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him, from a belief that he wished to admit English cotton. Seville is an old archiepiscopal seat, where the clergy have great influence; and the clergy there, as well as rivalry of Cadiz, occasioned its resistance. There is, one may say, no rustic population in the south. All the poor congregate in towns, or belong to them, and form a mass of ignorant, excitable, changeable opinion, that is not to be depended upon for twentyfour hours. There is throughout a strong vein of republicanism, and a contempt for all things and persons north of the Sierra Morena: so that nothing is more easy than to get up an alborato against the government of the time being. The north of Spain, on the contrary, depends upon its rural population; and is slower to move, but much more formidable and steady when once made to embrace or declare an opinion. Throughout the north, neither citizens nor servants declared against

the Regent. It was merely the garrisons and troops of the line. Such being the force and support of the different parties, one is surprised to find that Espartero so easily succumbed, and we cannot but expect that his recall, either as Regent or general, is sooner or later inevitable.

The career of the Duke of Victory being thus far from closed, it would be premature to carve out his full-length statue to be too minute in personal anecdote, too severe or too laudatory in judging him. Our materials too are but meagre; though the "Galerie des Cotemporains" which heads our article is a popular and meritorious little work. Our present task is, however, sufficiently discharged. Señor Flores promises at Madrid a life of Espartero in three volumes; and the Duke of Victoria and Spain are subjects that we shall have ample occasion and necessity to recur to.

From Eliza Cook's Journal.

AMERICAN HUMOR.

THE Americans of the United States, in | epigrammatic expression in form, and smart almost all their literary varieties, are pretty close followers of English prototypes. Bryant is a smaller Wordsworth; Longfellow, a minor Tennyson; Washington Irving, a modern Addison; Cooper was the Walter Scott of the ocean and the prairie. Prescott and Bancroft are the Robertson and Hume of the New World. Perhaps the country is too young, too prosperous, too dollar-hunting, to have time to throw out a vigorous national literature, racy of the soil. Emerson is, perhaps, the most original thinker and writer in the States; and he, too, has been called the American Carlyle. At all events, he has fed mainly on foreign philosophers, chiefly on Plato and Montaigne. He might have been a European, a Greek, or a Roman, there is so little that is American in his thought or his diction.

But the Humor and the Fun of the United States are really native and original. We cannot call this fun Wit, for it has no polish or refinement in it Indeed, it is generally coarse-what we would call low humor. It is downright screaming; in fact, the fun of a young country. It has none of the finish,

play upon the ideas in substance, which characterize French wit; nor any of that subtle, allusive, punning, ironical humor, in which Swift, Walpole, Goldsmith, Sidney Smith, Fonblanque, and other English and Irish wits so strikingly excelled. American humor delights in boundless exaggeration ; and is ludicrous because of its gross incongruity. Yet this is wit, after a sort. Perhaps the essence of the ludicrous consists in surprise, in unexpected explosions of thought, often by bringing dissimilar things together with a shock, as when a Yankee editor of a cheap journal proclaimed, that "the price of liberty is eternal vigilance, the price of the Star is only one cent!" or, as where another Yankee was found of so uncompromising a republican spirit, that he would not even wear a crown to his hat!

The United States Americans-at least those of them whom we have met with-are by no means a laughing people. Their looks are severe and stern. They do not seem to enjoy life much. They cannot take a joke, but "rile up" if a depreciating remark is made to them, especially about their country, which,

