Hamlet, Том 2J.B. Lippincott & Company, 1877 |
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Страница 15
... Ophelia in the same manner follows . Here again there is a great extension . The injunction of Laertes in the first copy is contained in these few lines . [ See lines 331-339 of Q ,. ] Compare this with the splendid passage which we now ...
... Ophelia in the same manner follows . Here again there is a great extension . The injunction of Laertes in the first copy is contained in these few lines . [ See lines 331-339 of Q ,. ] Compare this with the splendid passage which we now ...
Страница 16
... Ophelia does not , as now , say , — Alas , my lord , my lord , I have been so affrighted , ' but she comes at once to proclaim Hamlet mad . [ See lines 664-672 of Q ,. ] Again , in the next scene , when the King communicates his wishes ...
... Ophelia does not , as now , say , — Alas , my lord , my lord , I have been so affrighted , ' but she comes at once to proclaim Hamlet mad . [ See lines 664-672 of Q ,. ] Again , in the next scene , when the King communicates his wishes ...
Страница 17
... Ophelia is beautifully elaborated in the amended copy , but all her snatches of songs are the same in both editions . What she sings , however , in the First Scene of the original copy is with great art transposed to the Second Scene of ...
... Ophelia is beautifully elaborated in the amended copy , but all her snatches of songs are the same in both editions . What she sings , however , in the First Scene of the original copy is with great art transposed to the Second Scene of ...
Страница 20
... Ophelia , where he madly reproaches and reviles her , a scene whose harshness may not always be perceived in the closet , but from which , in acting , no skill has been able , unless by a gross vio- lation of the text and meaning of the ...
... Ophelia , where he madly reproaches and reviles her , a scene whose harshness may not always be perceived in the closet , but from which , in acting , no skill has been able , unless by a gross vio- lation of the text and meaning of the ...
Страница 21
... Ophelia breaks out suddenly and passes away without effect . The remainder of the Act is in a key far less passionate . And , again , when we come to the Third Act the vehemence of the play - scene breaks out with equal unexpectedness ...
... Ophelia breaks out suddenly and passes away without effect . The remainder of the Act is in a key far less passionate . And , again , when we come to the Third Act the vehemence of the play - scene breaks out with equal unexpectedness ...
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action actors Amleth appears avenge blood cause character of Hamlet Claudius copy Corambis courtiers crime critics death deed Denmark doubt drama edition effect England exit eyes father fear feeling feigned madness Fengon fhall Fortinbras friends German Ghost give Goethe Hamlet plays hand hath haue heart Heaven hero Horatio Horvendile Hubert Languet human idea insanity intellectual kill King Laertes Lear Leartes look Lord loue Marcellus means melancholy mind moral mother murder nature never night noble Norway Ofel Ofelia Ophelia Orvandill Osric passages passion persons Philip Sidney piece play players poet Polonius Prince Hamlet Quarto Queen racter rapiers reason revenge Rosencrantz and Guildenstern says scene seems Shakespeare Shakespeare's Hamlet ſhall soliloquy soul speak ſpeake speech spirit stage thee things thou thought tion tragedy tragic true truth uncle uttered vengeance Voltaire whole Wittenberg words