Lectures on the History and Principles of PaintingLongman, Rees, Orme, Brown, Green & Longman, 1833 - 477 страница |
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Страница xiv
... degree of perfection is attained which carries the good onwards till it merits the title of the best ; which conveys to the utmost the form , the expression , or the sentiment of a figure , or of a composition , it must be seen to be ...
... degree of perfection is attained which carries the good onwards till it merits the title of the best ; which conveys to the utmost the form , the expression , or the sentiment of a figure , or of a composition , it must be seen to be ...
Страница xv
... degree which certainly I could never myself attach to the expressions of others who had not seen them . The fine and powerful works of Raffaelle and M. Angelo are not recommended to us by the luxury of colouring , or any very striking ...
... degree which certainly I could never myself attach to the expressions of others who had not seen them . The fine and powerful works of Raffaelle and M. Angelo are not recommended to us by the luxury of colouring , or any very striking ...
Страница xxiv
... degree of importance . But setting aside the possible good to be de- rived from such a national employment of paint- ing , which by many is deemed problematical , and is the less required in these days , when the small craft of the ...
... degree of importance . But setting aside the possible good to be de- rived from such a national employment of paint- ing , which by many is deemed problematical , and is the less required in these days , when the small craft of the ...
Страница xxviii
Thomas Phillips. of national pride and satisfaction , in seeing to how great a degree of excellence it has been carried without it . The adventurous spirit and the zeal of artists themselves have done much to promote it , the strength of ...
Thomas Phillips. of national pride and satisfaction , in seeing to how great a degree of excellence it has been carried without it . The adventurous spirit and the zeal of artists themselves have done much to promote it , the strength of ...
Страница 4
... , and elevation of his mind ; and those paintings which have not the power to produce such effects , in a greater or lesser degree , but minister only to the lower qualities , or to the baser passions of 4 LECTURE I.
... , and elevation of his mind ; and those paintings which have not the power to produce such effects , in a greater or lesser degree , but minister only to the lower qualities , or to the baser passions of 4 LECTURE I.
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action admiration adopted adorn agreeable application arrangement art of painting artist attention beauty breadth character Chiaro-oscuro church Cimabue colour combinations composition contrasts convey Coreggio cultivation degree delight direct display Domenichino draperies effect elevated employed endeavour engaged exalted excellence excite execution exhibited expression feeling Florentine Florentine school Fra Bartolomeo fulness genius Giorgione Giotto grace grandeur gratify Greeks Heliodorus honour hues imagination imitation imitative power imperfect important impress influence ingenious invention Italy knowledge labours Last Judgment LECTURE light and dark light and shade Masaccio masters means ment Michel Angelo mind mode nature object observer obtained ornamental painter peculiar perfect pleasure portion practice principles produce propriety purposes qualities racter Raffaelle refined Rembrandt rendered Rubens scenes selection sense sentiment Sir Joshua Reynolds style taste Tintoretto tion Titian tone truth ture union variety Vatican Venetian Venetian school whilst wrought