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Vol. V.] Retrofpect of French Literature.-Belles Lettres.

preffed bodies, and of particular emigrants, and ruined perfons, diminishes by twothirds the fale, which was affured to works of labour and folidity, on their firft appearance. The new rich people have either not yet learned to read, or trouble themselves very little about inftruction. The ravages of war have withdrawn from foreigners the means, and almoft the de fire, of purchasing the modern productions of our prefs. As long as the reign of affignats lafted, they purchafed from us many books, which, as they were procured for almost nothing, tended to the real detriment of our trade; now they hardly buy a few pamphlets, and their whole correfpondence is not capable of Occupying or maintaining two or three fhops in this capital (Paris). The book fellers, who, notwithstanding this state of things, ftill wish to hazard fome enterprifes, cannot raife money, except at an exorbitant intereft of fo much by the month, and can procure no credit with the paper-maker, or printer, fo that it is impoflible for them to accomplish any great object.

"Men of letters are not in a fituation Jefs deplorable. After having loft, for the most part, their annuities or penfions, their places, their scholars, &c. and fome even their books, they have only a precarious existence, which has compelled many to embrace profeffions little analogous to their tafte; others, and thofe are the greater number, abandon their toils enFirely, defpairing of deriving any advantage from them, or of ever feeing the fruits of their labours. If this ftate of things fhould continue, they will even furvive, as one may fay, their own thoughts; and the iffue of their long ftudies will be loft for this age and for pofterity. Young men of letters, alarmed at the profpect, muft, of neceffity, renounce a career, to which, in former times, glory, fame, which fometimes fupplies its place, confideration, fometimes even intereft invited them. What fhould they do now in that career? In a fhort time they will find neither judges, nor fpectators, nor crowns; foon becoming as deferted as the ancient ftadium of Olympia, this career will only refound with the difcordant voices of fome barbarians."

It must not, however, be concealed, that the journal whence this extract is taken (Magazin Encyclopedique) is not favourable to the prefent order of things in France. That the property in works of vain erudition, and no utility to mankind, fhould have evaporated, cannot be an

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object of much regret; and the new literary inftitutions muft certainly furnish occupation and bread to greater numbers of men of letters, than the ancient regimen.

Lettres de Platon, &c. Letters of Plato, tranflated from the Greek by A. J. Du gour, formerly Profeffor in the College of La Fleche, 12mo. Thefe letters are well known to the learned. The general reader will be chiefly attracted by fome paffages on the Sicilian government, ap plicable to the prefent ftate of affairs in France.

Effai fur les Ouvrages, &c. An Effay on the Phyfico-mathematical Works of Leonarde de Vinci, with Fragments from his Manufcripts, brought from Italy; by J. B. Venturi, 4to. pamphlet. Among the prizes derived from the French war in Italy, are thirteen volumes by the cele brated Leonardo da Vinci, who, endowed with extraordinary talents, was not only a capital painter, but alfo a sculpter, mufi cian, mathematician, philofopher, excel. lent engineer. Venturi, rending in France, obtained leave to infpect thefe volumes; and having extracted all that appeared worthy of publication, propofes to publifh, in feparate and complete trea tifes, all that concerns mechanics, hydrau lics, and optics. It appears from the prefent pamphlet, that Vinci, by his fublime genius, had, before the year 1500, forestalled many difcoveries, esteemed honourable to the two fucceeding centuries. At the end, Venturi gives a cata logue of Vinci's pictures and drawings, and the prints taken from them, and forms a juft and high eftimate of the perfections of this furprising painter. Rubens seems juftly to have faid, that it was impoffible to exaggerate his praife, or to imitate his fkill.

Effai fur les Antiquités, &c. An Effay on the Antiquities of the North, and on the ancient Northern Tongues, by Charles Pongeus, 8vo. This little work prefents a fhort analysis of works on Northern Antiquities. But the French antiquarians are not much verfed in this branch of learning; and we must warn them against two radical errors, 1. The runic piece on the ftory of Hialmar, republished by Hickes, and often referred to as a genuine monument, is a mere forgery: many late Danish antiquarians have put this beyond all doubt: 2. A far more important error is, that the French antiquaries, mifled by Pellontier, confound the two grand divifions of Scythic and Celtic nations. The former fpake the Gothic tongue, from which spring the German, 34a

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Retrofpect of French Literature.-Poetry.

