Elements of CriticismHuntington and Savage, 1842 - 504 страница |
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Страница 6
... The principles of taste , and the perception of the Sublime and the Beautiful , exist , in a greater or less degree , in every mind ; and as every man fami- liar with the subject , must be sensible that English EDITOR'S PREFACE .
... The principles of taste , and the perception of the Sublime and the Beautiful , exist , in a greater or less degree , in every mind ; and as every man fami- liar with the subject , must be sensible that English EDITOR'S PREFACE .
Страница 8
... the commencement of these remarks , be found to have been attained , he will feel himself abundantly compensated . New - York , April , 1833 . INTRODUCTION , CONTENTS . Chap . I. Perceptions and Ideas 8 EDITOR'S PREFACE .
... the commencement of these remarks , be found to have been attained , he will feel himself abundantly compensated . New - York , April , 1833 . INTRODUCTION , CONTENTS . Chap . I. Perceptions and Ideas 8 EDITOR'S PREFACE .
Страница 9
... Perceptions , Opinions , and Belief , Appendix . - Methods that Nature hath afforded for computing Time and Space , • • • Part 6. Resemblance of Emotions to their Causes , Part 7. Final Causes of the more frequent Emotions and Passions ...
... Perceptions , Opinions , and Belief , Appendix . - Methods that Nature hath afforded for computing Time and Space , • • • Part 6. Resemblance of Emotions to their Causes , Part 7. Final Causes of the more frequent Emotions and Passions ...
Страница 12
... perceptions are of external objects , and our first attach- ments are to them . Organic pleasures take the lead : but the mind , gradually ripening , relishes more and more the pleasures of the eye and ear ; which approach the purely ...
... perceptions are of external objects , and our first attach- ments are to them . Organic pleasures take the lead : but the mind , gradually ripening , relishes more and more the pleasures of the eye and ear ; which approach the purely ...
Страница 13
... perception of what objects are lofty , what low , what proper or improper , what manly , and what mean or trivial . Hence a foundation for reasoning upon the taste arts . * A taste for natural objects is born with us in perfection ; for ...
... perception of what objects are lofty , what low , what proper or improper , what manly , and what mean or trivial . Hence a foundation for reasoning upon the taste arts . * A taste for natural objects is born with us in perfection ; for ...
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accent action admit Æneid agreeable appear beauty blank verse Cæsar Chap circumstances color congruity connected degree Demetrius Phalereus dignity disagreeable distinguished distress effect elevation emotion raised emotions produced epic poem epic poetry equally Euripides example expression external signs Falstaff feeling figure final cause Fingal foregoing former garden give grandeur gratification hand Hence Henry IV Hexameter human ideas Iliad imagination impression instances Julius Cæsar kind language less manner means melody mind motion Mourning Bride nature never novelty observation occasion opposite ornaments Othello painful Paradise Lost passion pause perceived perceptions person pleasant emotion pleasure poem propensity proper proportion propriety qualities reason regularity relation relish remarkable resemblance respect Richard II ridicule risible rule scarcely sense sensible sentiments Shakspeare simile sion sound spectator Spondees sublime succession syllables taste termed thee things thou thought tion tone uniformity variety verse words writer
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Страница 395 - O, you hard hearts, you cruel men of Rome, Knew you not Pompey? Many a time and oft Have you climb'd up to walls and battlements, To towers and windows, yea, to chimney-tops, Your infants in your arms, and there have sat The live-long day, with patient expectation, To see great Pompey pass the streets of Rome...
Страница 445 - With mazy error under pendent shades Ran nectar, visiting each plant, and fed Flowers worthy of Paradise, which not nice Art In beds and curious knots, but Nature boon Pour'd forth profuse on hill, and dale, and plain...
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Страница 329 - And thus still doing, thus he pass'd along. DUCH. Alas, poor Richard! where rides he the whilst? YORK. As in a theatre, the eyes of men, After a well-grac'd actor leaves the stage, Are idly bent on him that enters next, Thinking his prattle to be tedious : Even so, or with much more contempt, men's eyes Did scowl on Richard ; no man cried, God save him...
Страница 84 - I cannot tell what you and other men Think of this life ; but, for my single self, I had as lief not be as live to be In awe of such a thing as I myself.
Страница 242 - tis an unweeded garden, That grows to seed; things rank and gross in nature Possess it merely. That it should come to this! But two months dead: nay, not so much, not two...