of course,
business with such intensity of purpose, that
they seem to think laughing quite beneath
them. They have little pleasure in recrea-
tions, as their own writer, Mr. Brace, tells
us. They do not play at cricket, as we do;
nor have boating clubs, nor recreation soci-
eties, nor any thing lighter than skittles,
which they take solemnly. Yet laughter is
in some sort natural to all men, and proper
for all men at fitting seasons. And.even
Americans can be made to laugh; though,
to effect this result, the humor requires to
be of the strongest, roughest sort. Some
times it is like a somersault, heels over head;
or a grimace and grin; or an ejaculation of
boundless incongruity. When the Ameri-
can humorist inflicts a kick, it is so emphatic
that he sends the subject of it "into the mid-
dle of next week!" When he describes a
bass singer, he will tell you that he " sang
so low in the first act, that it was feared his
voice could not get back in time to finish the
opera!" and of the girls in Rhode Island,
that "they beat the Eye-talians by a long
chalk, for they go clean out o' hearin', like a
lark!" A tall man is so tall, that when he
gets home late, he puts his arm down the
chimney and unlatches for himself the street
door! A fellow goes into a field and falls
asleep, but catches cold because he has for-
gotten to shut the gate! (This last, how-
ever, is stolen from the Irish.) Instances of
ludicrous absence of mind are also great
favorites with the Americans; and the odd
corners of our own newspapers have been full
of absurdities of this kind, which we borrow
from them-such as that of the young lady
who posted herself instead of her letter, and
did not find out her mistake until asked
whether she was "single!" Wellerisms,
also, were for a long time great favorites
across the Big Pond; and the Americans
rang the changes upon Samivel's humor until
we were quite sick of the thing. It will be
observed that there is little wit in this sort
of writing. It is simply grotesque, and mon-
strously absurd. A scythe made so sharp
that the shadow of it cuts off a man's leg;
game dressed so high that an epicure is
obliged to get out of his garret-window to
eat it; a man so badly off in Ohio that he
can afford to kill only half a pig at a time;
a Yankee editor's wit so sparkling, that the
authorities prohibit his approach to a pow-
der-magazine or a cotton-warehouse; a man
in Kentucky so enormously big, that when he
died, it took two clergymen and a boy to
preach his funeral sermon-such are speci-

"beats creation." They follow | mens of the outrageous humor which meet
our eyes in the American newspapers.

American humor has, however, its varieties. The nation has already been sufficiently long in existence to have acquired peculiar features and even local characteristics. There is no mistaking the regular New England Yankee. His lean, wiry figure, sallow complexion, nasal twang, sly, quaint, cold, practical, and sarcastic manner, at once point him out, wherever he goes. Farther south, in Virginia and the Carolinas, the manners and conversation, the character and pursuits, of the middle and aristocratic classes, are more genial, or, as we would say, more English. Out west again, the characteristics of the people are altogether different-they are a rough, strong, rather wild race-the immediate descendents of the men who hewed for themselves clearings in the forest, subdued the wilderness, drove back the Red men, and fought the wild bear in his lair. The Americans themselves recognize these varieties in the local characteristics of their people; and hence, we have the Hoosiers of Indiana; the Suckers of Illinois; the Pukes of Missouri; the Buck-eyes of Ohio; the Red-horses of Kentucky; the Mud-heads of Tennessee; the Wolverines of Michigan; the Eels of New England; and the Corncrackers of Virginia.

But the popular humor of the States is nearly all of the same coarse, exaggerated, outrageously ludicrous hind. The New England humor is more sly, quaint, and sarcastic, something like that of the Scotch, whom the New Englanders resemble in many respects. Take the following as an illustration, as told by J. C. Neal, the author of Charcoal Sketches:

"Down on the Long Wharf there was a queer little feller, called Zedekiah Hales, who wasn't more than four feet high, and had a lump between his shoulders. A hull squad of British officers got round Zedekiah, in State street, and were poking all sorts of fun at him; he bore it, 'cause as how he couldn't help it. One of thim, a reg❜lerbuilt dandy captain, lifting up his glass, said to him:

"You horrid, deformed little creature; what's that lump you've got on your shoulder?

"Zedekiah turned round and looked at him for a minute, and, says he:

"It's Bunker Hill, you tarnal fool, you!'"

No doubt Zedekiah had the best of the laugh here. The same writer gives a portrait of a "genuine" Philadelphian patriot,

Peter Brush, a go-the-whole-hog politician. Thus Peter loquitur :

"A long time ago, my ma used to put on her specs, and say, 'Peter, my son, put not your trust in princes;' and from that day to this, I haven't done any thing of the kind, because none on them wanted to borry nothing of me; and I never see a prince or a king, but one or two, and they had been rotated out of office-to borry nothing of them. Princes, pooh! Put not your trust in politicianers-there's my sentiments. You might just as well try to hold an eel by the tail, I don't care which side they're on, for I've tried both, and I know. Put not your trust in politicianers, or you'll get a hyst.