English, Scandinavian, Icelandic, &c.; the latter the Celtic, of which the Irish, Welch, Armoric, are daughters. For ample illuftrations on this fubject, we must refer them to Bishop Percy's preface to the "Northern Antiquities," London, 1770, 2 vols. 8vo. and to Pinkerton's Differtation on the Scythians, London, 1787, 8vo. An English reader cannot help being impreffed with the idea of profound ignorance, when he fees the Edda quoted as a Celtic monument, and the Gothic languages denominated Celtic, which is juft the fame as to fay, that the people of London speak Welsh!!!

La France Litteraire, &c. Only the first volume of this work is published: it is an alphabetic account of all the French authors, who wrote between 1771 and 1796. The author, M. Erfch, is a learned German.

Oeuvres, &c. The complete Works of Du Maroces, 7 vols. 8vo. The works of this philofophical grammarian had not been before collected.

Choix de Coftumes, &c. A Collection of the Coftume, civil and military, of ancient Nations; with their Furniture, and the interior Decorations of their Houfes; taken from ancient Monuments, and accompanied with a Defcription derived from ancient Authors, drawn, engraved, and illuftrated by N. X. Willemin, fmall folio. This ufeful work is commenced, and will contain 150 plates. A work of the fame kind, for the middle ages, would be of great ufe, our artifis erring daily in the coftume, in fpite of the publications of Montfaucon and Strutt.

Mémoires, ou Efais fur le Mufique, &c. Memoirs, or Effays, on Mufic, by the Cit. Geotry, Member of the National Inftitute of France, 3 vols. 8vo. This is a most interesting work, difplaying the gradual reform of French mufic, which now presents an union of German and Italian harmony. Gluck was the mafter, who, with an Herculean club, broke the old barbarous idol. Geotry fucceeded. What mighty genius fhall teach the French the charms of blank verfe, fo fuperlative in epic and dramatic poetry, and familiar to all the other nations of Europe How much is it to be regretted, that the modern univerfal language fhould be deficient in most important advantages!

Oeuvres Poftbumes de Montesquieu, &c. The Pofthumous Works of Montefquieu, to ferve as a Supplement to former Editions, 12mo. These pieces, undoubtadly genuine, were found among the

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family papers. One of the chief is a chapter belonging to the work, On the Grandeur and Decline of the Roman Power; it is intituled, "On the Politics of the Romans with regard to Religion," and was too bold to be printed under the old government. Montefquieu fhews, that the Egyptians and Jews were the only ancient nations, among whom the priests were a feparate and peculiar body. of men: and he evinces the great advantages of the Roman policy, in blending the facerdotal with the civil character and duties; others are an culogy on the duke de la Ferer, and fome memoirs on literature, read in the academy at Bourdeaux. At the end are thoughts on different fubjects, among which are the following:

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Timidity has always been the fcourge of my life: it seems even to obfcurè my organs, tie my tongue, cloud my thoughts, derange my expreflions. I was lefs fubject to thefe lowneffes before people of wit, than in the company of fools, because I hoped that people of wit would find fome in me: this gave me confidence."

"I have a fingular difeate, that of making books, and being ashamed of them afterwards.”

POETRY.

Le Docteur Pancrace, &c. Dr. Panc race, a fatire by Chenier, 8vo. This poet is efteemed one of the best modern fatirifts, but is fometimes too perfonal, and has more of the fpirit of Pope and Voltaire, than of Horace and Juvenal.

Epitre aux Femmes, &c. An Epistle to the Women, by the female citizen Pipelet, 8vo. The cause of the ladies is here defended in very tolerable verfe. The authorefs infers an abfolute equality between the fexes; if fo, it is surprising that the equality remains to be proved. The ancient Amazons, how unhappily, left be hind them no monument of science, or art, or even conqueft.

Les Francs, &c. The Franks, an he roic poem, in ten cantos, by the Citizen LESUR, 8vo. This is a hiftory, in verfe, of the conquefts of the French in this war, clofing with the taking of Mantua. In the fpirit of freedom it rivals Lucan; but is far inferior in point of poetry.

