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VI.

LITERARY

HISTORYOF
ENGLAND.

All these specimens were written before the Arabians invaded Spain, and fully prove the anterior use of rime by a Roman in Africa, St. Austin; by a priest in France, Venantius Fortunatus; by an Irishman at St. Gall, Columbanus; by Drepanius Florus; and by an Anglo-Saxon in England, St. Aldhelm. These instances fully destroy the Arabian theory of the origin of rime.

The following specimens are from the Welsh bards, who lived between 500 and 700.

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MYRDDHEN.-580.

Oian a parchellan bychan breichfras
Andaw de lais adar mor mawn en dias
Kerddorion allan heb ran urddas
Gwrthunawd esspyd a bryd gan was

Heb godwyd wyneb, hebran urddas.-Welsh Arch. 137.

To the citations in the Essay from our Boniface, I will add the following, also from him, because it exhibits that precise metre and rime, which nearly four centuries afterwards became the great characteristic of the Anglo-Norman poetry-the eight-syllable rimed verse.

BONIFACE.-Died A. D. 755.
Nicharde! nunc nigerrima

Imi Cosmi contagia

Temne fauste tartaria

Hoc contra hunc supplicia

Altaque super æthera

Rimari petens agmina.—16 Mag. Bib. 49.

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The Antiphonarum of the Bangor monastery, in Wales, written in the seventh, or at latest, in the eighth century, has a hymn of St. Cangill, which is rimed.

Recordemur justitiæ
Nostri Patroni fulgidæ
Cangilli sancti nomine
Refulgentis in opere
Audite pantes ta erga
Allati ad Angelica
Athletæ Dei abdita

A juventate florida.-Murat. Ant. p. 688.

All these specimens concur to prove the following facts:

That rime was, in the year 384, used in the vulgar poetry of the Romans.

СНАР.

VIII.

ORIGIN

AND PRO

GRESS OF

RIME IN

THE MID

DLE AGES.

BOOK
VI.

LITERARY

HISTORY OF
ENGLAND.

And in the years 570 and 650 by the Latin ecclesiastics.

And in 550, 580, and 600, by the ancient Welsh bards, and in the Bangor monastery.

And in 700, by the Anglo-Saxon Aldhelm, and before 750, by Boniface.

To these established truths we may add, that in the sixth century it was also used in the vernacular Irish poetry, and is the regular accompaniment of their ancient historical ballads." Their language also contains words, which, in their verbal sound express it.10 Descending to later times, I have observed the following authors who have written in rime.

The MS. of the work of Theobaldus on animals has been declared to be of the eighth century; if so,

I learn this from Dr. O'Conner's Prolegomena. He has printed the Irish poem on St. Patrick, ascribed to Frecus Sleibhhenses, from the very ancient Dungal MS., and justly placed by the Irish antiquaries in the sixth century.

It is in thirty-four stanzas. Its first and last are,

First

Genair Patraic i Nemthur.
Asseadh adfet hi Sclebaibh,
Macan se mbliadan decc

An tan do breth fo dheraibh.

Last

Patraic cen airde nuabhair,
Ba mor do maith ro meanuir,
Bith in gellsine meic Maire

Bha sen gaire in genuir.-xc.-XCVI.

9 See those quoted in the preceding 1st volume of this History, page 275, note, of the dates of 1057 and 1143.

To Dr. O'Connor says, 'The Irish ascribe no other meaning but rime to their words rann, rimh, riomh, renn, which are ancient Irish words.' Prel. 2. p. lxviii. He remarks, Bede, l. 5. c. 18, that Aldhelm was educated by the Irish Maildulph, and instructed by him in Latin learning, and therefore infers, that Aldhelm took his rime from his Irish tutors. ib. I have no objection to his conclusion. It is not improbable, but as it is as likely, that Aldhelm was acquainted with the British bards, the Latin ecclesiastics, and St. Austin, and learnt it from them, and as it may have been used in the popular songs of England, I cannot affirm that the Doctor is as right in his deduction as he is patriotic in urging it. But from whatever source Aldhelm became acquainted with it, we cannot for a moment believe that rime originated in Ireland.

СНАР.

VIII.

it proves that rime was then in use, altho his authority has not hitherto been known or referred to. But out of his Latin verses on his twelve animals, ORIGIN those on two of them, the spider and the turtle-dove, GRESSO are in rime. As the work has not been quoted be- RIME IN fore, I will subjoin them.

THEOBALDUS.-A. D. 800.

The lines on the spider are very flowing and easy:

Vermis aranea licet exiguus,
Plurima fila nectit assiduus.
Qui vivere solet his studiis
Texere que solet artificitus
Sunt ea rethia, musca! tibi,
Ut volitans capiaris ibi.'
Dulcis et utilis esca sibi

Huic placet illud opus tenue
Sed sibi nil valet, nam fragile
Quælibet aura trahit in patulum
Rumpitur et cadit in nihilum.

Hos sequitur homo vermiculos
Decipiendo suos inimicos
Quos comedit, faciens miseros:
Et placet sibi inde nimium
Quando nocere potest alium.

Ille tamen vicium quandoque facit,
Cum moritur, quasi tela cadit,

Quammodo dictus aranea facit.

His rimed verses on the turtle-dove are not un

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AND PRO

THE MID

DLE AGES.

BOOK

VI.

LITERARY

HISTORYOF

ENGLAND.

His moral application of it is also rimed.
Sic anima extat queque fidelis
Facta virili federe felix

Namque maritus, est sibi Christus.
Cum sua de se pectora replet.
Si bene vivit, semper adheret:
Non alienum querit amicum
Quamlibet Orcus sumpserit illum;
Quem superesse credit in ethere
Inde futurum spectat eundem

Ut microcosmum judicet omnem.

Theob. Physiologus.

OTFRED.- —A. D. 870.

Petrus auur zeli mir

Bin in liob filu thir?

Ist thaz herza thinaz

Mir unarlicho holdas?

HARTMANNUS, a Monk of St. Gall.-A. D. 870.

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