"Ten years ago it came into my head that things weren't going on right, so I pretty nearly gave myself up tetotally to the good of the Republic, and left the shop to look out for itself. I was brimful of patriotism, and so uneasy in my mind for the salivation of freedom, I couldn't work. I tried to guess which side was going to ruin, and I stuck to it like wax; sometimes I was a one side, sometimes a-tother, and sometimes I straddled till the election was over, and came up just in time to jine the hurrah. It was good I was after, and what good could I do if I wasn't on the elected side? But, after all, it was never a bit of use. Whenever the battle was over, no matter what side was sharing the loaves and fishes, and I stepped up, I'll be hanged if they didn't cram all they could into their own mouths, put their arms over some, and grab at all the rest with their paws, and say, 'Go away, you white man, you ain't capable!'

* *

Both sides served me jist alike.

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*

"Here I've been serving my country, more or less, these ten years, like a patriot, going to town meetings, hurraing my daylights out, and getting as blue as blazes; blocking the windows, getting licked fifty times, and having more black eyes and bloody noses than you could shake a stick at, and all for the common good, and for the purity of our illegal rights-and all for what? why, for nix. If any good has come out of it, the country has put it into her own pocket, and swindled me out of my arnings. I can't git no office. Republics is ungrateful! It wasn't reward I was after: I scorns the base insinuation. I only wanted to be took care of, and have nothing to do but take care of the Republic; and I've only got half-nothing to do. Being took care of was the main thing. Republics is ungrateful: I'm swaggered if they ain't. This is the way old sogers is served."

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But to find the genuine "screaming" "horse" humor, we must go into the far west, into the backwoods, the mudflats, and prairies, of the remote and newly-settled districts. Go where the bear and buffalo abound, and then you are sure to fall upon the trail of the genuine humorist. Get "Hoss Allen of Messouri," or "Colonel Crockett, of Kentuck," or the "Big Bear, of Arkansas," to tell you a story, and then be sure you will have the real American flavor. Mr. T. B. Thorpe is one of the best of these story-tellers, and his 'Big Bear of Arkansas" is amazingly rich and ludicrous, though too coarse for quotation in these columns. His description of "fat bar" approaches almost to the sublime. But every thing is fat in the Arkansas State; for it is "the creation State, the pushing-up country, a State where the sile runs down to the centre of the arth, and government gives you a title to every inch of it! Then its airs-just breathe them, and they will make you snort like a horse. It's a State without a fault— it is,"

Colonel Crockett, a real character, was a prime specimen of this sort of humorist, and his descriptions of his courtship, of his election canvasses, of his bear and coon hunts, are of the most ludicrous kind. He professed to grin a coon to death; and once by mistake grinned the bark off a tree. But he grinned himself into Congress for Tennessee, and made the most ludicrous speeches. His descriptions of certain specimens of the sex are outrageously absurd. One woman he describes as "ugly as a stone fence, and so ugly that it almost gave me a pain in the eyes to look at her. She looked at me as savage as a meat-axe. I instantly felt like going. I screamed out like a young painter, [panther,] though I was so mad that I was burning inside like a tar-kiln, and I wonder that the smoke hadn't been pouring out of me at all points." And here is another of his portraits of a gentle western maiden, a regular screamer,' "whom he went acoorting:"

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"She told me that her Sunday bonnet was a hornet's nest, garnished with wolves' tails and eagles' feathers, and that she wore a bran new gown made of a whole bear's hide, the tail serving for a train. She said she could drink of the branch without a cup; could shoot a wild-goose flying; and wade the Mississippi without wetting herself. She said she could not play on the pianne, nor sing like a nightingale, but she could outscream a catamount, and jump over her own shadow; she had good strong horse sense, and

knew a woodchuck from a skunk. So I was pleased with her, and offered her all my plunder if she would let me split the difference and call her Mrs. Crockett.

"She kinder said she must insult her father before she went so far as to marry. So she took me into another room to introduce me to another beau that she had. He was setting on the edge of a grindstone at the back part of a room, with his heels on the mantelpiece! He had the skull of a catamount for a snuff-box, and he was dressed like as he had been used to seeing hard times. I got a squint into one of his pockets, and saw it was full of eyes that had been gouged from people of my acquaintance. I knew my jig was up, for such a feller could outcoort me, and I thort the gal brot me in on porpus to have a fight. So I turned off, and threatened to call again; and I cut through the bushes like a pint of whisky among forty men."