Effais, en vers, &c. Effays, in verfe and profe, by Jofeph Rouget Delife; Paris, printed by Didot, 8vo. This author is at once, poet, musician, and friend of freedom. The Chant des Combats; or Marcellois Hymn; the fong of Roland at Roncevaux, &c. are known, all over Europe.

Epitre fur l'Italie, &c. An Epiftle on

Vol. V.]

Retrofpect of French Literature.-Novels, &c.

Italy, with fome other poems relative to that country, by Theodore Defarguro, 8vo. The author, who has travelled in Italy, and writes the Italian language, here pays a poetical tribute to that fair country, and the great men it has lately produced.

La Religion vengée, &c. Religion avenged, a Poem in ten cantos, 8vo. The first edition of this pofthumous work of Cardinal de Borius was printed at Parma by Bodau; the fubject is the triumph of religion over idolatry, atheism, &c. In the opinion of the French critics, it is inferior to the fimilar poem of Louis Racine. The celebrated poet Delille has published a new work at Bafle, his Georgiques Françoifes. From the extracts we have feen, it is worthy of the tranflator of Virgil's Georgic, and of the author of Les Jardins. France poffeffes an excellent lyric poet, Lebrun, whofe productions in the French journals breathe the real fpirit

of the ode.

NOVELS.

Peregrinus Protes, &c. Peregrine Proteus, tranflated from Wieland, 2 vols.

18mo.

Gerard de Velfen, &c. Gerard de Velfen, or the Origin of Amfterdam, an hiftorical novel, in feven books, by Mercier de Campiogne, 18mo.

La Religieufe, &c. The Nun, by Diderot; a new edition, 3 vols. 18mo. This has a portrait of the author, and other prints.

Les Bataves, &c. The Batavians, by Biraubé, 12mo. This is a kind of hiftorical romance, founded on the deliverance of the United Provinces from the power of Spain. The hiftorical romance is an unpleafing fpecies of compofition to read ers of genuine tafte, who would with to keep truth and fiction in their peculiar spheres.

Alpbonfe d'Armencourt, &c. Alfonfo d'Armencourt, or the Fair Widow, by Madame de Sancy, 18mo. This novel, far inferior to thofe of Madame Riccoboni, has nothing to recommend it either in plan, characters, or fituations.

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Alexandrine de Bannay, &c. Alexandrina de Bannay, or Innocence and Wickednefs, an hiftorical Anecdote by Le Brun, Taffo, 12mo. The heroine of this novel, daughter of a country gentleman, and educated in the country by a devout mother, is feduced, or rather violated, by a curate, her confeffr; becoming preg nant, her feducer, to preferve his character of holiness, accufed her own brother, &c. The profligacy of the French clergy was fufficiently notorious, without adding invented crimes.

Marie de Sinclair, &c. Marie de Sinclair, 12mo. This novel is of the fentimental caft, and feems to have no particular claim to recommendation.

MISCELLANIES.

Effai fur la Propreté de Paris, &c. An Effay on cleanfing Paris, by Cit. CHALVET, 8vo. This pamphlet deferves great praife. The author begins with fhewing the advantages of cleanliness in general, in a moral and falutary way. In a more particular confideration of his fubject, he points out the defects in the capital, the dirtinefs occafioned by the want of drains and fewers, the height of the houfes, the narrowness of the streets, the filthy red with which the outside of the fhops is daubed, by way of ornament, stalls permitted even in narrow places, horfes fhoed in the street, carriages and cafks left flanding, clothes fcowering, and, of late, even butchers kiling and cleansing, skins fufpended by tanners, and linen by washerwomen. The author juftly obferves, that it is in vain to ornament a city with magnificent edifices, if the avenues be fuffered to remain thus obnoxious. "It is," fays he, "like hanging of fine paintings in a room fpread with fpider-webs."

Effai fur la Pb fiognomie, &c. An Effay on the Physiognomy of living Bodies, from Man down to Plants, &c. by J. J. SUE, &c. 8vo. The abfurdities of Lavater foon fell in England, but feem to thrive in France. Fielding fays, "we may look in a man's face, to fee if he have 'had the fmall-pox, but for nothing else.

