that say, an' t'other say; an' here I am, Larry Carey, at yer sarvice." "Why, what a tarnation fool you must have been, Paddy!" said Dawson, drawling his words. "But have another drink, man: I like such fools as you. Shake hands." The Irishman stood up and slapped his hand heartily into that of the American, the two joining in a firm grip. "And now I must be off, Pat; so good-bye, my lad; but we will meet again." "Poor?' sez I; 'an' who d'ye call poor? I'm as well off as any gintleman among ye. Haven't I got tin-pun-tin, harvest money, widout countin' the fourpenny bits? An' who's to pervent me "An' if we do, yer honour, will ye be kind goin' if I like?' enough to remimber that I'm wan ov the Careys of "Nonsense, me man!' he says, 'ye mustn't think County Cork; an' me name's not Paddy, bud Larry?” ov it.' "Bud I do think ov it, yer honour,' I sez. 'Who'll ye get to rape yer corn whin it grows? D'ye think there'll be plinty ov boys from the ould counthry comin' an' askin' for a job! Wanst for all, yer honour,' I sez, 'I shall go wid ye, an' if I don't I shall follow ye.' "An, to make a long story short, I talked to the misthress and Miss Mary-God bless her an' we was too much for the masther; an' he consinted, an' we come-come across this say, an' "I will, Larry," said the other, and he strode away. "There, now!" said Larry, scratching his head as soon as he was alone; "an' I've been an' towld him all about it, when the master said, 'be saycret.' Bud never mind, he's the right sort, an' it won't be any harm. Bud if he isn't-whoo!" Larry gave his stick a flourish in the air, and delivered a smart blow that would have had serious results if it had come in contact with an enemy's head. Then he walked off and entered the Chesapeake Hotel. THE PROUD MISS MACBRIDE. Proud of her teeth, and proud of her talk, Proud abroad, and proud at home, Proud as the head of a Saracen Over the door of a tippling-shop; Proud as a duchess, proud as a fop, "Proud as a boy with a braw new top," It seems a singular thing to say, In sooth, her dull auricular drum What lowly meant she didn't know, The meaning of meek she never knew, She never confessed a favour aloud, And yet the pride of Miss MacBride, Had really no foundation; But, like the fabrics that gossips devise- And grow till they reach a four-storey size- "Tis a curious fact as ever was known Alike in castle and cottage, That pride, like pigs of a certain breed, Will manage to live and thrive on feed " As poor as a pauper's pottage. That her wit should never have made her vain, Was-like her face-sufficiently plain; And as to her musical powers, Her birth, indeed, was uncommonly high, To people of rank and fashion. English and Irish, French and Spanish, By a violent manual action, She perfectly scorned the best of his clan, Another, whose sign was a golden boot, Was mortified with a bootless suit, In a way that was quite appalling; For, though a regular sutor by trade, He wasn't a suitor to suit the maid, Who cut him off with a saw-and bade "The cobbler keep to his calling." (The muse must let a secret out: There isn't the faintest shadow of doubt Are they whose sires, by pounding their knees, From Poverty's galling manacles.) A rich tobacconist comes and sues, A man of his wealth and liberal views, And could you really love him;" A young attorney, of winning grace, With true judicial celerity; For the lawyer was poor, and "seedy" to boot, The last of those who came to court And, maugre his meagre pocket, Now dapper JIM his courtship plied (I wish the fact could be denied) With an eye to the purse of the old MACBRIDE, And really "nothing shorter !" For he said to himself, in his greedy lust, Quite graciously relented; And tossing her head, and turning her back, Alas! that people who've got their box Should stock their fancy with fancy-stocks, Alas! that people whose money affairs Old JOHN MACBRIDE, one fatal day Of fortune's undertakers; At his trade again, in the very shop He follows his ancient calling- But, alas for the haughty Miss MACBRIDE, Her jaded spirits to rally; "Twas a dreadful change in human affairs, From a Place "up-town" to a nook "up-stairs," From an avenue down to an alley! 'Twas little condolence she had, God wot, From her "troop of friends" who hadn't forgot The airs she used to borrow; They had civil phrases enough, but yet 'Twas plain to see that their "deepest regret" Was a different thing from sorrow! They owned it couldn't have well been worse, But it wasn't strange-they whisper'd-at all! And one of those chaps who made a pun, And vulgar people-the saucy churls!