Mr. MacClintock has also written some capital sketches of Yankee Life, in strong caricature: Johnny Beedle's Courtship is the best, but it is very rough. We are, however, disposed to regard Mr. Lowell, the poet, as one of the most genial and moderate of the Humorists of America.

JAMES RUSSELL LOWELL, the American, is better known among us as a serious poet `than as a humorist; and yet he is decidedly greater in the, latter capacity than in the former. We cannot help feeling, while we read his poems, that they are bat echoesat one time of Spenser, of another of Wordsworth, at another of Keats, and lastly, of Tennyson. He is not better than any of these; he is not equal to any of them. More recently he has taken to reform subjects, and worked them up in poems; but politics and poetry cannot always, cannot often, be made to harmonize. Solid prose better suits such severe subjects as democracy, annexation, slave emancipation, temperance, and tariff-reform. If a man has got any thing to say on these subjects, it is not necessary that he should sing it in rhythmic measure. It is better that he should say his say in fitting words, in the form of prose, which is capable of greater force, or at least precision, than can be reached in the hampered form of rhyme. In poems on such subjects there is too often foaming without fits, show of strength without real force, and much violent wrenching of words without any genuine result.

But in his humor Mr. Lowell is altogether successful. There he is at ease, homely and natural. It is never gross, as so much American humor is, but delicate and pene

trating, though sometimes broad, almost farcical, yet in either case irresistible. It does not depend for its success upon mere slang and misspelling, which is all that there is to recommend the works of some other adventurers in this department. His humor is subtle, discriminating, shrewd, genial, yet thoroughly Yankee.

Mr. Lowell first appeared as a humorist in the Biglow Papers. These purport to be a collection made by the Rev. Homer Wilbur, A. M., pastor of the first church in Jalaam, of the papers, poetical and otherwise, of his young parishioner, Hosea Biglow. Hosea has great ambition to get into print, and submits his "littery efforts" to his pastor, who was not backward to recognize in them a certain wild, puckery, acidulous, (or, as the Yankees say,) shut-eye flavor, not wholly unpleasing, nor unwholesome, to palates cloyed with the sugariness of tamed and cultivated fruit. Mr. Wilbur first duly counselled his promising young parishioner to study Pope and Goldsmith, and he accordingly tried one or two pieces in their style; but the youth objected that Mr. Pope's versification was like the regular ticking of one of Willard's clocks, in which one could fancy, after long listening, a certain kind of rhythm or tune, but which yet was only a poverty-stricken tick, tick, after all; and that he had never seen a sweetwater on a trellis growing so fairly, or in forms so pleasing to his eye, as a fox-grape over a scrub-oak in a swamp; adding, that the sweet-water could only be disfigured by having its leaves starched and ironed out, and that "Pegasus" hardly looked right with his mane and tail in curl-papers. So the Rev. Mr. Wilbur left young Hosea Biglow to follow the bent of his natural genius; and American writers generally would do well to follow the same, without thinking so much of either Pope, or Wordsworth, or Tennyson.

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Mr. Wilbur, in his preface to the Biglow Papers, gives a very graphic account of the founding of New England, which we cannot pass over: "New England," says he, was not so much a colony of a mother-country, as a Hagar driven forth into the wilderness. The little self-exiled band which came hither in 1620 came not to seek gold, but to found a democracy. They came that they might have the privilege to work and pray, to sit on hard benches and listen to painful preachers as long as they would, yea, even unto thirtyseventhly, if the Spirit so willed it. As Want was the prime foe these hardy exodists had to fortress themselves against, so it is little wonder if that traditional feud

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is long in wearing out of the stock. The

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he hed as much as 20 Roosters' tales stuck onto his hat and eenamost enuf brass a bobbin up and down on his shoulders and figureed onto his coat and trousis, let alone wut natur hed sot in his featers, to make a 6 pounder out on.