Thefe Retrofpe&s will, in future Supplements, be extended to the State of Literature in the NORTH of EUROPE, ITALY, and AMERICA.

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THE study of medals is by many confidered a frivolous and unprofitable purfuit; and by many made the fubject of farire. But fatire may strike what is not vulnerable, and the blow may recoil on the affailant. Trifters, I confefs, are proper objects of ridicule, and triflers are found among the collectors of coins: but on what fubjects may not men trifle? Are not painters, poets, philofophers and divines frequently triflers, infufferable triflers? Dulce eft defipere in loco-to trifle in feafon is fwect-is unquestionably an excellent maxim, but is liable to mifinterpretation, and may be carried beyond reafonable bounds, particularly if that rule of philofophy, laid down by an ancient writer, be admitted, "to perform nothing merely for the fake of pleasure, but with the profitable always to mix the agreeable."-Being convinced that the abufe alone of the medallic art is entitled to ridicule, I beg leave, agreeably to my former notice, to fubmit to the confideration of your readers the following remarks:

1. The ftudy of coins may be rendered fubfervient to literary purfuits: I more particularly refer to ancient literature. It is not neceffary to inquire, at prefent, concerning the period when medals were firft invented: this would be a question rather curious, than ufeful; and though agitated with plaufibility, could not be fatisfactorily fettled. Suffice it to obferve, that the original method of commerce was, to exchange one commodity for another; and that when medals were firft employed as fubftitutes, they were made ufe of in rough bars. Thele bars were valued according to weight and bulk: hence the SHEKEL, the principal coin anong the ancient Hebrews is derived from SHAKEL to weigh; to which from κατηας, to weigh, anfwers among the Greeks. In like manner pendere, to weigh, among the Latins, is the origin of the words impendere, expendere, and other fimilar words, for ing and spending money.

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An acquaintance with antient medals may be ferviceable to men of letters in various ways.

1. The RELIGION or MYTHOLOGY of a country may be illuftrated by them. On confidering the usefulness and importance of any difcovery, the ancients were ambitious of afcribing the invention to their gods. Ceres, we are told, difco

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vered corn; Bacchus, the vine; Pallas, the olive; and Triptolemus, the plough. Liber & alma Ceres, veftro fi munere tellus Chaoniam pingui glandem mutavit ariftâ, Poculaq. inventis Acheloia mifcuit uvis. Bacchus, and foft'ring Ceres, pow'r divine, Who gives us corn for meat, for water wine. Virgil Georgic: lib. i.

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Some have, in like manner, attributed the discovery of medals to Janus or Saturn. Be this, as it may, the ancients carried their religious ideas to their coins, and to treat difrefpectfully a coin ftamped with the head of their princes, was confidered an impiety. They were fond of adorning the reverfe of their medals with the heads of their deities, with their appropriate characters, and offices, or with the more ftriking circumstances and diftinctions of their religious ceremonies. Thus we have Caftor and Pollux on horfeback; Apollo with his lyre: Cupid fharpening his darts, and with a quiver of arrows: Mercury with his caduceus, and Pegafus; and the like. The ancient Hebrews, in like manner, fhewed particular attention to their religious ceremonies on their coins, examples of which may be feen in the writers, on Hebrew antiqui, ties*. The religion of the Greeks is fuppofed by fome to be nothing but an uniform and impreffive fpecies of perfonification. Its peculiarities may be illuftrated by medals. With refpect to this view of the fubject, then, a good collection of coins may be confidered not only as a kind of MEMORIA TECHNICA, but as so many expofitions (laid immediately before the eyes) of the religious rites of remote periods.

