Elements of CriticismHuntington and Savage, 1842 - 504 страница |
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Страница 15
... sight , because they give him pain . On the other hand , a man void of taste , upon whom even striking beau- ties make but a faint impression , indulges pride or envy without con- brol , and loves to brood over errors and blemishes . In ...
... sight , because they give him pain . On the other hand , a man void of taste , upon whom even striking beau- ties make but a faint impression , indulges pride or envy without con- brol , and loves to brood over errors and blemishes . In ...
Страница 25
... sight make an impression so lively , that a relation even of the slightest kind is relished . This , however , ought not to be imitated in description . Words are so far short of the eye in liveliness of impression , that in a ...
... sight make an impression so lively , that a relation even of the slightest kind is relished . This , however , ought not to be imitated in description . Words are so far short of the eye in liveliness of impression , that in a ...
Страница 28
... sight that raise pleasant emotions : a barren heath - a dirty marsh — a rotten carcass , raise painful emotions . Of the emotions thus produced , we inquire for no other cause than merely the presence of the object . The things now ...
... sight that raise pleasant emotions : a barren heath - a dirty marsh — a rotten carcass , raise painful emotions . Of the emotions thus produced , we inquire for no other cause than merely the presence of the object . The things now ...
Страница 30
... sight or idea of the beloved female , joined with desire of enjoyment ? In what else consists the passion of resentment , but in a painful emotion occasioned by the injury , accompanied with desire to chastise the guilty person ? In ...
... sight or idea of the beloved female , joined with desire of enjoyment ? In what else consists the passion of resentment , but in a painful emotion occasioned by the injury , accompanied with desire to chastise the guilty person ? In ...
Страница 33
... sight . In this case , the action I perform is purely social . Thus it happens , that when a social motive becomes strong , the action is exerted with a view singly to the object of the passion , and self never comes in view . The same ...
... sight . In this case , the action I perform is purely social . Thus it happens , that when a social motive becomes strong , the action is exerted with a view singly to the object of the passion , and self never comes in view . The same ...
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accent action admit Æneid agreeable appear beauty blank verse Cæsar Chap circumstances color congruity connected degree Demetrius Phalereus dignity disagreeable distinguished distress effect elevation emotion raised emotions produced epic poem epic poetry equally Euripides example expression external signs Falstaff feeling figure final cause Fingal foregoing former garden give grandeur gratification hand Hence Henry IV Hexameter human ideas Iliad imagination impression instances Julius Cæsar kind language less manner means melody mind motion Mourning Bride nature never novelty observation occasion opposite ornaments Othello painful Paradise Lost passion pause perceived perceptions person pleasant emotion pleasure poem propensity proper proportion propriety qualities reason regularity relation relish remarkable resemblance respect Richard II ridicule risible rule scarcely sense sensible sentiments Shakspeare simile sion sound spectator Spondees sublime succession syllables taste termed thee things thou thought tion tone uniformity variety verse words writer
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Страница 395 - O, you hard hearts, you cruel men of Rome, Knew you not Pompey? Many a time and oft Have you climb'd up to walls and battlements, To towers and windows, yea, to chimney-tops, Your infants in your arms, and there have sat The live-long day, with patient expectation, To see great Pompey pass the streets of Rome...
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Страница 242 - tis an unweeded garden, That grows to seed; things rank and gross in nature Possess it merely. That it should come to this! But two months dead: nay, not so much, not two...