, 180. I'm glad I walk'd. How fresh the meadows In her ear he whispers gaily, 107. In love, if love be love, if love be ours, 372. In those sad words I took farewell, 176. I past beside the reverend walls, 184. I read, before my eyelids dropt their shade, 53. I see the chariot, where, 767. I see the wealthy miller yet, 35. I send you here a sort of allegory, 42. I shall not see thee. Dare I say, 186. I sing to him that rests below, 168. Is it the wind of the dawn that I hear in the Is it you, that preach'd in the chapel there I sometimes hold it half a sin, 164. I stood on a tower in the wet, 793. I stood upon the Mountain which o'erlooks, 778. 1 I' the glooming light, 781. It is the day when he was born, 190. - I will hang thee, my Harp, by the side of the I will not shut me from my kind, 191. Jerusalem! Jerusalem! 770. King Arthur made new knights to fill the gap, 413. King Charles was sitting all alone, 777. Kings, when to private audience they descend, King, that hast reign'd six hundred years, and Lady Clara Vere de Vere, 46. Land of bright eye and lofty brow, 761. Late, late, so late! and dark the night and Leodogran, the King of Cameliard, 304. Lo, as a dove when up she springs, 166. Long as the heart beats life within her breast, Long lines of cliff breaking have left a chasm, Lo! there once more - this is the seventh Love is and was my lord and king, 195. Love thou thy land, with love far-brought, 61. Lucilia, wedded to Lucretius, found, 274. Many a hearth upon our dark globe sighs after Many, many welcomes, 556. Me my own fate to lasting sorrow doometh, 790. Milk for my sweet-arts, Bess! fur it mun be Mine be the strength of spirit, full and free, 24. Mona! with flame thine oaks are streaming, Moon on the field and the foam, 720. 'More than my brothers are to me,' 181. My friend should meet me somewhere herea- My good blade carves the casques of men, 101. My hope and heart is with thee-thou wilt be, My life is full of weary days, 24. My Lords, we hear you speak: you told us all, My love has talk'd with rocks and trees, 187. My own dim life should teach me this, 171. My Rosalind, my Rosalind, 789. Naäy, noä mander o' use to be callin' 'im Roä, Nature, so far as in her lies, 60. Not here! the white North has thy bones; and Not he that breaks the dams, but he, 793. Now sleeps the crimson petal, now the white, Now, sometimes in my sorrow shut, 169. O beauty, passing beauty! sweetest Sweet, 787. O darling room, my heart's delight, 789. Of love that never found his earthly close, 85. O happy lark, that warblest high, 748. Old Fitz, who from your suburb grange, 488. O Love, Love, Love! O withering might! 38. O maiden, fresher than the first green leaf, 784. O me, my pleasant rambles by the lake, 77. Once more the gate behind me falls, 82. |