 One of his Majesty's chaplains preached; after which, instead of the ancient, grave, and solemn wind music accompanying the organ, was introduced a concert of twenty-four violins between every pause, after the French fantastical light way, better suiting...  Dwight's Journal of Music - Страница 1761878Пуни преглед - О овој књизи
 | Samuel Greatheed, Daniel Parken, Theophilus Williams, Josiah Conder, Thomas Price, Jonathan Edwards Ryland, Edwin Paxton Hood - 1820 - 636 страница
...grave, and solemn wind musiq accompanying y" organ, was introduc'da concert of 24 violins betweene every pause, after the French fantastical light way,...better suiting a tavern or playhouse than a church.' These were early days, which exhihited but a sample and earnest of what the nation gained by the restoration... | |
 | Hugh Owen - 1825 - 650 страница
...laments that in the service of the Chapel Royal, instead of " the ancient grave and solemn wind musiq accompanying the organ, was introduced a concert of twenty-four violins, between every pause of the anthem, after the French fantastical manner ; and, now," he proceeds, " we no more heard the... | |
 | 1833 - 806 страница
...of the antient, grave, and solemn wind musiq accompanying the organ, was introduced a concert of 24 violins between every pause, after the French fantastical...suiting a tavern or Playhouse than a Church. This was the first time of change, and now we no more heard the cornet which gave life to the organ, that Instrument... | |
 | 1833 - 792 страница
...of the antient, grave, and solemn wind musiq accompanying the organ, was introduced a concert of 24 violins between every pause, after the French fantastical...suiting a tavern or Playhouse than a Church. This was the first time of change, and now we no more heard the cornet which gave life to the organ, that Instrument... | |
 | John Evelyn - 1850 - 512 страница
...Lovers." * 21st. One of his Majesty's chaplains preached; after which, instead of the ancient, grave, and solemn wind music accompanying the organ, was...suiting a tavern, or playhouse, than a church. This was the first time of change, and now we no more heard the cornet which gave life to the organ ; that instrument... | |
 | 1859 - 598 страница
...December 1662, at the conclusion of the sermon, ' instead of the ancient grave and solemn windmusic accompanying the organ, was introduced a concert of...better suiting a tavern or playhouse than a church.' Unfortunately, too, the predilection of the king for French fiddlers formed part of his anti-national... | |
 | 1859 - 650 страница
...December, 1662, at the conclusion of the sermon, ' instead of the ancient grave and solemn wind-music accompanying the organ, was introduced a concert of...better suiting a tavern or playhouse than a church.' Unfortunately, too, the predilection of the king for French fiddlers formed part of his anti-national... | |
 | Walter Farquhar Hook - 1859 - 826 страница
...speaking of the service at the Chapel Royal when he was present, says, " Instead of the ancient, grave, and solemn wind music accompanying the organ, was introduced a concert of 24 violins between every pause, after the French fantastical lightway, better suiting a tavern or a... | |
 | Robert Ross - 1860 - 516 страница
...violins, of which Evelyn speaks in angry terms, "instead of the ancient, grave, and solemn wind-music accompanying the organ, was introduced a concert of...suiting a tavern or playhouse than a church". This period produced some musicians of eminence, Purcell " the greatest of English composers", Blow, and... | |
 | John Evelyn - 1870 - 788 страница
...grave, and solemn wind musiq accompanying the organ, was introduced a concert of 24 violins betweene every pause, after the French fantastical light way,...suiting a tavern or playhouse than a church. This was the first time of change, and now we no more heard the cornet which gave life to the organ, that instrument... | |
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