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wounds of the old warfare were long a-healing, and an east wind of hard times puts a new ache in every one of them. Thrift was the first lesson in their horn book, pointed out, letter after letter, by the lean finger of the hard schoolmaster, Necessity. Neither were they plump, rosy-gilled Englishmen wal, Hosea he com home considerabal that came hither, but a hard faced, atrabi- riled, and arter I'd gone to bed I heern Him larious, earnest-eyed race, stiff from long a thrashin round like a short-tailed Bull in wrestling with the Lord in prayer, and who fli- time. The old Woman ses she to me ses had taught Satan to dread the new Puritan she, Zekle ses she, our Hosee's gut the cholhug. Add two hundred years' influence of lery or suthin another ses she; don't you be soil, climate, and exposure, with its necessary skeered, ses I, he's oney amakin pottery ses result of idiosyncrasies, and we have the pre-i, he's ollers on hand at that ere busynes like sent Yankee, full of expedients, half-master Da & martin, and shure enuf, cum mornin, of all trades, inventive in all but the beauti- Hosey he cum down stares full chizzle, hare ful, full of shifts, not yet capable of comfort, on eend and cote tales flyin, and sot right of armed at all points against the old enemy, to go reed his varses to Parson Wilbur bein Hunger; longanimous, good at patching, not he aint aney grate shows o' book larnin himso careful for what is best as for what will self, bimeby he cum back and sed the parson do, with a clasp to his purse and a button to wuz dreffle tickled with 'em as i hoop you his pocket; not skilled to build against Time, will Be, and said they wuz True grit." as in old countries, but against sore-pressing Need; accustomed to move the world with no ro or, but his own two feet, and no lever but his own long forecast. A strange hybrid, indeed, did circumstances beget here in the New World, upon the old Puritan stock, and the earth never before saw such mystic-practicalism, such niggard-geniality, such calculating-fanaticism, such cast-iron enthusiasm, such unwilling humor, such closefisted generosity."

But to the Biglow Papers and their humor. The principal subjects discussed in them, are the Mexican war and the slavery question, seen from a popular or rustic point of view. If the reader can master the dialectic peculiarities of the following extracts, he will find some genuine humor in them, and not a little shrewd sense. We believe the Papers are also valuable as furnishing a repository of the current patois of the New England States, as well as the tone of thought and mode of viewing public questions which prevails in most of them.

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The first letter is from Ezekiel Biglow to the editor of the Boston Courier, enclosing a poem by our Hosea" on the recruiting then going on for soldiers to serve in the Mexican It begins thus:

war.

We can only give a few verses of Hosea's "Pottery," composed in answer to the recruiting sergeant's invitation to him to "List, list, O list!" They are genuine Yankee:

Thresh away you'll hev to rattle
On them kittle drums o' yourn—
'Gainst a knowin kind o' cattle,

That is ketched with mouldy corn;
Put in stiff, you fifer feller,

Let folks see how spry you be,—
Guess you'll toot till you are yeller
'Fore you git ahold of me!

Want to tackle me in, du ye?

I expect you'll have to wait;
When cold lead puts daylight thru ye
You'll begin to kal'late;
'Spose the crows wun't fall to pickin'
All the carkiss from your bones,
Coz you helped to give a lickin'

To them poor half-Spanish drones?
Jest go home an' ask our Nancy

Whether I'd be sech a goose
Ez to jine ye, guess you'd fancy
The etarnal bung was loose!
She wants me for home consumption,
Let alone the hay's to mow,-
Ef you're arter folks o' gumption,

You've a darned long row to hoe.
Take them editors that's crowin'
Like a cockerel three months old,-
Don't ketch any on 'em goin',

Though they be so very bold;
Aint they a prime set o' fellers?
'Fore they think on't, they will sprout,
(Like a peach that's got the yellers,)
With the meanness bustin' out.

"MISTER EDDYTER:-Our Hosea wuz down to Boston last week, and he see, a cruetin sarjunt a struttin round as popler as a hen with 1 chicking, with 2 fellers a drummin and fifin arter him like all natur. the sarjunt he thout Hosea hedn't gut his i teeth cut cos he looked a kinda's though he'd jest com down, so he cal'lated to hook him in, but Hosy woodn't take none o' his sarse for all | in plain terms:

Hosea is a thorough Peace-man, and goes the whole hog in that line, calling war murder,

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