- And mocked at her situation; "She wasn't ruined, they ventured to hope- And, to make her cup of woe run over, Her elegant, ardent, plighted lover A WALK WITH A VENTRILOQUIST. HE party comprised Elliston the actor, and Alexandre the ventriloquist. Their first step was towards Charing Cross. The splendid houses now forming Pall Mall East had just been erected. Reaching Cockspur Street, it was settled that the actor should give the Frenchman the cue when he was to ventriloquise, by kicking his shins. "You must animate one of these carcases," said Elliston, surveying the unfinished building; "here is an empty house that wants a tenant; you must supply one." The workmen had long retired from the labour of the day, and though the windows were without sashes, and there was little to steal in the several houses, the doors of them were carefully locked to prevent homeless vagabonds occupying them for the night. The dusk favoured the performance. Planting. themselves close to the railings of the first of these edifices the door," said a fourth. "A drunken man," said another. "Call the watch." said a third. "Break open The watchman of the district advanced, calling the hour; seeing the mob he lost no time in joining it. "Och, by St. Bridget's flannel petticoat," said he, on hearing the cries, "but it's that divil's own darlint, Tim Corcoran; sure enough, he's been having a trifle too much refreshment, and they've overlooked the spalpeen and locked him in; faith it's a way he's got, but we mustn't let him remain there. It's a cold night, more by token that I've just taken a noggin of the cratur myself then isn't he a countryman? By the powers I'll go and get the keys and let him out directly-be aisy wid you there. Tim, it's myself, your friend Shamus McGuire that's coming to let you out with my lantern, and will do it beautifully in no time, so be aisy wid you." Proceeding to a tradesman in the neighbourhood, with whom the keys were deposited, honest Shamus soon returned with them. The mob had now considerably increased, and all was impatience and anxiety. The door was speedily unlocked and Shamus descended. "Do you see him, do you see him?" cried every one. "Divil a haporth," answered Shamus. "Have you found the hole?" "Not a bit of it-there's no drunken man here." A kick on the ventriloquist's shins caused a renewal of the entreaties for help. The mob were greatly enraged at this proof of Shamus's fallibility. "You are drunk yourself," they shouted; "the poor fellow's crying for help now, we can hear him quite plain." "Drunk and is it me that's drunk. By the powers, but you may come and look yourselves, then; but stay, I'll just sarch the back premises. Oh, murder, murder, murder !" "What's the matter? Have you found the hole?" "Sure and I have !" "Then why don't you pull the poor fellow out of it?" "Och, by the powers! for a mighty good raisin, I'm in it myself up to the chin! Help me out, help me out ! I shall be murdered if I stay here three minutes longer." Fully persuaded that he would be murdered if he stayed three minutes longer, the ventriloquist here availed himself of the confusion created by this discovery to take French leave. "I was certain some one was in the vault," said Elliston; "you see I was right my friends. Go down and help the sufferer out directly, but take care you don't get into the hole yourselves as watchey has done." The mob obeyed his directions, and while they disappeared in the cellar to extricate Shamus, he with the narrator also disappeared in search of the ventriloquist, leaving watchey to get out of the cesspool as well as he could. Overtaking Alexandre in the Haymarket, they made their way to a retired locality, where a celebrated anatomical lecturer had then a museum, or menagerie, as the populace more commonly called it. This will be the very thing," said Elliston to the Frenchman, suddenly recollecting the circumstances. "As you have succeeded so well with the carcass in Cockspur Street, I'll try if I can't find you an equally good subject here. My friend shall help us, we can't want one with him." It was now between nine and ten; there was not a soul to be seen in the street, except an ancient dame who was descending some steps at the further end of the place, bearing a hot meat-pie which she was bringing from a baker's. "Now then," said Elliston to the ventriloquist, "throw your voice into that vault. You are a dead body wanting to get out. You are a skeleton wishing to take the air. We can never have a better opportunity; now for it." Piteous groans were immediately heard. "Let me out, let me out!" cried a voice, rendered more natural by the apprehension of the ventriloquist. "What's the matter?" said an old lady, approaching. "Upon my word, I don't know, my good ma'am,” said Elliston; "but there seems some person in great distress here-listen!" Here he kicked the ventriloquist's shins. "For goodness sake, help me out!" groaned the voice, apparently in the last agonies. "Gracious preserve me!" cried the old lady, turning deadly pale, and unconsciously letting fall the pie, which was reduced, as the Americans say, to immortal smash. |