America's Music, from the Pilgrims to the Present

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University of Illinois Press, 1992 - 712 страница

Completely rewritten, the updated third edition of American Music broadens the scope of the classic text. Gilbert Chase devotes greater attention to modern forms like jazz, folk, and popular music, while expanding existing scholarship. Chase's musical tour begins with the various religious movements that dominated our musical expression for over two centuries. From there, he explores the rapid changes and artistic flowerings of the twentieth century--a series of musical revolutions that saw the development of "serious" instrumental music and an influential avant-garde alongside the birth of ragtime, jazz, and a far-reaching constellation of popular forms.

Written by the leading expert of his era, American Music is a long-standing classroom perennial and an indispensable guide to anyone interested in the United States and its musical heritage.

 

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The Musical Puritans
3
Conflict and Reform
19
Dissenters and Minority Sects
38
The African Presence
55
Gentlemen Amateurs
72
European Professionals
94
American Pioneers
112
The People and the Nation
129
On with the Show
360
New England Again
379
The Native Americans
395
The Rise of Ragtime
413
Composer from Connecticut
429
America and the World
447
The Ultramodern Movement
449
New American Mix
470

Progress Profit and Uplift
131
The Genteel Tradition
147
The Fasola Folk
170
Revival Hymns and Spiritual Songs
192
The Negro Spirituals
213
The Ethiopian Business
232
Americas Minstrel
248
Romantic Americanism
266
Exotic Romanticism
285
Europe versus America
302
Toward a Composite Culture
321
Music for the Millions
323
Decorum and Diversity
341
Everywhere the Blues
489
Tradition and Transformation
506
The Pit and the Proscenium
525
Toward an American Opera
543
The Grand Tradition
562
Creative Systems
581
Innovation and Experiment
597
Country to Rockwith Soul
619
American Music on Record by William Brooks
639
Selected Bibliography
647
Index
689
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The late Gilbert Chase taught at Tulane University and the University of Texas at Austin, and was former chairman of the Inter-American Music Council. His books include Contemporary Art in Latin America, A Guide to the Music of Latin America, and The Music of Spain.

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