2. The knowledge of HISTORY, and inquiries connected with history, may be expedited by an acquaintance with me. dals.

Many of the designs on modern coins are as trifling and impertinent as the execution of the artift is mean and homely. This obfervation, however, is not intended as an infinuation, that antient art is entirely blamelefs. Some of the Roman coins, ftamped under their emperors, fpeak the language of adulation: but even in thofe few inftances, it was the

* Vid. Villalpandus de Pond, & Numifmat, lib. ii. Diff. iv, cap. 22.

language

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Janguage of government, not the language of private individuals, confound, ing the customs of remote periods, and of different nations, or trumpeting forth their own praifes, and prefenting you with reprefentations of their own perfons. Mint-matters were appointed by the government, and the devices, more particularly in the purer days of the republic, were fignificant and inftructive. Every event of national importance is recorded on them, and many are noticed, that are left unrecorded by the hiftorian: so that ancient coins may be confidered as monuments thrown over the devaftation of ages, or perhaps, more properly as cabinets, in which are preferved the arcana of ancient history.

Baron Spanheim, who, with fome diffuseness, has written on the ufe of medals, establishes their importance from thefe long confiderations: first from the injury of barbarous times, which transmitted the hiftory of the firft ages in an imperfect form: fecondly, from the contradictions of the Greek and Roman hiftorians: thirdly, from the character of hiftorians, who, through hatred, partiality, or negligence, have miftated facts: fourthly, from the conduct of hiftorians, in many refpects of great authority, but who have omitted circumftances of the utmost confequence to the perfection and integrity of history *.

The medal, faithful to its charge of fame, bears each form and Through climes and ages

name:

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divine art was advanced to great perfec tion by the Greeks. But where are the immediate proofs of its excellence? They are perifhed. The very few remains of the Grecian painters rather create forrow. and regret, than pleafure and fatisfac-tion. Even Apelles only lives in repu tation. The. Venus, that obtained fo many admirers; the Alexander, with his thunder, that ftruck horror into beholders; thofe prodigies of skill, the productions of Parrhafius, Zeuxis, and Protogenes, are now no more: fo perishable are the most exquifite exhibitions of the art of painting! The beautiful fimile of Cicero comparing the republic of his time to a picture perifhing through age, and lofing its genuine colours and lines, conveys a ferious and affecting truth, that one of the most fafcinating arts is the moft fleeting, and indebted for its remembrance to foreign affiftance.

The importance of medals, with re gard to painting, confifts not merely in their exhibiting patterns or exemplars, executed with tafte and ingenuity, but in their being, in fome inftances, the only means of preferving the defigns of the most perfect matters of painting. Nor need it furprife us, that painters have fo much contributed to promote the study of medals. Pifani, Bolderi, and other paint ers, firft revived it in the 15th century: Raphael had thoroughly ftudied the fubject, as well as Le Brun, and Rubens had a fine collection in his own poffeffion.

their

It has been frequently obferved, that painters, ftatuaries, and medallifts worked The most beau. from the fame defigns. tiful ftatues extant, all of them, mak: the figures that reprefent them were never appearance on ancient coins, though conceived to be copies of ftatues, till the copies themselves were discovered. This is true of the Hercules in the Farnefe Palace; the Venus de Medicis; the Apollo in the Belvidera, and the celebrated Marcus Aurelius on horfeback t

In one fhort view fubjected to our eye, Gods, emp'rors, heroes, fages, beauties lie. In like manner, the dates of remarkable events have been fixed, which, but for the light derived from ancient medals, would have been unknown; fo that the tudy of coins may affist chronology: the names of various cities have been restored, and light has been thrown on ancient geography; the remembrance of remarkable customs has been preferved; the form 4. The fourth use, that I shall mennot only of the Greek and Roman let-tion, to which the study of ancient medals ters, but of the Phoenician, the Hebrew, may be rendered fubfervient, is, to illuand Samaritan have been afcertained; ftrate the ancient poets. and other particulars, throwing light on history, have been elucidated, confirming dubious facts, or difproving erroneous

statements.

3. The medals of antiquity have been beneficial in the art of painting. This

Ezechielis Spanheim Differtatio de præftantia et ufu numifmatum antiquorum, P.97.

When it is recollected that the mint, as before obferved, was, in ancient times, entirely under the direction of govern ment; that the medallift and the poet frequently worked froin the same models, lived at the fame period, and were habituated to the fame cuftoms; it is a natural

+ See Addifon's Dialogues on the useful nefs of Ancient Medals, dial. ì.

confequance,

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